Füge eine Handlung in deiner Sprache hinzuA prank that starts with a group of college students creating a fictitious person so they can get a credit card develops into a plot that takes a murderous turn.A prank that starts with a group of college students creating a fictitious person so they can get a credit card develops into a plot that takes a murderous turn.A prank that starts with a group of college students creating a fictitious person so they can get a credit card develops into a plot that takes a murderous turn.
- Regie
- Drehbuch
- Hauptbesetzung
Suzanne Taylor
- Mother
- (as Sue Taylor)
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When a group of college students mistakenly come into the possession of a credit card, the titular PAPER MAN is born. His name is "Henry Norman" and the group conspires to give him a fictitious "life" of his own. When the bank gets wise, another student named Avery (Dean Stockwell) reluctantly joins in. Avery is a computer genius, and uses his skills to complete the ruse.
Not too shockingly, things begin to get a bit more complicated than originally anticipated, even taking a turn for the sinister and deadly. Has "Mr. Norman" somehow become real?
PAPER MAN is a very good made-for-TV, science fiction / horror / mystery movie from the golden age of such projects. There are some genuinely creepy moments here! The story is solid, and the characters are well-realized, sort of prefiguring the students in FLATLINERS in both arrogance and naivete. The ending is astutely chilling, considering how computers have actually developed in the decades since!
Co-stars Stefanie Powers as Karen, and James Olson as Art Fletcher.
EXTRA POINTS FOR: Spotting the printout portrait of Alfred E. Neuman in the computer room!
This film deserves to be rediscovered...
Not too shockingly, things begin to get a bit more complicated than originally anticipated, even taking a turn for the sinister and deadly. Has "Mr. Norman" somehow become real?
PAPER MAN is a very good made-for-TV, science fiction / horror / mystery movie from the golden age of such projects. There are some genuinely creepy moments here! The story is solid, and the characters are well-realized, sort of prefiguring the students in FLATLINERS in both arrogance and naivete. The ending is astutely chilling, considering how computers have actually developed in the decades since!
Co-stars Stefanie Powers as Karen, and James Olson as Art Fletcher.
EXTRA POINTS FOR: Spotting the printout portrait of Alfred E. Neuman in the computer room!
This film deserves to be rediscovered...
This is actually an enjoyable little computer thriller that shows off the popular perception of computers in 1971. Aside from enjoying Dean Stockwell's great early-70s hair, it's great to see the characters gather around a hard copy terminal as they enter input, and shuffle through the piles of printed output. Taking advantage of a computer error, a group of college students create computer records for a fictitious persona to use an untraceable credit card - an early attempt at identity theft that becomes dangerous when the students start dying one by one. I am a big fan of these 1970s TV movies, and this is a decent example with the mystery keeping my interest throughout.
When a super computer apparently turns on a group of naughty tech students who've created a bogus identity to essentially commit credit card fraud, the student who wrote the programme (Stockwell) becomes prime suspect in the series of bizarre accidents that follow. Stefanie Powers, James Stacy, Elliot Street and Tina Chen initially profit handsomely from Stockwell's handy-work, but the sheriff (Ross Elliot) suspects that Stockwell may not be as introverted and shy as his reputation suggests. As the "accidents" escalate, a twisted nerve is revealed that might identify the culprit.
While it's dated, the concept of the super computer becoming an all powerful entity of destruction is a theme that's as prolific as they come forty years later. Stockwell (sporting an epic bouffant) is suitably suspicious (and not unlike his character in "Compulsion"), while Powers is an attractive and sympathetic psychology graduate, ex-Marine Stacy the stereotypical jock, Chen providing the ubiquitous ethnicity and Street a likable, computer geek, perhaps creating the "nerd" mould. James Olson has a key supporting role as the computer technician.
I saw the 90 minute version, and the suspense builds nicely to a climax that while not entirely telegraphed, isn't going to shock most armchair sleuths. Nevertheless, the acting is watchable, the dialogue realistic and the narrative consistent. Dated but entertaining mid-week movie.
While it's dated, the concept of the super computer becoming an all powerful entity of destruction is a theme that's as prolific as they come forty years later. Stockwell (sporting an epic bouffant) is suitably suspicious (and not unlike his character in "Compulsion"), while Powers is an attractive and sympathetic psychology graduate, ex-Marine Stacy the stereotypical jock, Chen providing the ubiquitous ethnicity and Street a likable, computer geek, perhaps creating the "nerd" mould. James Olson has a key supporting role as the computer technician.
I saw the 90 minute version, and the suspense builds nicely to a climax that while not entirely telegraphed, isn't going to shock most armchair sleuths. Nevertheless, the acting is watchable, the dialogue realistic and the narrative consistent. Dated but entertaining mid-week movie.
I saw this on TV when I was 8; it was incredibly scary then. Saw it years later and marveled at the prescient use of computers and identity theft mixed with s.f. horror that could have appeared in "Ring." And there would be no "Videodrome" without it.
I'm watching the flick right now. It's fascinating to recall that at the time the flick was made, computers were something very seldom encountered in daily life. Heck, even credits cards like BankAmericard and MasterCharge were only three or four years old. The computer lab is pretty realistic. Sure the computer has waaaaaay more blinky lights than a real one would have and there are two windows behind the computer that are there solely to give it a look of evil eyes. But when the computer students set down to work, they works at teletype consoles!
Wusstest du schon
- WissenswertesReleased briefly in theaters in 1971. This is why the 20th Century-Fox fanfare plays before the film begins on the video releases. The theatrical release runs 15 minutes longer than the television release version.
- PatzerWhen distraught Jerry meets Karen at his door, his shirt cuffs are all the way down, The camera switches to Karen alone, and after the time it takes for Jerry to ask "Would you like a drink?", the camera is back on him, his cuffs rolled to his elbows.
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Details
- Laufzeit
- 1 Std. 15 Min.(75 min)
- Seitenverhältnis
- 1.33 : 1
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