Happy Birthday, Wanda June

I saw this film in, maybe 1975-6. I was working the graveyard shift in a hotel and they had an "in room movie" feature that consisted of a Video Tape Deck that used 2" on big reels. While I was settling all of the accounts, I had to change the reels for the next movie. Anyway, H.B.W.J. was one of the vast array of maybe 25 films they had. If I could get done early I could watch a movie. There were never more than two or three people in a day that watched any of the crappy films. Well I watched it and loved it! I brought friends and we watched it, maybe twentyfive times. I had a tape from the local ABC affiliate which was shown out of order. This was a very strange and complicated film made totally incomprehensible.

al:^)

I'll be the third person to comment on this movie; seems like like an exclusive club. Anyway, this is a very strange movie; Vonnegut does black comedy and touches on ideas he put in "Slaughterhouse Five". I saw this movie about 20 years ago, late at night on television, and it says a lot that although it's never going to be in my top 50 list, every so often I recall it and smile. Steiger is an egotistical, Iron John type adventurer and explorer who abandoned his wife to go off exploring with his friend, played by William Hickey (who was the man who dropped the atom bomb on Nagasaki, not Hiroshima, as the previous person said) and was missing, presumed dead for 7 years. Steiger thinks he can just waltz back into everyone's lives again and they'll all come running to him, but the reality is very different. Interspersed with this are cut aways to a little girl in Heaven called Wanda June who never got her big birthday party while she was living. Memory has dulled why her character and story is significant. One of the funniest scenes is where Steiger and Hickey enter their favourite bar after years away and the bartender yells out "Hey! This is the guy that dropped the bomb on Nagasaki!": A Japanese businessman looks on with contempt and backs away but a bearded hippy says "wow, I always wanted to meet you, man!"

The first time I've watched this remarkable movie, was on commercial TV..I was sincerely amazed with this exquisite blend of irony,madness and desperation that was a trademark of Mr.Vonegut's works.But, there was something really new coming on that flick...the urges of a mankind behind those solid characters, Steiger and Hickey, this last one the bomber that wasted Hiroshima, and his Master, a frontiersman Steiger,both back from a disastrous expedition to Africa, that lasted years...Their families, in the face of those presumed deceased...What about an effervescent and mutating world of the early 70's?They should portrait the Vietnam fighters, being cursed for the flower power generation...Blended with superb interpretations from all the cast, with poisonous 'sensa huma'and political uncorrectioness all over the place.Those were the days, dude. A really must see...

This is one of my favourites, so I admit to being terrible biased about its merit. As a movie it's a bit clunky in places, but the cast is wonderful. For me the best of these is William Hickey. He often has the best lines in the fashion of the fool in Shakepeare. A drunken broken man whose one defining moment (in his friend's eyes anyway) he regrets totally. The movie is worth a look just for him. If you don't understand or enjoy Kurt Vonnegut's cynicism you won't enjoy this film. All of the "living" characters leave something to be desired, and there is little to inspire here. But it is funny in an ironic kind of way, and so indicative of humanity. The deceased characters (who all play shuffleboard in heaven on Jesus' team) are a hoot as well.

Yes, I have to toss my two thumbs up into the heavens for this film as well. Seen a few times at a very young age. Bit of a slow start as Harold returns home and all. But soon as the cake is introduced with 'Happy Birthday Wanda June' on the counter, the surreal begins! A brilliantly funny, but I'm sure 'unpolitically correct' view of 'heaven' - even at my young virgin age, I was kinda shocked. Wanda June, cute as a bugs ear - but tragically hit by a truck before her birthday. Assistited by a fatherly Nazi to help explain the utopia of their afterlife. Like Nazis and Jesus playing shuffleboard all day in heaven? And you know Jesus is like really good, because he has the satin jacket and all that. Then back down to New York, where Harold and his buddy try desperately to reintegrate themselves into a world that now seems so foreign. I wouldn't say it was a 'feminist' movie, nor was it glorifying or lambasting the idea of brutality and war. I'd say it was simply about 'time' itself. As in 'time is fleeting', 'time heals all wounds', 'remember the good times and forget the bad'. As irrational and surreal as it was - long before Updike treatments. It's probably the one that comes off the most sane and human out of the lot. Kings, Heros, Madmen, and the wakes of their plunder and destruction. Queens, Innocent beauty, and youth. All but ripples on the shore that cannot stand up to natural currents and waves - only help contribute to them until the tides change. And that you can set your watch to. Brilliant film!