Der verkehrte Sherlock Holmes

I saw this gem of a motion picture on television in the early 70's. I really was no more than a boy when I saw it and yet it touched me in a way that no other film had. For the first time I appreciated a piece of cinema for more than just idle distraction from dull small town Texas life. They Might Be Giants taught me that movies could be art and could elevate as much as they entertain. From that time to this, whenever I am asked what is my favourite film, I always point to this picture. It was done on a very low budget so the story, characters and amazing actors carry it along the streets of New York, creating a world of whimsical romance and serio-comic tension. The relationship between the mad Justin Playfair (a loony judge who thinks he's Sherlock Homes) and Dr. Mildred Watson (obviously destined to become the pschizo's unwilling side kick) builds into a romance that is funny, touching and, by the end, uplifting. It is available on DVD now and is a cherished piece of my extensive collection. 10 out of 10 all the way.

I stumbled across this sleeper on cable years ago. I was familiar with Scott's heavy roles, but was absolutely blown away by his portrayal of a charming, self-convinced character who thought he was Sherlock Holmes. The way his face lit up when he met Joanne Woodward's Dr. Watson was one of my favorite movie "moments" of all time.

I am writing this on learning of his passing. While not his greatest movie, it deserves watching almost as much as Patton, The Hospital, Dr. Strangelove, or 12 Angry Men (& much more than Firestarter), if only to see him in an entirely different type of character.

In 1976, ONE FLEW OVER THE CUCKOO'S NEST(1975) was nominated for 9 Academy Awards, winning 5 in all the major categories. But 5 years earlier, another film tackled mental illness (all be it in a different manner) in it's own unique way. This film was THEY MIGHT BE GIANTS(1971). Now many would argue that Cuckoo's Nest was a superior film, and they would probably be right. They Might Be Giants was shot on a miniscule budget, and was cut down for release by studio exec's. In a further insult, the same studio exec's refused to support the Director's bid for a wide release. It's a shame too, because it featured one of the most overlooked comic performances in film history. George C.Scott plays Justin Playfair, a retired judge who thinks he's Sherlock Holmes. And he does it perfectly. Right down to the subtle gestures and mannerisms. In one of films best scenes, Playfair arrives in a local Mental Institution for an evaluation. A struggle breaks out with the patient before him (a mute, who refuses to reveal even his name) and it's up to Holmes to save the day. And Save the day he does. The Dialogue in this scene is brilliant. Some of the best I've ever heard. And it's all Scott. Not only does he get the man to talk, he guesses his name! The supporting cast is excellent as well. Joanne Woodward is the perfect foil as Dr Watson, Jack Gilford as Wilbur Peabody, and the rest of the New York actors are real, and delightfully eccentric. The end of the film with the "March to find Moriarty" is a classic. Listen to the music in this scene, it's great! So if you liked Cuckoo's nest, check this one out...you won't regret it!!

They Might Be Giants is now better known for giving the name to a quirky pop group rather a quirky cult film in its own right. Although the title is derived from Cervantes novel Don Quixote.

The films is an adaptation of the stage play where George C Scott plays a brilliant jurists who after the death of his wife thinks he is Sherlock Holmes.

His brother tries to have him committed so he can receive his money. The psychiatrist who is to evaluate him is called Dr Mildred Watson (Joanne Woodward) in order to understand his condition more ends up enlisting in his adventures to venture down the streets of New York to find Moriarty.

Dr Watson is sceptical at first and knows the condition he is suffering from, standard textbook stuff really. However Dr Watson a middle aged spinster has issues of her own and is drawn to the former judge and the director pulls off a remarkable trick where at a point in the film the sceptic becomes a convert. Both fall for each other and pursue Moriarty with zeal.

The film deals with mental illness and some themes in this film were pursued two decades later by Terry Gilliam in the movie The Fisher King, a director who has long pursued to make his own version of Don Quixote.

This is a small scale actors film. Both Scott and Woodward give terrific performances with a strong support cast. It does have it flaws, maybe the brother needed to be drawn stronger as a villain and it might just get a bit to silly at the end. The climax is rather frustrating as they think Moriarty is approaching.

This is a quirky, oddly affecting comedy about a judge, gone psychotic after the death of his wife, who believes that he is Sherlock Holmes. His brother wants him committed to an asylum, not for reasons of concern, but so that he can become executor of the would be Holmes's considerable estate.

A female psychiatrist is asked to interview him for the formality of the commitment but becomes fascinated by the "Holmes" she meets because of his truly extraordinary deductive reasoning. It's apparent that, delusional or not, he may be a genius of some kind, and far more fascinating than most ordinary mortals.

The psychiatrist, whose name just happens to be Watson, joins this Sherlock Holmes in his quest to search the streets of New York City for his nemesis, Professor Moriarty. On the way they meet various other people, also largely spurned by society, but, somehow, kindred souls in an otherwise pretty cold world.

This strange but intelligent, utterly charming film died a quick death at the 1971 box office, but has found a cult following of sorts over the years. George C. Scott, with briar pipe and deerstalker hat, is virtual perfection in the role of the man who believes he is Holmes, while Joanne Woodward, devoid of her usual glamour, playing the socially awkward psychiatrist who starts to gradually believe in his cause, brings a warmth and touching vulnerability to her role.

The film has a few wonderful scenes with lovely little touches. Holmes takes his Watson to a little movie theatre, almost empty but for a few street people, and a makeout couple in the top balcony. Yet the street people there all know him, greeting him with smiles as "Mr. Holmes" at this theatre where he likes to come for comfort and watch westerns.

At another unexpected moment a police officer suddenly comes around the corner, spots "Holmes" and a large smile spreads across his face as he says, "Why, Mr. Rathbone, it's an honor, sir," as he reaches over to shake his hand.

And, towards the film's beginning, there is a marvelous scene in which Scott, dressed as Holmes, arrives at a seedy asylum where an inmate is being abused by an orderly. There's a low angle camera shot of a towering Scott/Holmes as he struts through the hallway unruffled, dispassionately disarming orderlies who try to grab him, then proceeds to analyze the mind of the abused patient in a manner that has the patient's doctor (Watson in her first encounter of him) in almost open mouthed admiration.

The film's final scene will undoubtedly baffle many viewers because of its ambiguity. It's a moment that is clearly open to interpretation. But I think that scene, and this film, are about the soaring human spirit, and a belief in one's self even though logic and all around you may tell you that you are wrong.