Füge eine Handlung in deiner Sprache hinzuA chronicle of Fred Hampton's revolutionary leadership of the Illinois Black Panther Party, followed by an investigation into his assassination at the hands of the Chicago Police Department.A chronicle of Fred Hampton's revolutionary leadership of the Illinois Black Panther Party, followed by an investigation into his assassination at the hands of the Chicago Police Department.A chronicle of Fred Hampton's revolutionary leadership of the Illinois Black Panther Party, followed by an investigation into his assassination at the hands of the Chicago Police Department.
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- Self - Attorney
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- Self - State's Atty Police
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- Self - Police Officer
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- (as James 'Gloves' Davis)
- Self
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- Self (Illinois State's Attorney)
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- (as Edward V. Hanrahan)
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- Self
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- Self - Cook County Bar Assn.
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- Self - Attorney
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- Self - Pres., Afro-American Police Assn.
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- Self
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- (as 'Doc' Satchel)
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- Self - Maywood Councilman
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Hampton can be initially be tough to sympathize with, especially for an audience 40+ years later, as he preaches what sounds like a hopelessly naïve call for violent revolution. But the slowly growing evidence that the so-called 'shoot-out' in which he died was nothing less than the intentional murder murder of a charismatic black leader set up by the police is deeply chilling, and makes Hampton's call to take up arms in self-defense seem a little less unreasonable in retrospect.
An important reminder of a now all-but-forgotten time in our not so distant history.
The radical journalists who made this film make clear that the Chicago police felt the need to execute Hampton, an important Black Nationalist, potentially an important Marxist revolutionary leader, before he developed any more of a mass, multi-national following. The fact that Hampton was convicted of clearly trumped-up charges of robbery by an all-white jury shows that the general white populace feared Black people, yet the many white progressives and radicals in Hampton's circle shows that the racial divide was gradually declining in the near- revolutionary climate of the late-'60s, at least among young people. The film thus makes terrifyingly comprehensible the capitalist state's desire to quash Black Power before it could be equated with, in Hampton's words, "Brown Power for Brown people, Yellow Power for Yellow People..." and even "White power for White people."
Hampton was called a dangerous revolutionary, but his message was nothing more revolutionary than social justice and equality. While there is certainly a revolutionary aspect to that, it is not the angry and violent rhetoric with which the state wanted to tar him. So they simply assassinated him and concocted a story that portrayed him how they wanted him -- dangerously violent. The facts of the case just don't fit that narrative, however.
Hampton's story is not well known. That makes this film even more important. It is extremely dangerous to think that state-sanctioned political assassinations could not happen or do not happen in the United States. Hampton's death is tragic enough without us learning nothing from it. Fascism can rise anywhere, and it can be as petty as racist cops working for a corrupt city government or as insidious as a federal agency that engages in black ops against its own citizens.
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- WissenswertesMy uncle was involved with this film. The cameraman, Mike Gray, had to go into hiding in CA for months with the film canisters because he fillmed the evidence of the real bedroom door with bullets going one way. He went behind the yellow police tape the day before Hanrahan's men switched to the false door that showed 2 way shooting.
- Zitate
Bobby Seale: You know what we are gonna do? We are going to defend ourselves. Because Huey P. Newton says that power - power is the ability to define phenomena and make it act in a designed manner. Power is the ability - to define phenomena - and make it act in a designed manner. What kind of phenomena? Social phenomena! What is a social phenomena? Black people, Mexican Americans, any kind of people, begins to learn that the social phenomena is that, in fact, U.S., racist, decadent, capitalist, imperialist America is a police state. And a police state exists here and that these pigs are doing nothing but protecting the average businessman and the demogoging politicians, protecting the exploiting system they got going. That, in fact, we are tire of it, we are sick of it. You've been brutalizing black people. You've been murdering and lynching us. Black people are tired of it!
- VerbindungenFeatured in Underground (1976)
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- Laufzeit1 Stunde 28 Minuten
- Farbe
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- Seitenverhältnis
- 1.37 : 1