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Shaft

  • 1971
  • 16
  • 1 Std. 40 Min.
IMDb-BEWERTUNG
6,6/10
22.209
IHRE BEWERTUNG
Richard Roundtree in Shaft (1971)
Watch the trailer for Shaft, starring Richard Roundtree.
trailer wiedergeben3:10
5 Videos
99+ Fotos
GangsterPolizeiliches VerfahrenAktionKriminalitätThriller

Der kühle schwarze Privatdetektiv John Shaft wird von einem Verbrecherlord angeheuert, um seine entführte Tochter zu finden und zurückzuholen.Der kühle schwarze Privatdetektiv John Shaft wird von einem Verbrecherlord angeheuert, um seine entführte Tochter zu finden und zurückzuholen.Der kühle schwarze Privatdetektiv John Shaft wird von einem Verbrecherlord angeheuert, um seine entführte Tochter zu finden und zurückzuholen.

  • Regie
    • Gordon Parks
  • Drehbuch
    • Ernest Tidyman
    • John D.F. Black
  • Hauptbesetzung
    • Richard Roundtree
    • Moses Gunn
    • Charles Cioffi
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,6/10
    22.209
    IHRE BEWERTUNG
    • Regie
      • Gordon Parks
    • Drehbuch
      • Ernest Tidyman
      • John D.F. Black
    • Hauptbesetzung
      • Richard Roundtree
      • Moses Gunn
      • Charles Cioffi
    • 122Benutzerrezensionen
    • 84Kritische Rezensionen
    • 66Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Oscar gewonnen
      • 6 Gewinne & 6 Nominierungen insgesamt

    Videos5

    Shaft: Trailer
    Trailer 3:10
    Shaft: Trailer
    Blaxploitation Movies & Black Power in the 1970s
    Clip 4:51
    Blaxploitation Movies & Black Power in the 1970s
    Blaxploitation Movies & Black Power in the 1970s
    Clip 4:51
    Blaxploitation Movies & Black Power in the 1970s
    A Salute to Black Directors
    Clip 4:16
    A Salute to Black Directors
    Unsung Black Heroes of Film History
    Clip 4:30
    Unsung Black Heroes of Film History
    'SuperFly' Returns With New Style, Classic Swagger
    Video 4:08
    'SuperFly' Returns With New Style, Classic Swagger

    Fotos108

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    Topbesetzung47

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    Richard Roundtree
    Richard Roundtree
    • John Shaft
    Moses Gunn
    Moses Gunn
    • Bumpy Jonas
    Charles Cioffi
    Charles Cioffi
    • Lt. Vic Androzzi
    Christopher St. John
    Christopher St. John
    • Ben Buford
    Gwenn Mitchell
    Gwenn Mitchell
    • Ellie Moore
    Lawrence Pressman
    Lawrence Pressman
    • Det. Tom Hannon
    Victor Arnold
    Victor Arnold
    • Charlie
    Sherri Brewer
    • Marcy Jonas
    Rex Robbins
    • Rollie
    Camille Yarbrough
    • Dina Greene
    Margaret Warncke
    • Linda
    Joseph Leon
    • Capt. Byron Leibowitz
    Arnold Johnson
    Arnold Johnson
    • Cul
    Dominic Barto
    • Patsy
    George Strus
    • Carmen
    Edmund Hashim
    Edmund Hashim
    • Lee
    Drew Bundini Brown
    Drew Bundini Brown
    • Willy
    Tommy Lane
    Tommy Lane
    • Leroy
    • Regie
      • Gordon Parks
    • Drehbuch
      • Ernest Tidyman
      • John D.F. Black
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen122

    6,622.2K
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    Empfohlene Bewertungen

    6gbill-74877

    Great idea, but not well executed

    Highlights:
    • Street scenes in New York.
    • A strong African-American in the lead role, an intelligent, hardboiled, and masculine character.
    • Shaft standing up to racism out of the mouths of others in the film.
    • Moses Gunn as Bumpy Jonas, who turns in the best performance.


    Lowlights:
    • Really poor audio quality, tinny at times and with obvious dubbing at others.
    • Script is not great; plot is simple and dialogue is often wooden.
    • Pace is slow, especially towards an end which is a little mechanical.
    • The much-loved theme song has lyrics that are so over-the-top it gets the film off on a cartoonish note ("Who's the black private dick that's a sex machine to all the chicks? (Shaft)")


    Great idea, just not all that well made.
    8Quinoa1984

    Can you Dig it?

    I can. Because this is not only the greatest black-exploitation film ever, but also one of the best films of the 70's era. Richard Roundtree brings out Ernest Tidyman's John Shaft like no one else can (not even Samuel L. Jackson in the new shaft can compete) as the ultimate bad-a** who must investigate a kidnapping. One of the most memorable films ever made, especially by the Oscar winning song (and nominated score) by Isaac Hayes, which made his breakthrough as his funk thing grew. A+
    8ColemanDerrick

    Timely Take On The Standard Private Detective Formula.

    It is an innovative effort, and serves as a snapshot of the times. Shaft, written by Ernest Tidyman, stands as one of the best modern detective dramas. Written and filmed at a time of extreme social unrest throughout the U.S.; the movie shows how Jon Shaft uses his private detective status and ethnicity to retrieve the kidnapped daughter of a notorious Harlem kingpin. While the plot pieces of black militants, and a potential race war in New York City, may not be as relevant in 2001 as they were in 1971, the cast and crew do a good job to convey the importance of Shaft's mission. Shaft, indeed, is one cool cat. Not only is he a ladies' man, but he's also a man about town. He knows every iota of New York City, and uses his detective skills to the fullest. Ducking the city police, and handling his business with the crooks, Shaft plays it cool to the very end. Many people like to bundle the blaxploitation pictures into a neat little package; one to laugh at and check out the music score. Shaft proves there was more meaning to these films, and ends up as a classic display of substance with style.
    7refinedsugar

    Right On!

    Blaxploitation at it's best. A simple story with a twist done right. That is Shaft. The concept of a black man as a cool ultra slick, lady lovin' private detective. For once in the world of cinema the black man was tops and unlike other genre entries this one clicked with people of both colors. They had created a solid character in John Shaft that the population took a shinning to. For once it wasn't something exploitative being sold to a one-sided market audience exclusively.

    But look I'm getting sidetracked. Shaft isn't this huge epic struggle of the black man through the generations. It's a solid, satisfying picture that gets by on pure character. Shaft. The black private detective has endlessly been imitated, but never duplicated since. With much of the character's success having to be attributable to Richard Roundtree, a perfect fit for the material. He wasn't so much playing a character named John Shaft, but rather he was John Shaft. Perhaps to the detriment of his career, I still can't watch a movie with Richard Roundtree in it without thinking of Shaft. The plot is on auto pilot - you've seen it before - maybe even done better - but this movie has Shaft and that's all there is to say.
    7Maziun

    A classic black movie

    I can understand why modern viewers aren't too impressed with „Shaft". Compared to modern action movies there isn't really much action here and it isn't anything spectacular – no huge shootouts , kung fu fights , big explosions , car chases and so on. There is lot of dialogue and the pacing is rather slow.

    You know what ? Those are the reasons why I really like "Shaft" . It feels like a REAL LIFE story . Not every movie has to be an over the top spectacle for simple minded audience. For me less is more . I can hardly care for action hero when he's doing impossible stuff like jumping over the missile with a truck. Here the danger feels real . There is no villain . A simple bad guy with a gun can end your life and you have to be very careful . Shaft uses his muscles only when necessary . He prefers to outsmart his enemy , because violence can lead you as far. When he's fighting for life , you FEEL that he's fighting for life.

    The movie captures the gritty atmosphere of 70's New York City . In this world everybody is walking a thin line between law and law of street . I also like that Shaft is a detective and the investigation actually plays important part through whole movie . Not to mention that characters here feel like they could exist in real life.

    Richard Roundtree is great as the charming bad ass Shaft who is one foot in the world of black people and the other foot in the world of white people. He easily dominates the whole movie with his tough , confident and wise cracking personality. Women , both black and white are attracted to him (We get to see naked women – something you can't see in action movies anymore). The other actors give him solid support. I liked Charles Cioffi as Vic Androzzi and Moses Gunn as Bumpy.

    The movie is worth watching for the delightful dialogue. Believe me – there is more tension in a scene when Shaft talks to Bumpy than in many car chases. The movie is very dialogue heavy , yet it's a true pleasure to listen how characters talk with each other . Most of the dialogue is quite humorous . You should prepare pen and paper to note .

    The action scenes are nicely photographed . There is a great title song by Isaac Hayes (it won Oscar) and during the movie you can hear few other nice songs. "Shaft " is mostly entertainment , but it was also an important movie for black people. It's one of those rare movies where the black guy is a hero . The situation now changed , but long time ago it was a breakthrough movie . "Shaft" also captures really good the tension between white and black people back in the 70's.

    I give it 7/10.

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    Handlung

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    • Wissenswertes
      Isaac Hayes was the first African-American to win the Academy Award for Best Song. In fact, he was also the first African-American to win an Oscar for a non-acting category.
    • Patzer
      When Shaft pushes one of Bumpy's goons into his office, the sound of glass breaking is heard, but the glass window in the office door is clearly undamaged until a short time later.
    • Zitate

      John Shaft: Don't let your mouth get your ass in trouble.

    • Alternative Versionen
      CBS edited 28 minutes from this film for its 1975 network television premiere.
    • Verbindungen
      Featured in Soul im Kino: Bei den Dreharbeiten von Shaft (1971)
    • Soundtracks
      Theme from Shaft
      (uncredited)

      Music by Isaac Hayes

      Lyrics by Isaac Hayes

      Performed by Isaac Hayes

    Top-Auswahl

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    FAQ

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    Details

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    • Erscheinungsdatum
      • 9. August 1972 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Detektiv Saft
    • Drehorte
      • Harlem, Manhattan, New York City, New York, USA
    • Produktionsfirmen
      • Metro-Goldwyn-Mayer (MGM)
      • Shaft Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 1.125.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 40 Minuten
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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