Harold ist jung, reich und vom Tod besessen. Sein Leben ändert sich schlagartig, als er auf einer Beerdigung die lebenslustige Maude, eine Frau in ihren Siebzigern, kennenlernt.Harold ist jung, reich und vom Tod besessen. Sein Leben ändert sich schlagartig, als er auf einer Beerdigung die lebenslustige Maude, eine Frau in ihren Siebzigern, kennenlernt.Harold ist jung, reich und vom Tod besessen. Sein Leben ändert sich schlagartig, als er auf einer Beerdigung die lebenslustige Maude, eine Frau in ihren Siebzigern, kennenlernt.
- Nominiert für 1 BAFTA Award
- 3 Gewinne & 3 Nominierungen insgesamt
Tom Skerritt
- Motorcycle Officer
- (as M. Borman)
Ray K. Goman
- Police Officer
- (as Ray Goman)
Gordon De Vol
- Police Officer
- (as Gordon DeVol)
Sonia Sorel
- Head Nurse
- (as Sonia Sorrell)
Empfohlene Bewertungen
This art house favorite is a timeless classic and recommended viewing for all post-Catcher In the Rye teenagers. To modern viewers, the Ruth Gordon creation of Maude probably seems trite, but her Maude was fresh, original and daring in 1970 and the pre-Sophie's Choice twist in her history that Harold discovers was likewise unanticipated by early viewers. Unfortunately, Ruth Gordon went on to recreate this character in lesser films throughout that decade and the character of the eccentric old lady has become rather shopworn.
The Cat Stevens soundtrack is probably one of the most effective use of pop music in film ever.
The Cat Stevens soundtrack is probably one of the most effective use of pop music in film ever.
'Harold & Maude' is one of those 'sleeper' films that just seems to resonate that bit more with every passing year. Harold, played by the criminally under-utilized Bud Cort, is the quintessential disaffected rich kid wanting to find some meaning in a vacuous life who hooks up with the devil-may-care Maude through their mutual love of attending funerals (Joyce's word 'fun-for-all' springs readily to mind in those scenes). There is plenty to love about this film, the slower pace and the lampooning of easy targets, the 'gung-ho' military uncle and the fetishist priest for example. Here is a film that really stands up well to repeated viewings.
can you believe i am 21 years old and only recently saw this film. i had heard chatters about it but never followed through...until a few days ago! and wow! how can this film have been made in 1971, it makes no sense, and i know that the 70s was a particularly strong period for American cinema but this film feels like it could have come from last week! perfect performances, the music by the former cat stevens was great, and the quirk of the storyline and dialogue was likable without being alienating. there were just little hidden things that one could take for face value but if you looked further you'd see a greater substance. i loved this film. i loved this film. i loved this film.
Hal Ashby's "Harold and Maude" neatly fits into the category of cult classic, chiefly by virtue of its subject matter. In brief, the film concerns a morbid young man who befriends a free-spirited septuagenarian. Together they make about as unlikely a pair as you'll ever see in a romantic comedy.
The stars of the film, Bud Cort & Ruth Gordon, play their parts with relish. Furthermore, the two have excellent chemistry together. Besides the stars, Vivian Pickles, as Harold's overbearing mother, and Charles Tyner, as his uncle Victor, stand out in support.
Ashby's direction is well-handled and the film sports some nice visuals. However, the film's best element on the technical side is arguably the soundtrack. The songs of Cat Stevens are heard throughout and they truly capture and enhance the spirit of the film.
In the end, "Harold and Maude" is certainly a unique little film and one that seems way ahead of its time. It's the sort of quirky movie that would be right at home next to some of today's independent films. Given it's eccentricities, I'm unsurprised that it was a commercial flop at the time of its release but, thankfully, it has gained in stature over time.
The stars of the film, Bud Cort & Ruth Gordon, play their parts with relish. Furthermore, the two have excellent chemistry together. Besides the stars, Vivian Pickles, as Harold's overbearing mother, and Charles Tyner, as his uncle Victor, stand out in support.
Ashby's direction is well-handled and the film sports some nice visuals. However, the film's best element on the technical side is arguably the soundtrack. The songs of Cat Stevens are heard throughout and they truly capture and enhance the spirit of the film.
In the end, "Harold and Maude" is certainly a unique little film and one that seems way ahead of its time. It's the sort of quirky movie that would be right at home next to some of today's independent films. Given it's eccentricities, I'm unsurprised that it was a commercial flop at the time of its release but, thankfully, it has gained in stature over time.
I want to BE Maude when I am older. Ironically, I have never seen a movie that was so full of life and joy. There are many little things in this movie, little details and gags, that increase the movie's replayability. The acting is amazing. Ruth Gordon and Bud Cort have wonderful chemistry,which is a tribute to the their acting ability, as well as the tight writing and solid direction. I was sad that this movie did not garner more recognition than it did when it was released. I am also disappointed that Bud Cort has not starred in more things since this movie. Oh well. This is a good Hal Ashby movie to start with, but if you get a chance you should watch as many as possible. They are quirky, thoughtful and wonderful. "Harold and Maude" is a paean to life and love, even if it's in the weirdest places.
Wusstest du schon
- WissenswertesAfter Maude and Harold steal the police officer's motorcycle, Bud Cort accidentally hit himself in the head with the shovel but just kept going for the sake of the shot.
- PatzerWhen Maude pulls the banjo out of a cabinet, you see the reflection of crew and lights.
- VerbindungenEdited into The Kid Stays in the Picture (2002)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Enséñame a vivir
- Drehorte
- 10 Stacey Court, Hillsborough, Kalifornien, USA(Chasen Family mansion)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.200.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 4.535 $
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