In einer Zukunft, in der die gesamte Flora auf der Erde ausgestorben ist, erhält ein Astronaut den Auftrag, die letzten Pflanzen der Erde zu zerstören, die in einem Gewächshaus an Bord eines... Alles lesenIn einer Zukunft, in der die gesamte Flora auf der Erde ausgestorben ist, erhält ein Astronaut den Auftrag, die letzten Pflanzen der Erde zu zerstören, die in einem Gewächshaus an Bord eines Raumschiffs erhalten wurden.In einer Zukunft, in der die gesamte Flora auf der Erde ausgestorben ist, erhält ein Astronaut den Auftrag, die letzten Pflanzen der Erde zu zerstören, die in einem Gewächshaus an Bord eines Raumschiffs erhalten wurden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
- Neal - Berkshire' Captain
- (Synchronisation)
- (Nicht genannt)
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Sobering, thoughtful, well acted and directed(by Douglas Trumbull) ecological science fiction tale is really an allegory about humanity's treatment of nature, and what would happen if it was taken to its logical outcome. Though the extreme situation presented here is unlikely(I sincerely hope!) this film works because of its absolute sincerity, with three robots named Huey, Dewey, and Louie, who will play a key role by the film's deeply moving ending, which may bring a tear(s) to the eye.
Plot summary: Some time in the "next millennium" (i.e. THIS millennium for those keeping time), humans have ruined the planet to the point that all of earth's forests, wildlife and cute bunnies are reduced to a handful of habitats kept alive in orbital biodomes, more of a curiosity--or as we learn, a nuisance--than anything else. Our hero "Lowell" (Bruce Dern) is among a team of glorified warehouse workers keeping the domes operational. Then one day the management announces without explanation that it's time to close shop, jettison Earth's last forests, nuke them, and terminate the mission. Everyone is selfishly overjoyed at ending their long shift in space, but Lowell decides to... shall we say... resist.
It's a fabulous premise which is very lucidly and realistically presented, even though cynics may have dismissed it as a fantasy "eco-thriller" alongside other great 70s films like "The China Syndrome", "The Andromeda Strain", "Logan's Run" and even "Planet of the Apes". But for my money, "Silent Running" hits closest to home because the story is chillingly practical. It's a very minimalistic film, forsaking the heart pounding action of the aforementioned films for a quieter, more claustrophobic & personal story of 1 human engaged in silent running (the submarine practice of playing dead in order to throw pursuers off the trail). Here we get basically 90 minutes of Bruce Dern talking to himself and to inanimate objects in essentially 1 long, passionate monologue that will burn itself into your brain.
32 DAYS, A SHOESTRING BUDGET & AN ABANDONED AIRCRAFT CARRIER
is all it took. Well, that plus a load of creativity and a labor of love. Directed by Douglas Trumbull who did the special effects for "2001 A Space Odyssey", "Close Encounters" and "Blade Runner" but no film directing prior to this, this movie was part of a financial experiment by Universal Studios: give 5 young filmmakers a tiny amount of money each ($1 million - not even 1/10th the budget of Star Wars) and let them do whatever they wanted, without studio interference or oversight, as long as they stayed under budget. The 4 other films in this experimental group were George Lucas's "American Graffiti", Peter Fonda's "The Hired Hand", Dennis Hopper's "Last Movie", and Milos Forman's "Taking Off". Personally I think "Silent Running" was the best of the crop, certainly the most ambitious, and alongside the others it proved the experiment an artistic success (though a commercial meh).
As you're watching this movie you'll be blown away by the enormous sets and staging, undoubtedly the most authentic spaceship interiors we've ever seen because guess what, it wasn't fake. The space station "Valley Forge" shown in the movie was actually the abandoned aircraft carrier "Valley Forge" which Trumbull rented for a paltry $2000/week. (Seriously! Imagine for the cost of renting a nice beach house you can vacation on a freakin aircraft carrier). And the whole thing was shot with just 1 or 2 takes for each scene to save on film, processing & time. That meant Bruce Dern had to get his acting right, the camera had to capture all the action, and the cinematography had to work like a charm which it apparently did because I couldn't find a single flaw. 32 days of shooting, with virtually zero post production is all it took. And last but not least we have the incredible "robotics" which you will never forget...
Actually wait. I don't want to ruin it for you, so I won't tell you how they did the adorable robots Huey, Dewey and Louie. I'll just say the whole time I was watching the movie, I was bouncing between the powerfully sentimental charm of these characters vs utter confoundment at how they created such realistic mechanical lifeforms that look like television sets propped up on penguin flippers. Trumbull's vision of technology was not supposed to be sterile and lifeless, as with every robot in scifi history up to that point, but he wanted to create something instantly personable without looking anything like a human. He succeeded brilliantly, and the robots in this film directly inspired a new face of robotics in cinema such as R2D2 in Star Wars. I leave you with the mystery of how Trumbull & his crew pulled it off. Google the answer after the movie ends.
Innovative designs and cinematic creativity aside, this story is just plan powerful. If you have kids, please show this to them immediately. Or if you're a grownup who still has the idealism of a child, then pop yourself a huge bowl of organic popcorn (avoid that synthetic butter sludge) and settle in for a life altering experience. This is the kind of film that keeps dreamers alive in our increasingly terrifying technological swamp. Whether you're a tree hugger or just someone who can appreciate the beauty of things that most people disregard, as well as the importance of fighting to preserve these things, "Silent Running" will leave you speechless.
The film is a visual treat, featuring marvelous if unassuming special effects, though Trumbull manages to keep the technology firmly under control it is all so simple but still very impressive (even more so in view of the budget). Bruce Dern is appropriately cast as the film's eco-friendly hero. Joan Baez's two songs are very much of the time, and yet add quite a lot of humanity to the 'outer space' events. The film's sets (an unused aircraft carrier conveniently converted into a spaceship!) are also notable. However, the film's most endearing elements are the two almost-human 'drones', Huey and Dewey, which contribute to some amusing and even touching interplay with Dern; they were an obvious influence on C-3P0 and R2-D2 from from the STAR WARS films.
Still, I found the film to be somewhat plodding - especially since Dern is, for most of the time, the only human being on screen. In the end, SILENT RUNNING is a pretty good film, and a deserved cult item, but not a classic in the strict sense of the word. That said, it is a whole lot better than the only other feature film Trumbull directed, the dull and overblown BRAINSTORM (1983).
Universal's SE DVD is so packed with extras, it's almost too much: even so, there's actually little repetition throughout the lengthy documentary, numerous interviews and Trumbull's and Dern's joint commentary - and, all in all, it serves as irrefutable proof of the importance and worth (as in experience-enhancing capabilities) of DVD bonus material. While I was not overwhelmed when watching the film proper, after going through the mass of supplements on offer here I had a new-found admiration for what Trumbull intended - and actually makes me look forward to a more open-minded second viewing!
There's something to be learnt in this movie. More than 30 years old now, it stands the test of time with its message, as mankind is still working on what possibly could end in a scenario like this. Bruce Dern may be overacting in some scenes, but his character is still much more likeable than his crew comrades. Scenery and music are beautiful, fitting well to the dark, moving and unique story. And this is the movie that made "Star Wars" possible. Director Douglas Trumbull and other SFX masters like John Dykstra and Richard Yuricich were chosen to work on "Star Wars" because of the state-of-the-arts special effects they did for "Silent Running". In 1971, they were ahead of their time. In fact, they are easily as good as today's CGI effects, but much more memorable for their time. Even the droids that help Lowell are predecessors of the ones in "Star Wars"... A must-see movie for SF fans and everybody interested in Hollywood classics.
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- WissenswertesTo keep costs down, Trumbull hired college students for modelmaking and other such special effects work. One of them, John Dykstra, went on to a distinguished special effects career of his own.
- PatzerIn the finale, the detonator held by Lowell has a misspelled label "Nuclear Detornator."
- Zitate
Freeman Lowell: It calls back a time when there were flowers all over the Earth... and there were valleys. And there were plains of tall green grass that you could lie down in - you could go to sleep in. And there were blue skies, and there was fresh air... and there were things growing all over the place, not just in some domed enclosures blasted some millions of miles out in to space.
- Alternative VersionenIn the Italian version, the three drones are named after "Paperino", "Paperone" and "Paperina" ("Donald Duck", "Uncle Scrooge" and "Daisy Duck") because calling them "Qui", "Quo" and "Qua" ("Huey", "Dewey", "Louie") would have been cacophonous: "Vieni qui, Qui!" ("Come here, Huey!").
- VerbindungenEdited into The Making of 'Silent Running' (1974)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Naves misteriosas
- Drehorte
- Van Nuys Airport - 16461 Sherman Way, Van Nuys, Los Angeles, Kalifornien, USA(Dome Number 1, Interiors)
- Produktionsfirmen
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Box Office
- Budget
- 1.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 1.104 $
- Laufzeit1 Stunde 29 Minuten
- Seitenverhältnis
- 1.85 : 1