Wen die Meute hetzt

Syndicate wheelman Harry Garmes (George C. Scott) comes out of a nine year retirement to do one last job that involves ferrying escaped con Paul (Tony Musante) and his girl Claudie (Trish Van Devere) over the French border. Naturally, things do go as planned as their rendezvous is a set-up to kill the duo and Harry takes action. If you like the misanthropy on display in other early 70s Scott flicks like RAGE (1972) and THE NEW CENTURIONS (1972), than this is for you. This is a great little action flick that is really working on two levels, kinda like the same year's VANISHING POINT (what a great time for fans of esoteric action!). Garmes laments about the enemy of time and the car he so meticulously takes care of becomes a symbol of the man himself as it slowly starts to wear down over this tough journey. Apparently Scott feuded so much with original helmer John Huston that he quit and was replaced by Richard Fleisher. Fleisher uses the beautiful mountain roads of Spain to stage some great car chases, all set to a fantastic score by Jerry Goldsmith.

George C Scott plays Harry Garmes, a former getaway driver who comes out of retirement to prove to himself he hasn't lost his touch. He lives in a small Portugese fishing village, but he isn't fulfilled; he views retirement as preparation for death and goes behind the wheel again to inject some vitality into his existence. What promises to be a straightforward job, however, brings him unexpected challenges. The film boasts suspenseful car chases, impressive cinematography, a good script and a compelling performance from George C Scott as the cynical driver who gets more than he bargains for as he chauffeurs an escaped prisoner and his girlfriend across country. The film is thought-provoking, it deals with love, death, regret, frustration and determination, and coupled with tension and suspense makes it a memorable ride.

Well made dramatic thriller about an ex-driver for the mob, now retired and living on a beach with nothing else to do, and nothing else he knows how to do. When he's called upon after nine years to perform a job he takes it, simply to see if he can still do it. Scott is the best reason to watch this other-wise standard chase film; As the aging driver who's lost everything and has nothing to do but die, he is masterful. This is one of his finest (and most under-rated) performances. An engaging film with some intense moments of action and a great existentialist feel to it. Doesn't quite hit it's mark at times, but worth-while for Scott. Good photography.

*** out of ****

A really excellent film, written by the wonderful and neglected Alan Sharp (see Night Moves). Scott is great and in an era of endless explosions and car chases, this is a welcome, intelligent relief.

Richard Fleisher did several good early noir films before his late career as a hack TV director. Also, this background reminds one of Frears film The Hit. (or is it The Last Hit?)...anyway,the writing is first rate, as always with Sharp and the characters quite memorable. Why is it so overlooked? This is the kind of genre piece that simply doesn't get made anymore. All performances are solid --- and I also have to wonder at the career of Richard Fleisher. From something as good as this, to his late work will remain a filmic enigma.

This film almost should have been in black and white! Very solid throwback to the gritty film-noir gangster films of the 40's. The ever brilliant George C. Scott tackle's the Bogartesque protagonist with style - a retired gangland getaway-driver lured out of retirement by personal reasons for one 'Last Run' in Spain in which he has to transport a escaped killer and his moll across the border to France.

Of course nothing ever goes quite as planned and Scott soon find's his assignment calling for him to make some tough choices in the face of mounting odd's and hidden dangers. This film benefits from it's strong cast, fantastic camera-work by the great Sven Nykvist(Bergmann films), great location scenery in Spain and an economical screenplay from the talented Alan Sharp(Night Moves). Underrated director Richard Fleischer gives the film a great Hemingway type atmosphere and does a good job with the action scenes. Interestingly John Huston started this film and left after three weeks into the production following rows with Scott, Sharp and the producers over wanting to have the script re-written by his eighteen year old son! Overall this is a good solid thriller that works and is waiting to be rediscovered.