Der Hauch des Bösen

A Taste of Evil is a 1970's Made-For-TV film that had some very serious and dark themes for a movie at that time. It's plot revolves around the rape of a young child, and the discovery of who her assailant really was.

After being assaulted by someone she couldn't identify, Susan spent years in an institution trying to revere the trauma. We meet an adult version of her who is returning home for the first time since the attack many years prior. Her mother Miriam (played by Barbara Stanwyck) has since married a family friend that Susan used to call an uncle after the passing of Susan's father.

As soon as she settles in at home, she begins to think she is being stalked by someone she can't see. First she is chased by a man in the woods, and then she believes hears someone breathing in the darkness and the shadows in her large family house. The question is has the rapist come back to silence Susan or is she simply imagining someone coming after her. All is revealed in an explosive second half to the story.

A Taste of Evil is a VERY spooky and well done made for TV film from ABC. Terrific acting from legend Barbara Stanwyck and Barbara Parkins. She plays the trauma riddled Susan extremely well. We get all the beats of Susan's trauma of the rape and coming home. We also get the creepy mystery of who the assailant was years ago. There are some twists and turns throughout the film, and some eerie stalking scenes when the attacker comes for Susan. Overall, a great little horror gem from the 70's that deserves a proper DVD release.

7/10

Although I've only seen this film once, it lingers in my memory: I saw it at age 1O in 1971 when it was originally broadcast on television. Although the rest of the cast, i.e. William Windom, Roddy McDowall & Barbara Perkins, etc. did fine jobs with their roles, it's Stanwyck's playing of Miriam Jennings which lingers in my memory: talk about an unsympathetic role for an older Hollywood star to take! If fans of Davis and Crawford doing their bits in the macabre thought Stanwyck stopped with THE NIGHT WALKER, think again! This is definitely her tour-de-force in the thriller genre. Although it probably looks a bit tired and dated today, I remember the diabolical twist as being memorably sadistic and cruel plus there was a helping of LES DIABOLIQUES in the plotline. The atmosphere was creepy - thunder and lightning and all - and I remember sinister Barbara dismissing her gardener (Arthur O'Connell) thusly: "You have until noon"...

A Taste of Evil (1971)

** (out of 4)

Disappointing made-for-TV movie is pretty much a remake of Hammer's SCREAM OF FEAR. In this film, a young girl is raped and years later she (Barbara Parkins) returns home only to fear that someone is trying to drive her crazy. Her mother (Barbara Stanwyck) is trying to figure out if her daughter is crazy or perhaps there's someone really after her (and especially since the rapist was never caught). A TASTE OF EVIL comes from writer Jimmy Sangster who also wrote the previously mentioned Hammer movie so it's clear that he knew what he was doing. The biggest difference in the two films is that the original was actually quite eerie and that's certainly far from the case here because this entire film is just downright boring and doesn't feature a single character that you really care for. Director John Llewellyn Moxey had previously made THE CITY OF THE DEAD but he doesn't bring any of the same style or beauty to this thing. The entire movie has a very slow pace as if the director wasn't sure what he wanted to do with the material or perhaps he just knew the material wasn't all that good. Parkins is pretty good in the role of the daughter but the screenplay doesn't give her much to do outside of screaming and running around. Stanwyck is always watchable but this here certainly wasn't among her best work. Roddy McDowall was fun to see in his supporting role as was William Windom. Another problem with the film is that there's simply nothing going on that ever really keeps the viewer interested. The story is decent but nothing much is done with it and this is especially true if you've seen the original version, which was one of the best thrillers from the studio.

As this movie does not appear to have been released to video, you may not find it anywhere. If you do PLEASE contact me! There were some classic jump up and scare-you-silly scenes as only Barbara Stanwyck could do. I remember sitting in front of my T.V. and jumping backwards across the room! If anyone knows where I can get a copy of this movie, I'd be truly grateful. Thanks Terri (e-mail address) longer1@home.com

"A Taste of Evil" focuses on a woman, Susan, who returns to her family estate after having been institutionalized following a sexual assault that she experienced as a young girl in the woods outside the home. Soon after arriving home, however, visions, flashbacks, and sinister occurrences galore begin to intrude on her life.

I was actually surprised by how darkly and disturbingly this film began—a young girl is sitting inside a playhouse built by her parents, isolated in the woods. As she draws a picture of her Raggedy Ann doll, a man enters the doorway, his features obscured by the sunlight. "Who are you?" she asks. The camera turns, the clatter of the table echoes through the scene, and the dolls are thrown across the room onto the bed as the girl screams bloody murder. Sound rough for a television film? I think so. Especially for being in the early seventies.

Based on Jimmy Sangster's Hammer-produced "Scream of Fear," "A Taste of Evil" was also scripted by Sangster, an produced by Aaron Spelling. Like all of the glorious made-for-television films of the decade, "A Taste of Evil" is wonderfully atmospheric, with its obvious staged interiors, as well as the moody photography of the mansion exteriors (John Llewellyn Moxey, who later directed the phenomenal Christmas horror tele-flick, "Home for the Holidays," directs here with a keen eye on mood). There are some fantastic scenes in the woods post-Susan's return, as well as nightmarish sequences and appearances of her apparent assailant.

The film benefits greatly from having a phenomenal cast; Barbara Stanwyck leads as the matriarch, while Barbara Parkins is adequately emotive as the unstable woman. Neither performances are award-worthy by any means, but both manage to muster an appropriate chemistry. Roddy McDowall is a welcome presence as the psychiatrist, and William Windom is sleazy and sinister as Susan's drunken stepfather.

Overall, this is an enjoyable and at times legitimately suspenseful film. It is also daring enough to tackle such a topic as child rape, and the understated yet unflinchingly brusque opening sequence establishes a no-holds-barred attitude from the outset. The film's plot twists are also surprisingly wicked. An enjoyable watch for a rainy evening; recommended highly to fans of the made-for-television horror and thriller films of the 1970s. 8/10.