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Frankensteins Kampf gegen die Teufelsmonster

Originaltitel: Gojira tai Hedora
  • 1971
  • 12
  • 1 Std. 25 Min.
IMDb-BEWERTUNG
6,1/10
7292
IHRE BEWERTUNG
Frankensteins Kampf gegen die Teufelsmonster (1971)
Dinosaurier-AbenteuerKaijuKatastropheSuperheldFamilieScience-FictionThrillerAnimationsfilm

Füge eine Handlung in deiner Sprache hinzuA toxic, ever-evolving alien life-form from the Dark Gaseous Nebula arrives to consume rampant pollution, and neither humanity nor Godzilla may be able to stop it.A toxic, ever-evolving alien life-form from the Dark Gaseous Nebula arrives to consume rampant pollution, and neither humanity nor Godzilla may be able to stop it.A toxic, ever-evolving alien life-form from the Dark Gaseous Nebula arrives to consume rampant pollution, and neither humanity nor Godzilla may be able to stop it.

  • Regie
    • Yoshimitsu Banno
    • Ishirô Honda
  • Drehbuch
    • Yoshimitsu Banno
    • Takeshi Kimura
  • Hauptbesetzung
    • Akira Yamanouchi
    • Toshie Kimura
    • Hiroyuki Kawase
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,1/10
    7292
    IHRE BEWERTUNG
    • Regie
      • Yoshimitsu Banno
      • Ishirô Honda
    • Drehbuch
      • Yoshimitsu Banno
      • Takeshi Kimura
    • Hauptbesetzung
      • Akira Yamanouchi
      • Toshie Kimura
      • Hiroyuki Kawase
    • 130Benutzerrezensionen
    • 72Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos166

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    Topbesetzung26

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    Akira Yamanouchi
    Akira Yamanouchi
    • Dr. Toru Yano
    • (as Akira Yamauchi)
    Toshie Kimura
    Toshie Kimura
    • Toshie Yano
    Hiroyuki Kawase
    Hiroyuki Kawase
    • Ken Yano
    Toshio Shiba
    Toshio Shiba
    • Yukio Keuchi
    Keiko Mari
    Keiko Mari
    • Miki Fujiyama
    Yoshio Yoshida
    Yoshio Yoshida
    • Gohei - a fisherman
    Haruo Suzuki
    • JSDF Officer
    Yoshio Katsube
    • JSDF Engineer
    Susumu Okabe
    • Announcer A
    Kentaro Watanabe
    • Announcer B
    Wataru Ômae
    • Police Officer
    Tadashi Okabe
    • Scientist
    Shigeo Katô
    • Screaming Construction Worker
    Takuya Yuki
    • Correspondent
    Eisaburo Komatsu
    • Non Commissioned Officer
    Yukihiko Gondô
    • Helicopter Pilot
    Haruo Nakazawa
    • Youth
    Akio Kusama
    • Person on TV screen
    • Regie
      • Yoshimitsu Banno
      • Ishirô Honda
    • Drehbuch
      • Yoshimitsu Banno
      • Takeshi Kimura
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen130

    6,17.2K
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    Empfohlene Bewertungen

    8Horror Fan

    This is a psychedelic Godzilla movie!

    This film has a really post modern feel to it. It begins with a song in Japanese called Save the Earth that (like The Lost Continent song) you won't stop singing (Kaishan! Kaishan! Kaishan!). The opening credits mix in shots of a girl singing the song with shots of a sludge clogged Tokyo harbor. Things get stranger from here. It opens with an annoying kid and his dad going swimming. The kid's father's face is disfigured and the kid gets his hand burned off by a smog monster named Hedorah who spits acid balls and inhales the fumes off smokestalks. Things get even stranger from there. Theres a Save the Earth concert or something with this girl in spandex with stuff painting on singing, this lava lamp like thing on the wall (definitely hippies) and this teenager who gets drunk and starts halucinating and sees everyone with fish masks on (when I saw this the first time when I was six, couldn't get why everyone started wearing fish masks and why the teen seemed so disturbed about it) until Hedorah suddenly attacks after sucking up fumes. Well Godzilla comes and saves everybody and they start fighting really bizarrely (similar to the Saturday night wrestling scenes from King Kong vs. Godzilla. They wrestle and wrestle some more. Though released in 1971, this is very sixties. Director Yoshimitsu Banno blends mind twisting images, real scenes of Tokyo bay covered with sludge, the scenes with the hippies, disturbing scenes with dying babies on mutiple screens, gory scenes of Hedorah's victems being reduced to skeletons, scenes with the kid and his scientist father trying to figure out how to stop the monster, and scenes with a newscaster. This is very poetic, bizarre, beautiful, and sometimes extremely disturbing and has about the strongest anti pollution messages I've ever seen (Japan was polluted the most back then). This is one colorful film. P.S. I don't know how this film got a G rating with all the disturbing images in it.
    6OllieSuave-007

    A Retro Godzilla Film.

    When the Godzilla series entered the 1970s, a retro and hippie feeling could be seen in this movie. This film starts off with a singer, played by Keiko Mari, singing a song titled "Save the Earth." Like 1964's Godzilla vs. Mothra, this film delivers a message of environmental danger. The story's about heavy pollution problems occurring in Japan. When an alien spore from outer space enters Earth and lands on a pile of toxic waste in the sea, a towering monster of sludge, crap, smog, and goo attacks Japan. This is the first Godzilla (Gojira) film in many years that depicts numerous human casualties. Scenes of humans deforming are a gruesome sight and echo elements in the original Gojira film. Like a viewer said, the fish tank scene is a similar scene of the fish tank in the original Gojira film.

    The central character in this movie is a boy, played by Hiroyuki Kawase, who idolizes Godzilla. Godzilla, by this time, is portrayed as a "defender of Earth," rather than a destructive force. Mostly, there are no hints of fears from the people upon Godzilla's appearances. The line "Get'em Godzilla!" is a real charmer, making the monster look more and more like a hero and defender of Japan.

    Yoshimitsu Banno did a good job directing and assembling the cast out, staging them in places like nightclubs, hills and amusement parks. The retro feel could be seen in the nightclub scene, where the singer sings the title song as blobs of retro paint move in a movie screen behind her. Also, the scene of the teenagers "celebrating" on a hill like a woodstock is also a retro feel.

    Takeshi Kimura gave us a dark and scientific story, but some lighthearted scenes can be seen, like the scene where Godzilla flies (I think this is the only time we see Godzilla fly). Teruyoshi Nakano's special effects were believable; plenty of monster battles, albeit slow in some parts. Some of the problems I have with the monster battles is the part where Godzilla and Hedorah virtually move towards each other, staring at each other for several minutes. The movie's cinematography lacks a little spirit and color, making this movie look a little dull, and the overall momentum of the film was a little slow. And, this film lacks an effective music score. The music is not really harmonic or melodic and lacks charm to it. Riichiro Manabe composed a theme for Godzilla-a theme played by overblown trumpets. Though somewhat wacky, this theme sounds heroic for Godzilla.

    Overall, a somewhat slow but an interesting Godzilla movie, returning you to the darker and more serious themes of the series.

    Grade C+
    5beetle-259-554148

    The most "eh" Godzilla movie of them all!!

    Okay, so.... Godzilla vs Hedorah! It's been said that this is a Godzilla movie you either love or hate, so it's either a 10 or a 0. For me personally, this movie is a 5; right smack dab in the middle! It's not a shining gem or a smouldering turd, it's just kinda "eh" *gesture where you shake your hand with all the fingers flat out*

    So, the premise; rampant water and air pollution has spawned Hedorah, a sentient monster made of pollution that is like a mix of the Blob and a garbage dump! Hedorah is able to melt people to bones! The only hope for humanity, as always, is GODZILLAAAAA~!!!!

    Hedorah is a notable monster as he is the last monster of the Showa era that is acting on his own will, he isn't obeying anyone or under mind control, unlike Ghidorah, Gigan, Megalon, Mechagodzilla, and Titanosaurus of the succeeding Showa films.

    This movie is different; there's bizarre animation, trippy montages, and drug innuendos a-plenty!!! Now, the animation shown isn't anime, it's just some bizarre animation straight out of Uncanny Valley. Hedorah is shown sucking on a smokestack from a factory and exhaling the smoke before showing his bloodshot eyes, a blatant reference to taking a bong hit.

    As someone who has taken a few bong hits before, I found this to be a clever little thing. The drug innuendos can be excused because this movie was made in 1971; weed culture was still in it's very huge first run!

    There are two or three POV shots from Hedorah's perspective.

    Also, no review of Godzilla vs Hedorah would be complete without mentioning the bizarre scene where Godzilla FLIES. This was a total WTF moment.

    All in all, if you watch this movie with a sober mind like I did, you'll either hate it or it'll just be "eh". If you watch it after smoking some weed or ingesting an edible, it'll be the best damn Godzilla movie you've ever seen!
    macsroyal

    #1 for the memories....

    Ah yes! Godzilla vs. The Smog Monster. Thank God for AMC, The SciFi Channel, and cable in general.

    I was 9 years old when this movie came out in the theaters back in my home town, a suburb of Cleveland, OH. 9 year olds didn't go to the movies often because there were none of the multiplexes we have today. To my surprise, my mom offered to take us kids in the neighborhood to see Godzilla vs. The Smog Monster at the Lake Theater matinée. I was so excited. I was going to see Godzilla (loved all his movies as a kid), have popcorn, and be inside a huge movie theater!

    This experience was 32 years ago! Until last Saturday, I could only remember 4 things: 1) Waiting in my seat seaming like forever for the movie to start, 2) The Smog Monster sucking on a smoke stack, 3) The Smog Monster sliming down a flight of steps, withdrawing, and a cat being stuck in the slime residue, and 4) A psychedelic discothèque.

    Fast forward 32 years to 2004. Last Saturday night I was surfing cable and stumbled upon Godzilla vs. Hedora. I said to myself "Hmmmmm…I don't remember this movie and thought I saw them all. What the heck…it's Godzilla and I am up for some cheese."

    To my utter surprise, fascination, and joy I quickly saw the monster suck on a smoke stack and I said "Oh my gosh!!!! It's the Smog Monster!!!!"

    I had sudden flashbacks of my childhood. All of my memories returned!

    OK, it's a bad movie. But so what? It served its purpose. It was designed for a 9 year old child and gave him memories of a lifetime. As bad as it is, it must have entertained more children than just me because it has stood the test of time returning to AMC and The SciFi channel.

    I say, "Thanks for the memories."
    Mitora-san

    Faaaaaaaaaaaaaar out!!!

    "Godzilla vs. Hedorah" is probably my favorite Godzilla from the 1970s (the others being the one with Gigan in them, he RULES TOO!). There sure is alot going on in this crazy movie.

    There are:

    ACID TRIPS! Strange anime sequences! Really upbeat soundtrack and theme song (KAAAAAAAAISEN!)! Kids in hot pants! Ecology made fun! Haiku! Nightclubs! Hippies galore! Godzilla flying! Hedorah, the strange looking beast of Smog!

    This film has everything a B-movie enthuaist wants!

    Even though a lot of people hated Hedorah, but I don't. He is one of the most interesting looking and powerful foes in Godzilla's old days. He pretty much hacks up on Godzilla a lot, changes shape at will, plus, it FARTS out acid!

    Anyways, watch "Godzilla vs. Hedorah"! You'll have a B-movie blast!

    Handlung

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    • Wissenswertes
      Director Yoshimitsu Banno has mentioned that Hedorah's eyes in the film were deliberately made to resemble female genitalia, with Banno joking that the vaginally inspired look made it more unsettling. During Godzilla's battle with Hedorah, strange white orbs are ripped out of Hedorah's dried-out body. According to Banno, they are meant to be Hedorah's eyes, which he considered the most important part of a person's body. The film has a running theme of eyes being injured with several of its characters. However, the reason they do not resemble Hedorah's actual eyes is due to rushed production and a smaller budget. Banno mentioned that not only had Toho given him less than half of the budget of the prior Godzilla films, but he was also only given 35 days to shoot the entire film (both the drama scenes and the special effects scenes). Making matters even more challenging for Banno was the fact that he had to make do with a single film crew.
    • Patzer
      When Hedorah throws some sludge at Godzilla during the Mt. Fuji scene, it hits Godzilla's right eye - but after Hedorah gets done laughing, Godzilla's left eye is the one that is damaged.
    • Zitate

      Yukio Keuchi: There's no place else to go and pretty soon we'll all be dead, so forget it! Enjoy yourself! Let's sing and dance while we can! Come on, blow your mind!

    • Crazy Credits
      In the AIP version of this film, its entire cast is mysteriously uncredited.
    • Alternative Versionen
      There are two distinct versions of the American International Pictures version of this film, which is titled "Godzilla vs. the Smog Monster." The first version, presumably the original 35mm theatrical version, features an English language cartoon sequence (reworked from a similar Japanese language one in the Japanese version). A similar insert replaces a shot of a newsreader with an English language map of Fuji City. In addition, AIP removed all of the Japanese text from the scenes of various "science lessons" given by Dr. Yano. This is the version that was released on VHS and LaserDisc by Orion Home Video in 1989. The second version, however, has none of these unique shots. The Hedorah cartoon and newsreader scene are unchanged from the Japanese version and Dr. Yano's science lessons feature onscreen Japanese text. This version seems to have been the standard 16mm release for television distribution and can be seen mostly in unlicensed home video releases of the film, such as the 1990 Simitar VHS release from the U.S. and the Digital Disc DVD release from Canada.
    • Verbindungen
      Edited into Frankensteins Höllenbrut (1972)
    • Soundtracks
      Kaese! Taiyô wo
      ("Return! The Sun")

      Main Title Theme

      Music by Riichirô Manabe

      Lyrics by Yoshimitsu Banno

      Sung by Keiko Mari, the Honey Knights and the Moon Drops

    Top-Auswahl

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    FAQ

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    Details

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    • Erscheinungsdatum
      • 10. Dezember 1971 (Westdeutschland)
    • Herkunftsländer
      • Japan
      • Vereinigte Staaten
    • Sprache
      • Japanisch
    • Auch bekannt als
      • Godzilla contra monstruos del smog
    • Drehorte
      • Mt. Fuji, Japan
    • Produktionsfirma
      • Toho
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 250.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 25 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.35 : 1

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