Simon, King of the Witches

It is a very odd 70's movie and I watched (parts of) it again recently after many years. What makes it unique is that it is the only movie that portrays the life of a magician in a realistic way. This is especially true for those who have been into the occult for a long time. Besides from that, it was also well acted and the story quite interesting in other ways. So it's highly recommended for those who wants to now what the life of a occultist is really like. How it becomes, the pitfalls, and the consequences that can follow from doing certain things. The name of the character is also a hint of what kind of magician he really is. Still one (at least I did) roots for him for most of the movie.

Simon, King of the Witches is a real gem. This must be the most unusual movie of its type I have seen. I was captivated at the start when Simon introduced himself. There is so much going on in this movie you really need to see it more than once to understand the storyline, events and eventual ending. The team of Andrew Prine and his then wife Brenda Scott was fascinating and it's not the first time they have acted together. Brenda Scott has always impressed in the more unusual dramatic story lines but sadly this time the film let her down. Prine has charisma and Scott has beauty and both go well together. The only criticism I would make is that Prine "owned" this film. It was almost as though he needed to be in every scene to make sure it was a success. There could definitely have been more story lines for his co-stars but maybe that's the way it was intended. This movie is said to be hard to get and indeed my thanks go to the person who shared this on Youtube.

Andrew Prine, always a welcome face in B movies, has the lead role as Simon in one of the wackiest, most 'out-there' films of the early 70s. Simon is a bohemian magician who lives in a rain gutter, wowing audiences with his mystical talents. When he falls for the daughter of a prominent city official, expected problems ensue which are met head-on by a highly unorthodox rebuttal.

This is a trippy, 'turned-on' freakfest, loaded with waggish characters and situational discord...a quite likable film, too, which appropriately features Warhol Factory entouregette Ultra Violet. Sexmagic rituals, psychedelia, and gay overtones contribute to the slappy appeal of this under-appreciated counterculture wonder.

7/10

It's always a delight to discover a new obscure film. Even if from 1971. I'm discovering that the films of the 70's are some of the best and this is one of them.

The film is about Simon, a modern day warlock who takes his witchcraft very serious. He may be homeless but he was born with power and challenges others who are skeptical of his skills as a witch.

The film is vibrant, colorful, earthy, and isn't afraid to touch on many topics that back then were a bit taboo. I can imagine some people probably thought this was quite bizarre when they first viewed it. Of course, today young people would be put off by the low budget optical effects, and they are a bit dated, but there is no denying Andrew Prine's mesmerizing performance and his belief in this character. Many actors today cannot achieve this deep committed level of concentration for their character.

It isn't a perfect film. There are a few moments that feel made for TV and as I mentioned the optical effects are dated. But there is no denying the interesting characters and the commitment everyone made on this film. I can't wait to watch it again.

What IS going on in this film? I dunno, but I kinda liked it. Andrew Prine (BARN OF THE NAKED DEAD) is a storm drain-dwelling modern-day warlock who uses his powers to do bad things. He becomes involved with the district attorney's daughter and low-life drug dealers. In one scene, he faces the QUEEN of the Witches. If you like '70s pseudo-witchcraft nonsense served with a nice dose of psychedelic visuals, incoherent plotting and some nudity, SIMON KING OF THE WITCHES might be well worth your time.