The Headless Eyes

Hahahaha! This film is great. If you are looking for low-budget crap from the early 70's, check this grade Z film out. No budget, horrible editing, some atrocious acting, and eyeballs.

The plot is so simple, even a 10 year old could have thought of it. A struggling artist decides to rob a woman's apartment in the middle of the night so he can afford to keep his shop open. In the process of the robbery, the woman wakes up and scoops his eyeball out with a spoon. He gets away, only after screaming "MY EYE! AHHHAHHH my eyeeeee....." over and over again. This whole event changes his life and he decides to start killing woman, remove their eyeballs and use them to further his art career.

This movie is so bad, but I really enjoyed it. The beginning of the movie is possibly one of the funniest moments I have ever seen in a movie. When he gets his eye removed and starts screaming about it, the sound editors decided to loop his scream over and over again, looping it about 6 or 7 times. You just have to see it to really understand.

The gore in the film is hilarious. There isn't a whole lot of it, but there are a few scenes noteworthy. If anything, it is far more bloody then it is gory. Don't expect HG Lewis here, though.

If you like this stuff, it is worth a watch. I thought it was great, but that is just my opinion. 7/10

There's a lot to be said about this grisly extreme low budget thing, much of it not too good so far, however it is a precursor to the Henenlotter style, not a copy of such, as was implied by another commenter. It's not hard to imagine that Henenlotter, Abel Ferrara and maybe even Scorcese caught this at a midnight screening or something when they were younger. If viewed being mindful of its year of production (released 1973 but production started around 1970-71), it comes on the heels of the angst-ridden French New Wave and borrows much from that style. Every independent film "artist" was familiar with the French New Wave, especially New Yorked based ones

There are actually moments that are quite unnerving watching this eye-stealing serial killer move in and out of a psychosis and stalk his prey. Not as nicely done as Michael Lerner's eye-obsessed maniac in ANGUISH, but still effective. It's hinted that he may have two personalities, but it really seems more like schizophrenia. (No, they are not the same thing!) The gore effects are poor to adequate for the time and budget, they would be considered lame by modern standards. As typical for horror films of this period, it's reflective of the bloodshed and violence of Vietnam that was consistently broadcast over television, and of the dread regarding the effects of the war on returning veterans. This is a common theme, that has become more visible as time passes, in horror and other films of violence of the time

While the main character, the killer, has nothing to do with the war, the mental anguish and violence are sure themes of this period. You won't like this much if you must have super-realistic gore effects and hyper-intense action with cardboard characters, but for those horror fans who lived through this period and those who are interested in studying the horror films of the time, this one is worth the few dollars you can buy it for on VHS on Amazon, less than what it costs on ebay, where it's available on bootleg DVDs. With a wonderfully eerie soundtrack as well and a nicely done understated ending. Nice to view on a double-feature with THE SEVERED ARM.

My review was written in March 1983 after a Greenwich Village screening.

"The Headless Eyes" is a 1971 gore thriller so obscure that no credits or details about it are listed in comprehensive horror encyclopedias. It is reviewed here, finally, for the record.

Set in New York, picture opens with lead Bo Brundin robbing a woman in her apartment to raise his rent money (he's a struggling artist). Defending herself with a teaspoon, the victim pokes his eye out, setting of Brundin's grisly mania of killing women and gouging out their eyes with a spoon of his own.

Generically related to the familiar mad sculptor/wax museum films, story has Brundin creating plastic artwork incorporating the eyes. Plentiful blood and adequately simulated gore account for the picture's X rating, awarded by the MPA A in 1973.

Technical quality is extremely poor, with a grainy blowup from 16mm lensing.

Director Kent Bateman did an about-face by helming the G-rated "Land of No Return" starring Mel Torme. "Eyes" is interesting for the earnest overacting of Brundin, who later moved up to a leading role opposite Robert Redford in "The Great Waldo Pepper".

Basement grindhouse fare, not as gory as it's reputed featuring an unhinged performance by Bo Brundin as the tortured artist who loses an eye, but discovers a new art form.

Frustrated artists always seem to be fodder for film psychopathy, and 'The Headless Eyes' continues that trend in earnest, assisted by a compelling title no doubt responsible for much of its appeal (that and as other reviewers have remarked, the graphic VHS cover art).

Gritty-looking guerilla-style location photography and some almost avant garde touches in Kent Bateman's directorial debut shows potential, but the novel plot device disappointingly never evolves into more than a just a few random stalk & slash encounters. I'd hoped the art student sub-plot late in the picture might resurrect things, but it looks like the $$$ may have evaporated and instead the film ends quite abruptly.

The incessant shrieking of 'my eye!' will live-on in your consciousness well beyond the meagre 70 mins runtime, an enduring accomplishment few films achieve, but unless you're a devotee of no-budget 70's slashers, I think you could feel underwhelmed by 'The Headless Eyes'.

"The Headless Eyes" follows a struggling New York artist who loses his eye in a botched robbery attempt; consequently, he develops a bizarre obsession with eyeballs, and goes on a brutal murder spree, killing women and tearing out their eyes with spoons.

Written and directed Kent Bateman, "The Headless Eyes" is a gritty and gruesome exploitation flick that was an ostensible inspiration on later New York-based films like "The Driller Killer" and "Maniac"; it's two parts grindhouse filth and one part art-house horror. The film features an over-the-top performance by Swedish actor Bo Brundin, who leads a very small cast through a scuzzy New York City just after the dawn of the 1970s. It's an interesting film merely as a time capsule, and also functions as a dark meditation on poverty and hopelessness.

The film boasts a handful of surprisingly savage murder scenes and expected eye gougings; in spite of some hammy special effects, the scenes retain a disturbing grit to them that is unexpectedly palpable and disturbing. The narrative is relatively aimless and frenetic; there is little in the way of plot, and the film does feel something like a stitched-together patchwork of gore and half-baked ideas; that said, the messiness gives the film a somewhat disconcerting, schizophrenic energy, and the relative lack of dialogue is another unusual feature. The ending is abrupt and uneven, but it's difficult to expect anything else.

Overall, "The Headless Eyes" is a fairly gruesome but aimless exploitation effort. The skeletal plot and hammy performances don't necessarily work in its favor, but it does retain a bizarre and disturbed energy that makes it worth a watch for die-hard grindhouse horror fans. It's certainly not a good film, but it is tonally scuzzy and forbidding. It's the kind of film that triggers the urge to take a hot bath after viewing, which, depending on your proclivities, will either elicit interest or turn you away. 6/10.