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Die rechte und die linke Hand des Teufels

Originaltitel: Lo chiamavano Trinità...
  • 1970
  • 16
  • 1 Std. 55 Min.
IMDb-BEWERTUNG
7,4/10
27.055
IHRE BEWERTUNG
Thomas Rudy in Die rechte und die linke Hand des Teufels (1970)
A lazy, unorthodox gunfighter and his portly, horse-thieving brother defend a Mormon settlement from a land-grabbing Major, a Mexican bandit, and their henchmen.
trailer wiedergeben2:11
1 Video
89 Fotos
Buddy KomödieItalo-WesternParodieKomödieWestern

Ein fauler, unorthodoxer Revolverheld und sein stämmiger, pferdediebender Bruder verteidigen eine mormonische Siedlung gegen einen landgreifenden Major, einen mexikanischen Banditen und ihre... Alles lesenEin fauler, unorthodoxer Revolverheld und sein stämmiger, pferdediebender Bruder verteidigen eine mormonische Siedlung gegen einen landgreifenden Major, einen mexikanischen Banditen und ihre Handlanger.Ein fauler, unorthodoxer Revolverheld und sein stämmiger, pferdediebender Bruder verteidigen eine mormonische Siedlung gegen einen landgreifenden Major, einen mexikanischen Banditen und ihre Handlanger.

  • Regie
    • Enzo Barboni
  • Drehbuch
    • Enzo Barboni
    • Gene Luotto
  • Hauptbesetzung
    • Terence Hill
    • Bud Spencer
    • Steffen Zacharias
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,4/10
    27.055
    IHRE BEWERTUNG
    • Regie
      • Enzo Barboni
    • Drehbuch
      • Enzo Barboni
      • Gene Luotto
    • Hauptbesetzung
      • Terence Hill
      • Bud Spencer
      • Steffen Zacharias
    • 75Benutzerrezensionen
    • 48Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 2:11
    Trailer

    Fotos89

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    Topbesetzung60

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    Terence Hill
    Terence Hill
    • Trinity
    Bud Spencer
    Bud Spencer
    • Bambino
    Steffen Zacharias
    • Jonathan Swift
    Dan Sturkie
    • Tobias
    Gisela Hahn
    Gisela Hahn
    • Sarah
    Elena Pedemonte
    • Judith
    Farley Granger
    Farley Granger
    • Major Harriman
    Ezio Marano
    • Weasel
    Luciano Rossi
    Luciano Rossi
    • Timid
    Ugo Sasso
    • Crippled Sheriff
    Remo Capitani
    Remo Capitani
    • Mezcal
    Riccardo Pizzuti
    Riccardo Pizzuti
    • Jeff
    Paolo Magalotti
    • Major's Gunman
    Thomas Rudy
    • Emiliano
    • (as Vito Gagliardi)
    Antonio Monselesan
    • Bounty Hunter #1
    Gaetano Imbró
    • Bounty Hunter #2
    Franco Marletta
    Franco Marletta
    • Mortimer's Partner
    • (as Francesco Marletta)
    Luigi Bonos
    Luigi Bonos
    • Bartender
    • (as Gigi Bonos)
    • Regie
      • Enzo Barboni
    • Drehbuch
      • Enzo Barboni
      • Gene Luotto
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen75

    7,427K
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    Empfohlene Bewertungen

    kvblshemp

    the greatest comedy/western ever made!

    Action! Laughs! Beans! Filth! Flies! Sweat! B.O.!...It's all here in this terrific film about two half brothers (Hill and Spencer) who team up to save a helpless group of mormon farmers from marauding mexican banditos and a ruthless gang of ranchers. the entire cast is outstanding and never disappoints in keeping the viewers interested and entertained. the sound effects crew deserved an academy award, as one can practically feel the pain with every punch and slap! The climactic fight scene is the one which all fight scenes should be measured by (poor Mezcal!). It is absolutely hilarious! Tobias would be honored if you'd share their meager meal with them. Buy this title, "Trinity is still my name" and "My name is Nobody." All are classics for the archives.
    8liodavix

    Very Funny

    Mythic film that started the golden stage of spaghetti-Westerns, as well as the legendary duo Spencer-Hill.

    Directed precisely by one of the pioneers of this genre, Enzo Barboni, here under his pseudonym, EBClutcher, as was usual at that time, like Carlo Pedersoli (Bud Spencer) and Mario Girotti (Terence Hill), this was a strategy that was used so that these films, in principle made to amuse the European public with its peculiar style of adapted western and in a certain way, parodied, also reach the Anglo-Saxon public, and disguise a little the Italian flavor of these productions.

    However, it is precisely that parody, carefree and also comical tone that encumbro to this genre, and in particular, to this film.

    Here the protagonists are not straight and honorable agents of the law who punish the thugs and bandits, but they themselves are those bandits, two brothers to be exact, one the youngest, is called Trinidad, attractive, scoundrel, sympathetic, rogue , flirt, vague and anti-hygienic, but fearsome and deadly with the revolver, they nickname him the right hand of the devil.

    And on the other hand is his brother, ¨the boy¨, of great stature, grumpy, gluttonous, disheveled and with strong differences with his brother, with whom he nevertheless shares the same unrivaled skill as a gunman ¨ the left hand of the devil¨.

    The destinies of both will cross without that they look for it, in a remote town where the boy of falsely makes happen like the sheriff, with the only intention to wait for two comrades with those who to sack the bank of the town, but the arrival of his brother Trinidad, and his particular gift of getting into trouble will completely disrupt the plans of both.

    What we have then, is an atypical western so far, where protas are far from being heroes, if not rather two nice scoundrels who will be carried away by events, which usually resolve shots, or hammer, Yes, always with a sense of humor and a kindness, because both brothers are really good-natured, only tanned in the harsh world of the wild West replete with gunmen, thieves, exploiters and all kinds of "actor".

    Very well set, of course, in Spain, specifically in Almeria, in the desert of Tabernas, where almost all the films of the genre were filmed, Barboni shows us a Far West quite realistic and approximate to how it should have been in reality, arid , dry, miserable towns exploited by greedy magnates and their thugs, fugitives, bandits, prostitutes, drunkards, people of dubious morality, disheveled. dirty, with beards and dusty hair, the purpose was to break with the classic image of the old films of John Ford or Raoul Walsh, for a type of western as I said before, more casual, more comical.

    The chemistry between Spencer and Hill works like a charm and is what sustains a script sometimes hilarious and witty, but it is the connection between these two that makes the film, with a wonderful soundtrack, the initial theme is already a classic, used even by Quentin Tarantino in his tribute, which is what it is, to the genre, Django unchained.

    If something could be attributed to this film, it is perhaps a too long duration for what actually has to be counted, which makes in some sections a little cloying, cut ten or fifteen minutes would have benefited enough.

    In conclusion, great and hilarious film to which the years have not sat badly but quite the opposite, it looks with total sympathy and nostalgia.

    Thank you.
    8bensonmum2

    "Welcome, brothers!"

    I am by no means an expert on the 19 or so Terence Hill / Bud Spencer films. But of the handful I have been able to see, They Call Me Trinity just might be my favorite. I distinctly remember watching this movie over 30 years ago and thinking it was one of funniest, most enjoyable movies I had ever seen. Re-watching it last night, I realized that, although my opinion isn't quite as high as it once was, I still enjoyed They Call Me Trinity immensely. It's not perfect, but it sure it fun. Hill and Spencer play off each other as well as any of the better known Hollywood duos. They complement each other in both style and appearance. There are a few moments that had me laughing out loud. Their first meeting with the Mexican bandits while unintentionally disguised as Mormons is one of these moments. Hill also has some particularly funny scenes on his own. One that I remembered from my first viewing three decades ago was the scene where Hill eats the entire plate of beans. Good stuff! And who doesn't get a kick out of the dust-covered Hill being pulled along behind his horse. It's a classic image right up there with Django dragging the coffin through the mud. There's just something about both of these scenes that I find very funny.

    But what I really enjoy the most is the way They Call Me Trinity makes fun of some of the better known Spaghetti Western clichés. There are several examples I could use, but I'll just cite one. In most Spaghetti Westerns, the main character is usually an expert shot. So expert, in fact, that they almost never miss. Look at Lee Van Cleef in Sabata or Clint Eastwood in The Good, the Bad, and the Ugly for example. Van Cleef's Sabata is able to his any target at any distance and Eastwood's Blondie has no problem hitting the rope about to hang Tuco. Trinity takes this already exaggerated ability to the absurd. As seen in the one of the bar fights, Trinity can hit targets behind his back - without looking. If you're a fan of these movies, you'll enjoy They Call Me Trinity's poke at Spaghetti Western conventions.
    7ma-cortes

    First great success of the famous starring couple , Trinity and Bambino

    The movie concerns Trinity (Terence Hill or Mario Girotti) , a roguish and sympathetic gunman with fast weapon who works as a bounty hunter . His brother Bambino (Bud Spencer) is a sheriff in a village but also an undercover thief who attempts to execute a heist . They'll face off a rich owner (Farley Granger) and some Mexican marauders who try to evict a group of Mormons . They help the pacific homesteaders and the confrontation will be inevitable but is developed by means of successive fights without blood , neither gore , nor cruel murders .

    This entertaining picture packs comedy , action , shootouts and lots of brawls and fights . The violence isn't crude but light and predominates the comedy and parody . The storyline is embarrassing and ridiculous but has its agreeable moments here and there . It's a spaghetti western with comedy and develops the usual issues : invincible antiheroes , spectacular showdown , amusing taking on but united to slapstick and simple humor . It's an entertaining Italian western with adequate runtime where there is irony , tongue-in-cheek , shootouts , numerous struggles and is quite funny and amusing .

    Though this was their first really big hit movie, the film was actually the fifth picture that Terence Hill and Bud Spencer had both worked on and the fourth which they both had starring roles. The nickname that Trinity was called because he was such a fast quick-draw with his gun was "The Right Hand of the Devil" , the nickname that Bambino was called was "The Left Hand of the Devil¨ . Terence Hill is a good guy , hilarious and likable ; Bud Spencer is a rough , two-fisted , bouncing , grumpy man but with good heart , their characters are partially similar to Stan Laurel and Oliver Hardy . The film is a spoof of famous films such as ¨The magnificent seven¨ and ¨Blazed saddles¨ but covered with spaghetti . The picture obtained a sequel with the same protagonists and director , ¨Trinity is still my name¨ , which also achieved much success and many years later a third part , ¨Troublemakers¨ , directed by Terence Hill . Besides , originated a series of awful imitations and copies . Rating : nice and bemusing .
    7Rambimbo

    A true gem of western/comedy movie.

    I first saw this Trinity movie in the mid-seventies and laughed and snickered through it. Recently, I watched it again, and found that it held up well over the past decades, and recommend it highly. The humor in this movie is both subtle and broad. The lead actors, Terence Hill and Bud Spencer, slyly parody spaghetti western stereotypes without hamming it up. They do a masterful job at underplaying their characters' brotherly dislike of each other. There is plenty of broad humor too. Trinity is so scruffy and dirty that when he sits down to eat, puffs of dust fly up. The production values are generally pretty high; this doesn't look like a cheap movie. But the dubbing, as in any dubbed movie, is very obvious. Still, this is a highly enjoyable movie.

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    Handlung

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    • Wissenswertes
      Terence Hill fasted for 24 hours before filming the scene where Trinity eats the skilletful of beans, to be able to finish them all (and quickly).
    • Patzer
      When Trinity is ready to leave the Mormon camp after their meal, he puts his hat on, with the strap to the back of his head. But when he is riding away, his hat falls off with the strap around his neck.
    • Zitate

      Trinity: I'm sorry, but I couldn't let them call Ma an old...

      Bambino: But it's true.

      Trinity: Yeah, but she ain't that old.

    • Verbindungen
      Edited into Spaghetti Western Trailer Show (2007)
    • Soundtracks
      They call him Trinity
      Written by Franco Micalizzi (as F. Micalizzi), Harold Stott (as L. Stott)

      Performed by Annibale E I Cantori Moderni

      (Annibale Giannarelli and Alessandro Alessandroni's "I Cantori Moderni" chorus)

      Courtesy of Carosello C.E.M.E.D., Italy

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 2. März 1971 (Westdeutschland)
    • Herkunftsland
      • Italien
    • Sprache
      • Italienisch
    • Auch bekannt als
      • They Call Me Trinity
    • Drehorte
      • Campo Imperatore, L'Aquila, Abruzzo, Italien
    • Produktionsfirma
      • West Film
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    Box Office

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    • Weltweiter Bruttoertrag
      • 28.807 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 55 Min.(115 min)
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.35 : 1

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