Malpertuis
- 1971
- 2 Std. 5 Min.
IMDb-BEWERTUNG
6,6/10
1762
IHRE BEWERTUNG
Ein junger Seemann ist in der labyrinthischen Villa seines okkultistischen Onkels gefangen, zusammen mit einer Reihe exzentrischer und mysteriöser Verwandter, die alle ein dunkles Geheimnis ... Alles lesenEin junger Seemann ist in der labyrinthischen Villa seines okkultistischen Onkels gefangen, zusammen mit einer Reihe exzentrischer und mysteriöser Verwandter, die alle ein dunkles Geheimnis zu hüten scheinen.Ein junger Seemann ist in der labyrinthischen Villa seines okkultistischen Onkels gefangen, zusammen mit einer Reihe exzentrischer und mysteriöser Verwandter, die alle ein dunkles Geheimnis zu hüten scheinen.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Robert Lussac
- Griboin
- (as Bob Storm)
Empfohlene Bewertungen
An adaptation of a modern gothic tale "Malpertuis", written by Jean Ray aka John Flanders. The acting is good and the story is full of symbolism. There are two versions of this movie: the original (in French or in English) feels more like a horror film but the longer re-edited Dutch version lacks most of the superb atmosphere created by the haunting score of Georges Delerue and is therefore disappointing.
My hopes were high for this film. I'd seen Kumel's Le Rouge aux levres/Daughters of Darkness, the most stylish vampire/kinky sex movie ever made, and I love its sly wit and arresting visuals. Malpertuis is not as effective, alas, and I put that down to an overly-complicated story weighed down by too many classical references taken from the novel. Lampernisse, standing in for Prometheus, just doesn't work as a character. Why introduce the Erinyes, the three women who punished offenders against blood kin, when they don't advance the story? It's not an easy thing to watch a movie with a handbook of classical mythology by your side.
Having said this, I will add that it is wonderful to watch film that shows a great visual sophistication (crowd shots that evoke an Ensor painting, or that wonderful twisting staircase in the house) and never needs F/X. We have lost a great deal by the subservience to CGI today.
Having said this, I will add that it is wonderful to watch film that shows a great visual sophistication (crowd shots that evoke an Ensor painting, or that wonderful twisting staircase in the house) and never needs F/X. We have lost a great deal by the subservience to CGI today.
10pppatty
Having seen this film some years ago on television in a dark, dubbed and cut print, I had all but forgotten it. Yesterday I saw Kumel's restored cut in his own Flemish language, running 124 minutes, and my reaction was "brilliant". The picture was actually originally made in English, French, German and Dutch versions and then hacked to bits in the various markets. This film is a "must-see" for any serious film fan with its fabulous photography, stylish composition and surreal overtones - Magritte too was Belgian. It's more than a horror film as it has often been tagged, but a series of dreams or perhaps nightmares with all the illogic of dreams. I am fairly certain that Welles did his own Flemish dialog and that too makes it a must for the connoisseur.
Yes, Malpertuis is extremely impressive, in my opinion the best Euro-horror movie! I read the Jean Ray book - which is by far my favorite horror writer - and the adaptation by Harry Kumel, altough not extremely tight to the novel, is quite decent.
Sadly, this movie is nearly impossible to find...
Sadly, this movie is nearly impossible to find...
I saw an english spoken version with 110m informed on the video box, but really 95min in video band. I remember, a long time ago, I saw this film in cinema with more as 110m. A lot of scenes disapeared: The face from Alecta, two times that the antiquaire appears in the film. I remember it was another end too, or maybe I'm wrong? Was ever the last scene a close of Jan's eye? Where is a complete copy of this film? It's very sad this cutting of scenes.
Wusstest du schon
- WissenswertesDirector Harry Kümel was a passionate admirer of Orson Welles and had him in mind for the role of Cassavius right from the beginning. According to him, it was pretty easy to convince Welles to take the part, once they assured to pay him the salary he asked for. Looking forward to meet and direct his idol, Kümel was pretty nervous when walking onto the set - just to find out that Welles was in a bad mood and drunk. He later stated in interviews that he personally got along well with Welles during the rest of the shoot but the majority of the crew didn't and tried to get out the grumbling Welles' way most of the time.
- Alternative VersionenFirst screened at Cannes at 99 minutes. The Director's Cut runs 119 minutes.
- VerbindungenFeatured in Forgotten Scares: An In-depth Look at Flemish Horror Cinema (2016)
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