Ein Halleluja für Camposanto

Two fancy-pants brothers return west after years of eastern schooling and almost immediately anger the local gang of murderous extortionists. However, the boys have an ace up their sleeves in the form of ultra-cool gunslinger Gianni Garko, a mystery man with a debt to pay.

After the first several minutes of pretty silly slapstick, things get good, with lots of amusing touches and a neat performance by Garko, dubbed into English by an actor sounding like he's doing an impersonation of Clint Eastwood!

Whenever Garko disappears too long though, the movie begins to suffer. Still, it's worth recommending for spaghetti western fans who've already seen everything.

I've noticed that other viewers seem to overlook the connection between the brothers and the gunfighter, why he's protecting them. It's actually explained quite early on, in pretty certain terms.

This film was written by Enzo Barboni (also known as E.B.Clucher), the man who wrote and directed Lo chiamavano Trinità (1971) and ...continuavano a chiamarlo Trinità (1972). Those two films starred Terence Hill and Bud Spencer and they are, in my humble opinion,two of the best spaghetti westerns ever made. I agree that they are not as 'serious' and cool as the spaghetti westerns with Clint Eastwood, but still I enjoy them, mainly for their good stories and their funny and entertaining nature. Since I am a huge fan of the two movies I just named I decided to take a look at this one as well (mainly because Barboni wrote it).

NOTE: Just like all Terence Hill and / or Bud Spencer movies I see, I saw this one spoken in German.

Now, to be honest, this is not a film I'll recommend you to see. First of all, it is not nearly as funny as either Trinità film I mentioned before and second of all, the story isn't too good. I mean this film has a simple and basic story (as do most westerns), but I am afraid, the characters in it were just not that good. The cool guys were not cool enough, the bad guys were not bad enough and the McIntire boys were not put down well enough for me to like them. Also the myth surrounding 'The Stranger' was given away way too soon. The best scenes in this film were the ones in which Gianni Garko (The Stranger) and William Berger (Duke) shared the screen, particularly those towards the end of the film. The rest of the film just wasn't funny or exciting enough and reminded me a lot of E poi lo chiamarono il magnifico Barboni wrote and directed a year after this one was released. Stay away from this one and try Lo chiamavano Trinità or ...continuavano a chiamarlo Trinità instead.

4,5 out of 10 (of which 0,5 were counted as a bonus for the decent ending)

Before I review the film, I want to say a bit about the DVD that has both this film and another so-called 'spaghetti Western' ("Il Prezzo del Potere"). The picture quality is very poor and the DVD has no captions--just really bad quality dubbing. While in some films in the genre the dubbing was excellent (such as in the Clint Eastwood films), this one is not particularly good. As for the picture, it's scratchy and dark--so dark in one important scene that you have no idea what is happening. It is obviously a second-rate (or possibly third-rate) packaging of the film. You can't blame the film makers for this. In its original form it must have been a much better film.

The film begins with two brothers coming to the West to see their father. Apparently, they have been educated back East and have no idea of the life on the range. To call them ignorant is charitable--they are idiots. When they stand up to a representative of a group of extortionists who are threatening their father's ranch, they beat him (the extortionist--not the father) up...and have no idea that the gang will naturally come looking for them. They also naively assume the law will simply arrest the gang and can take care of the problem non-violently. Can anyone be THAT stupid in a film of this genre??!! Fortunately, a man in black ('Cemetery') stumbles upon them and takes pity on them--teaching them how to use a gun and not be a couple ignorant rubes! In many ways, this man in black is similar to characters played by men such as Lee Van Cleef in Westerns--a decent and inexplicable guy and also someone you don't want to irritate! In addition, he has an acquaintance who is also equally bad whose loyalty to his boss seems a bit suspect at times--leading to an interesting showdown between the two master gunfighters near the end.

While there were approximately 68 bazillion Italian Westerns made during this era (give or take three), what sets this one apart a bit is that it doesn't take itself so seriously. Sure, it has all the requisite killing, the bad guys and the scary bad hero, but it manages to make you laugh occasionally (such as the swimming scene as well as when one guy's mustache ended up looking like Charlie Chaplin's--thanks to some fancy shooting). While certainly not in the same league as the Sergio Leone films, this is very good and worth seeing--plus I doubt it was intended to be in the same league. Still, this one is more a very good time-passer with a bit more to offer--even if some of the humor is a bit broad (such as the fight scene with the ranchers).

Overall, the film loses a couple points for the dubbing and print quality and earns an overall score of 6. In its original form, no doubt it would be a bit higher.

This isn't a profound movie and doesn't try to be. It's a low budget action comedy (with a little bit of parody) which is great fun to watch, but doesn't try at all to be a classic.

Film scholars are gonna have nothing to go on here, but will inevitably compare it to Leone and Kurosawa just like they do to every other Spaghetti Western (or Samurai film in the case of Kurosawa specifically). Here's a hint: Just because it's a Western made in Italy doesn't mean the movie was trying to accomplish what Leone was.

The movie itself? As a fun movie I'd give it a ten out of ten, because it's perfect for what it is. If you have some spare time or if you see it in a bargain bin or whatever, go for it. It's a funny, quirky little movie. It's not a great film, but if movies like this didn't exist, I'd go freaking nuts. As much as I appreciate Citizen Kane, I'll never enjoy it like I enjoy these kinds of movies.

Written by the director of the famed Trinity comedy western films and directed by man who helmed 3 of the four official Sartana films, this outing works and doesn't at the same time.

The story of two greenhorn brothers fighting against a gang terrorizing ranchers is trite and only provides a reason to bring together the two main characters of the movie, Ace of Hearts/Cemetery (played by Garko) and Duke (played by Berger). Both are uber-cool bounty hunters who know and respect each other well and find themselves in a situation where they are working for opposite sides. Whenever these two actors are on the screen, either together or solo, the film is interesting. The direction is uneven as well, sometimes it's very stylish and well photographed, other times banal and full of gratuitous zooms. The script might have worked if the English actors who were chosen for the greenhorn brothers weren't so miscast. Bruno Nicolai's theme for the film is great but, like many of these films, it is repeated to the point of near insanity. The audio is very muffled in the English soundtrack and the print going around at this time is slightly cropped.

So it's not a complete waste of time, if a better print ever shows up I might watch it again.