Die Steppenreiter

Reportedly, John Frankenheimer bugged out of the post-production process of I Walk the Line as fast as possible to get to Afghanistan to film this. Also, Columbia went through a regime change and the budget on the film got slashed in the middle of things, necessitating the change from filming in 65mm to 35mm. And...it's kind of dull. Again. Just like The Fixer. Another prestige literary adaptation that has no real energy to it, The Horsemen isn't a complete failure of a film. It's just not as interesting as it should have been.

Uraz (Omar Sharif) is the son of Tursen (Jack Palance), a rich man and famous chapandaz, a rider in the game called buzkashi where a group of individual horsemen wrangle for a sheep's carcass to throw into a painted circle on the ground. It's apparently very big in Afghanistan. Anyway, the heart of the film is the father/son dynamic of Uraz feeling unworthy to live up to his father's expectations, made all the worse when Tursen gives Uraz his horse for a big buzkashi contest where Uraz gets thrown from the saddle and breaks his leg. He then must make a long journey, choosing to take the hard, ancient road, to prove his worth. Along for the ride are his servant, Hayatal (Peter Jeffrey), and the untouchable prostitute, Zareh (Leigh Taylor-Young).

Where this film is easily the most interesting is a look at rural Afghanistan, their customs, sports, and the landscape. I mean, I'd seen the use of a head in a sack for polo in The Man Who Would be King, but never the wrangling of a goat carcass for sport. The portrayal of traditional Afghani masculinity is also interesting through Uraz who has a deep distrust of modern medicine. When he wakes up from the accident on the buzkashi pitch, his leg is wrapped up in a white cast. How can his leg heal without the sun hitting it? So, he has Hayatal break it off and wraps up his wound with a page from the Koran because the Prophet's words should heal him. It, of course, does not work, and the film has this kind of detached, sympathetic view to a backwards man trying to make his way across a hostile landscape.

It's not that hostile, though. The travelogue aspects kind of wear out their welcome after a while with little to add after the first half hour or so. Instead, we get some character-based stuff around Uraz naming Hayatal as the heir to his horse should something happen to him, a background thing between Hayatal and Zareh that could be a romance, a ram fight they come across where Uraz bets on an underdog, and even looks back to Tursen trying to recreate a moment from his youth by trying to jump onto a small building with his horse, something he did in a buzkashi contest many years prior.

It's just...not that interesting. And, again, like in The Fixer, I think a large part of it is how lackadaisical the film is edited. There's no real drive. It's just kind of a journey across a baren wasteland as Uraz gets steadily sicker because he refused Western treatment of his broken leg. It's just not that engaging of a journey. There's added interest late in the film when he has to make a drastic decision to save his life, something that should make it pretty much impossible for him to expertly ride a horse ever again. Which he, of course, does.

I mean...it's fine. After the look at Afghanistan loses interest, there's not a whole lot else. Uraz's daddy issues actually get sidetracked for watching ram fights and dealing with subdued feelings for an untouchable prostitute. The tension around Hayatal trying to kill him for the horse kind of comes out of nowhere. When Uraz does finally get back to Tursen, having grown through his pain and loss, there's something to it. It's not deeply affecting or anything, but it makes sense. Enough connections have been made through the film for it to make sense on an intellectual level.

I think part of the disconnect though, is performance based. Jack Palance was not a bad actor (and I generally don't care about brown face stuff), but he trended very easily towards arch performances, and I think his performance as Sharif's father, aside from the fact that his old-age makeup is unconvincing and they look the same age, is too arch for this film which is generally more restrained (too restrained, to be honest). A big performance wouldn't be bad, but he just...doesn't fit.

So, this feels like another attempt by Frankenheimer to adapt literature handsomely. It's also another tail of self-destruction, though with a more hopeful ending than most. It fits his filmography and shows a certain ambition, but it also demonstrates how he could easily be lost in types of films he wasn't familiar with.

This is an example of taking a book and adapting it to the large screen and realising with hindsight that it works better as a book . I'm not familiar with Joseph Kessel's original novel but the comments on this page state that the film is very faithful to the book and that might be the problem . It's a story that concentrates on obsession at winning at all costs and Uraz the protagonist is a universal metaphor for all mankind that when you want to win something it can cost you very dearly

You can perhaps see why the producers thought this would make a great film with its exotic locations and the fact it was st in Afghanistan before the land reforms the mid 1970s that led to civil war and the subsequent Soviet intervention is what made me seek out the film if only to understand Afghan culture better and the film does contain an intelligent opening when the audience are led to believe they're watching a scene from the 17th Century only to the Afghan rug pulled from under their feet as a jet plane screams over head . Likewise there's some spectacular scenes involving the sport of buzkashi where horsemen literally fight over the carcass of a dead goat and there's some impressive cinematography featuring the Afghan landscape but the inherent problem with the film is the character driven narrative which doesn't kindly lend itself to the medium of cinema

An excellent adaptation of the Book by Joseph Kessel; centered on the running of the first Buskashi in Kabul by the King of Afghanistan circa the 1950s. I have read the book in its English translation(1968) and seen the Movie on VHS.(1671) The movie is very fresh and not dated; and all the more compelling due to recent liberation from Arab control of that country. Footage of the Buskashi just has to be from a real game. The games were played at Bagram (Bagrimi) the plain above Kabul which was made an airport in recent years.

The author, Kessel can be compared to Joseph Conrad and Hemmingway as he apparently lived what he wrote. The book has themes just as penetrating as "Heart of Darkness" or "the Old man and the Sea" and much has translated well to this Movie. The acting is well done and convincingly. Local color shots were done in the late sixties giving this film a truly timeless feeling with little motor traffic evident.

One inspired scene has Jack Palance as Chief breeder and legendary Horseman, interrupted in his instructions to his team by the noise of a Jet; and looking up to see contrails above.

This is a real treasure just begging to be on DVD.

This is a human condition action adventure that takes place in modern time( meaning 1971) Afghanistan. The film starts by showing how far back in time they are. Everybody is riding around on horses while planes are driving above them. In this country a proud (the best word would be prince but it doesn't exactly fit) Uraz (played by Omar Sharif, mostly known as that guy who had the lead in Doctor Zhivago) sets out to this weird horse tournament on the request of his father, a elderly clan leader and master of the sport played by the great Jack Palance.

It's made obvious from the start that though this man might be proud and even quite noble (he always bets on the weakest), he is in fact cruel to servants and have a rather nihilistic view on life. When he manages to fall off his horse and break his leg he feels a great dishonor and sets out to find the hardest and deadliest road home. On the way everything that is good in humans are questioned! The film has a very different view of the world than most others, at least this early in cinema. Many of the characters are so shady it will almost make you sick. I must say that I did not like these people as humans, though I did like their characters, inhuman behavior and cruelty is something I take a huge interest in. For those of you who enjoy to travel to different worlds and can enjoy and love films even if they perhaps have a different stand than your world view, this is the film for you.

I was quite taken by it I must say. My second favorite Frankenheimer picture to date, meaning that I thought it was better than great films such as The Manchurian Candidate, The Train and Seven Days in May. The colors are great and the mood and pacing is very intense. Most of the frames are quite beautiful. The acting is very good! And it's philosophy as a whole is rather good too but I will not give away anything about how this film turns out but I will say that I thought it was fabulous. A genius film! A masterpiece! You should definitely check it out. A true gem!

Not having seen this film since its initial release, I have vague moments of recollection (I was eleven at the time) but, after all these years, I still remember this film, a few scenes-even the theater where I saw it-so that has to count for something. We, my parents, and myself went to many, many movies so it was not unusual for me to come along, even at decidedly adult fair such as this. My mother had a crush on Omar-notwithstanding that they share the same passion for bridge. Frankenheimer had a good reputation for producing and directing interesting, offbeat films that hit as often as they miss-The Manchurian Candidate, Grand Prix, and Black Sunday come to mind. So, we gave this film a shot.

While I do not remember the plotline to any great extent, what I do remember quite vividly was that this film took place in Afghanistan, and features quite prominently the national sport of Buzkashi-a sport whereby riders on horses attempt to deposit the carcass of a lamb in a circle. Also, this has what is quite honestly the best performance in a film by Omar Sharif you will ever find. He plays a great rider who is injured early in the film. He broads about a lot but finally finds redemption by returning to the sport that nearly killed him for that one last ride. I do not remember if he makes it through alive.

Buzkashi is an old, old brutal sport/ritual full of tradition and ceremony. The film took great pains to present this dying spectacle as realistically as possible and is the great set piece to the film. A true Man's man sport, it is not for the fainthearted. For me, at eleven, I was not used to cinematic `realism' even though by then I had seen hundreds of films. Perhaps it is why I remember it so for it made quite an impression.

The film was transferred to video but is long out of print and only available through collectors. It has not made it to DVD, unfortunately. I have not seen it since it initial release.

Still, in a long career for Frankenheimer, this is a film that should not be forgotten and is probably one of his best.