Five Desperate Women

FIVE DESPERATE WOMEN jumps right off, with an insane murderer escaping from a mental hospital, then killing his first victim. All within the first 3 minutes!

The five old friends of the title, including Stefanie Powers, Denise Nicholas, and Joan Hackett, reunite for a big weekend on a tiny resort island. It's made quite clear that the madman is on the loose and will probably be dropping by. Of course, this is decades before cell phones, and there's no phone on the island.

All five female characters are solid, and work well as a team. They're believable as old school friends.

The identity of the killer is not revealed until well into the story. Then, it all hits the fan. Both Bradford Dillman and Robert Conrad are effective as the possible suspects.

5DW is an outstanding made-for-TV horror-thriller from a time when television was king, and such quality films were common...

"Five Desperate Women" has the ambition of an Agatha Christie adaptation and the spirited enthusiasm of a misogynist slasher but, in the end, it is what it is, namely an early 70s made-for-TV production with all its restrictions: short running time, low body count, and absence of graphic violence and/or sleaze.

The plot and atmosphere are good, though, and a professional director like Ted Post always does more than what you think is possible with the limited means available. Five former college girlfriends in their early 30s have planned a joyful reunion weekend on an island resort, but unfortunately for them a wife-murdering lunatic escaped from a nearby asylum and hides out on the island as well.

Even though there are only 2 possible suspects, the caretaker and the boatman, Ted Post and his cast manages to uphold the tension. Admittedly, every slightly experienced fan of the genre will see straight through the red herrings and correctly guess the culprit's identity, but still. Fantastic cast, also, with Robert Conrad and Bradford Dillman rivaling to be close to the ladies.

Five Desperate Women is a film of laughable plot and performances. Not as funny bad as Plan Nine From Outer Space, but it will make you laugh. Anjanette Comer as Lucy steals the show! Worth a few giggles, as long as you don't take the film as seriously as the cast and crew do.

I thought this movie was quite good and very suspenseful. I would say about 95% of the acting was top-notch. Denise Nichols was really good, and even though Anjanette I believe her name is sounded a bit annoying, I thought she really brought a lot to the role of Lucy. Stephanie Powers had a figure that I would sale one of my toes for! This is my kind of movie, five women ending up stranded on a deserted island with a killer on the loose during their reunion. The clothes were out of sight! I really enjoyed this one. There were a few sore spots. I didn't like how they acted about their friend, that's just not the way you behave in a situation like that. Very odd and insensitive. How could you sit around telling stories and towards the end of the movie you would have thought they'd simply had a bad vacation and just wanted to go home. Also, in the last fight scene, not that it was much of a fight, I just didn't get it. Why did it take them so long to act? Were they just going to stand there throwing little rocks forever? I'm still shaking my head. The ending made the women look silly.

ABC movie-of-the-week from producer Aaron Spelling has five ladies, college friends from years before who went their separate ways after graduation, reuniting for a vacation on a remote island ("No phones...no interruptions...nobody!"); unfortunately--as we hear from a radio broadcast but the women do not--an escaped psychotic is loose in the area. Ted Post directed, and his use of point-of-view photography from the killer's perspective in one instance is very effective (and before its time). Still, there are really only two suspects in this thin scenario, and writers Marc Norman and Walter Black, working from Larry Gordon's story, are not interested in springing a surprise on us (no third-act plot twists from these guys). As the desperate women, Anjanette Comer, Joan Hackett, Denise Nicholas, Stefanie Powers and Julie Sommars do what they can with the mediocre material, but nobody stands out (not even Hackett, arguably the most talented member of the cast). By-the-numbers thriller is TV-tepid instead of suspenseful.