The Ballad of Tam Lin

I enjoyed Ava Gardner's sense of age of Aquarius presence for the film. I would have appreciated seeing more films directed by Roddy McDowall. True works of art always have always been birthed from turmoil. The male leads were memorable (Ian McShane)…."You wasted my life….You won't let me go…". The movie helped me respect my middle-age and desire to have something more to life than impending old age and empty nest syndrome. I can't wait to find a bright orange outfit like the one Ava wore in the opening scene. "Give him back……." (so memorable). The character's Scottish retreat appears to offer the viewer a permanent round of relaxation and welcome (along with a picnic basket of memorable one liners!) All the characters were interesting to watch unfold - male accountant; (my favorite was the fortune teller. The plot moves too quickly to convey very mature feelings in a immature world of valley of the doll babies. Tom makes the potentially fatal error of falling in love with the daughter of the local vicar – he should have stayed with Micky. This movie was not sluggish and uneventful; it gets better as it progresses into the story. I would recommend this film as a sleeper and a keeper! (smile)

Roddy McDowell at his first and unique directorial experience hired his goddess Ava Gardner to play this fabulous and contentious ancient folk Scottish fairy tale "Tam Lin" adapted for late sixties, over a possessive Witch-Lady (Gardner) that used to gathering around free-spirit youngest group and a special lover (McShane) as long as he doesn't dare leave her love nest for another girl, in that case she used to kill them, however such death will not undertaken by the spiteful woman, after drug-induced aiming for a self-murder by a stark having mad in a hunting carried out by the crazy crowd of the youngest group.

The outcome has a strong similitude with THE MOST DANGEROUS GAMES's Zaroff, it was shot in 1967, although the Commonwealth United Entertainment went to bankrupt before the movie be released, henceforth it was shelved, let McDowall too much disgruntled, worst it made a true damage for the picture that lost the timing previously stablished, just in 1970 the movie was released finally, nevertheless it was utterly chopped to the dismay of the young director Roddy McDowall, just now come out officially the uncut and restored version conceived by him in plenty way.

Since then the cinephiles around the world have been assessed, therefore dealing it as near masterpiece like me, it has many qualities on cinematography, moving camera, slow motion, great photography and an outstanding Scottish landscape, great scenarios also a scariest and lavish adornment as turkey mark used by Ava Gardner, a must to see!!

Thanks for reading.

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First watch: 2024 / How many: 1 / Source: DVD / Rating: 8.

That's the tag-line American International Pictures used to exploit this fantasy/horror film. Based on the ancient Scottish ballad "Tam Lin" (one of it's many titles), the plot concerns an aging, beautiful woman Ava Gardner) who uses her wealth (and occasionally, witchcraft) to control a decadent pack of attractive young people she surrounds herself with. But when her latest young stud (Ian McShane) falls for the local vicar's daughter (Stephanie Beacham), she vows revenge. The plot is fairly simple, though first (and last) time director Roddy McDowall does his best to insert as much ambiguity and mysticism as he can get away with. More of a fairy-tale allegory than a terror film, it was completed in late 1969, but ended up on the shelf when it's production company, Commonwealth United, went bankrupt. Three years later, along came AIP, who bought it and edited it over McDowall's protests. Devising a typically lurid advertising campaign, they exploited it as one of those "aging glamour star horror films" so popular in the 60s. Dubbing it "The Devils Widow", it was spottily released in grind houses and drive-ins in late 1972, after which it promptly vanished. It did occasionally play on television, which is where I caught it, before landing on video back in the late 90's. Althoug it's not a "class" film, by any means, it deserved better treatment than this. The still-beautiful Gardner gives a striking, believably cruel performance, and the supporting cast includes several familiar faces who got their start here. Besides those already mentioned, Joanna Lumley ("The Avengers", "Absolutely Fabulous") is very much in evidence. The production is handsome, the photography well above average, and the movie improves as it goes along. Worth seeing, especially for Ava Gardner.

One should be a fan of British cinema, retro pop culture, fantasy/folklore, and personal auteur-ship for maximum enjoyment of this likable but format-challenged film from the late 1960's/early 70's. I sure am, and as such quite savored this cinematic retelling of the Tam Lin ballad.

It's sufficiently enjoyable that I immediately transferred the VHS tape to DVD for future viewings. One suspects it had been slated for same, what with its 17 minute director's introduction, but remained lost in the ether of Republic Pictures' post-demise assorted distribution deals. One further suspects that its release under of aegis of an Ava Gardner tribute series was the ticket for its seeing light of day at all post theatrical debut. It's been written that Roddy McDowell lost control of this, his only directed film, with it subsequently languishing in drive-ins of the 1970's under such noms-du-exploitation as "The Devil's Widow!" As McDowell's sole direction job, this is a movie one ever so wants to be as good as Charles Laughton's similar solo effort "Night of the Hunter," which it isn't and cannot be, as few films can match "Hunter's" expert, mannerist weirdness. McDowell's is a B+ to Laughton's A+. What is it does share is the quirkiness of a singular vision, seeming unlike anything else of its respective era while still conforming to mainstream requisites, and the retelling of a dreamy but occasionally frightening fairy tale in modern clothes, with assorted decidedly odd touches. A true loss to cinema that both actors never directed another film.

Simply put, it's the ballad of Tam Lin (its original title in fact) retold with late '60's characters, and peopled with a cast of still working, familiar British names like Ian McShane (representing the titular captured knight Tam Lin,) Joanna Lumley and Stephanie Beacham (the Hammer horror ingénue, here as the ballad's Janet) with both Cyril and Sinead Cusack in tow. Gardner as the controlling "Faerie Queen" seems an apt focus of the swirling debaucheries and cruelties rationalized as group activity fun. This, strangely, isn't so much part of the fantasy as modern viewers might conclude: some of us who were adolescents in the '60's remember the genuine, wealthy older types lending their mansions to us young'uns in order to share in the decadent fun, whether vicariously or actively.

In "Tam Lin" you'll find a little seen but quite good updated fairy story, plus amusing music from jazz to the Pentangle, great costuming, retro period fun, gorgeous Scottish border scenery and an always great to watch cast. Time for whoever owns Republic's split assets this week to fund that DVD release.

I stopped this film 20 minutes in to look up the Scottish ballad the film was based on, "Ballad of Tam Lin", so I could make sense out of the film. Wikipedia has a thorough article on the song and the lyrics. Everything made much more sense after reading the article.

That said, this was one of Ava Gardner's few supernatural films, and was Roddy McDowell's only directorial effort. The screenplay sticks fairly close to the song's plot, with a look at "Swinging London" mod clothes, late 60's slang , and a so-so song overlaying all as an attempt at "relevance". Listen for the bits of ballad sung through the film .

Gardner gave an outstanding performance as the coven leader; the film lets the viewer decide if other fairy tale terms are applicable. Ian McShane is good as the Favored One, and Stephanie Beacham is good as his Human love.

AIP gave the film only a limited release. The misunderstanding arises from the fact that AIP promoted it as a horror film rather than as a poetic romance even reediting the film and retitiling it "The Devil's Widow" from the original "Ballad of Tam Lin" to try and achieve this effect. As a result, no one was happy, and the film sank without a trace, predictably losing money.

McDowell didn't direct another film, which is a real shame, because this one has startling photography, the music is interwoven to maximum effect, and McDowell did well by the actors.

This is one of Ava Gardner's least-seen, most underrated films. My opinion is that if you feel lost in the beginning, stay with the film anyways as it improves as it goes on.