IMDb-BEWERTUNG
6,1/10
7297
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA toxic, ever-evolving alien life-form from the Dark Gaseous Nebula arrives to consume rampant pollution, and neither humanity nor Godzilla may be able to stop it.A toxic, ever-evolving alien life-form from the Dark Gaseous Nebula arrives to consume rampant pollution, and neither humanity nor Godzilla may be able to stop it.A toxic, ever-evolving alien life-form from the Dark Gaseous Nebula arrives to consume rampant pollution, and neither humanity nor Godzilla may be able to stop it.
- Regie
- Drehbuch
- Hauptbesetzung
Akira Yamanouchi
- Dr. Toru Yano
- (as Akira Yamauchi)
Empfohlene Bewertungen
This psychedelic Goji entry features a very formidable opponent in Hedorah and some very memorable trippy imagery.
It has an environmental message and is truly unlike any Goji film.
Hedorah has a certain special aura about it, very memorable moments and a great soundtrack that makes this one of the Showa era's finest.
8 Smog Clouds out of 10!
Hedorah has a certain special aura about it, very memorable moments and a great soundtrack that makes this one of the Showa era's finest.
8 Smog Clouds out of 10!
This is a surreal experience and the strangest Godzilla film I've seen... I laughed so hard at this film out of pure enjoyment rather than mockery.
It serves as a warning to children (and, of course, everyone who watches it) of the dangers of long-term pollution. There are amazing scenes highlighting environmental problems that are served in a variety of creative ways.
Godzilla is hilarious in this film.
Do not make the same mistake I did and watch the film with the brightness on half, I actually watched it the first time thinking you weren't supposed to see anything in the night time scenes... turned the brightness up and realised!
It serves as a warning to children (and, of course, everyone who watches it) of the dangers of long-term pollution. There are amazing scenes highlighting environmental problems that are served in a variety of creative ways.
Godzilla is hilarious in this film.
Do not make the same mistake I did and watch the film with the brightness on half, I actually watched it the first time thinking you weren't supposed to see anything in the night time scenes... turned the brightness up and realised!
Okay, so.... Godzilla vs Hedorah! It's been said that this is a Godzilla movie you either love or hate, so it's either a 10 or a 0. For me personally, this movie is a 5; right smack dab in the middle! It's not a shining gem or a smouldering turd, it's just kinda "eh" *gesture where you shake your hand with all the fingers flat out*
So, the premise; rampant water and air pollution has spawned Hedorah, a sentient monster made of pollution that is like a mix of the Blob and a garbage dump! Hedorah is able to melt people to bones! The only hope for humanity, as always, is GODZILLAAAAA~!!!!
Hedorah is a notable monster as he is the last monster of the Showa era that is acting on his own will, he isn't obeying anyone or under mind control, unlike Ghidorah, Gigan, Megalon, Mechagodzilla, and Titanosaurus of the succeeding Showa films.
This movie is different; there's bizarre animation, trippy montages, and drug innuendos a-plenty!!! Now, the animation shown isn't anime, it's just some bizarre animation straight out of Uncanny Valley. Hedorah is shown sucking on a smokestack from a factory and exhaling the smoke before showing his bloodshot eyes, a blatant reference to taking a bong hit.
As someone who has taken a few bong hits before, I found this to be a clever little thing. The drug innuendos can be excused because this movie was made in 1971; weed culture was still in it's very huge first run!
There are two or three POV shots from Hedorah's perspective.
Also, no review of Godzilla vs Hedorah would be complete without mentioning the bizarre scene where Godzilla FLIES. This was a total WTF moment.
All in all, if you watch this movie with a sober mind like I did, you'll either hate it or it'll just be "eh". If you watch it after smoking some weed or ingesting an edible, it'll be the best damn Godzilla movie you've ever seen!
So, the premise; rampant water and air pollution has spawned Hedorah, a sentient monster made of pollution that is like a mix of the Blob and a garbage dump! Hedorah is able to melt people to bones! The only hope for humanity, as always, is GODZILLAAAAA~!!!!
Hedorah is a notable monster as he is the last monster of the Showa era that is acting on his own will, he isn't obeying anyone or under mind control, unlike Ghidorah, Gigan, Megalon, Mechagodzilla, and Titanosaurus of the succeeding Showa films.
This movie is different; there's bizarre animation, trippy montages, and drug innuendos a-plenty!!! Now, the animation shown isn't anime, it's just some bizarre animation straight out of Uncanny Valley. Hedorah is shown sucking on a smokestack from a factory and exhaling the smoke before showing his bloodshot eyes, a blatant reference to taking a bong hit.
As someone who has taken a few bong hits before, I found this to be a clever little thing. The drug innuendos can be excused because this movie was made in 1971; weed culture was still in it's very huge first run!
There are two or three POV shots from Hedorah's perspective.
Also, no review of Godzilla vs Hedorah would be complete without mentioning the bizarre scene where Godzilla FLIES. This was a total WTF moment.
All in all, if you watch this movie with a sober mind like I did, you'll either hate it or it'll just be "eh". If you watch it after smoking some weed or ingesting an edible, it'll be the best damn Godzilla movie you've ever seen!
Highly controversial Godzilla movie which is loved or hated by fans.
In the late 60s/early 70s Japan had a very serious pollution problem that was killing people all over the place. I had no knowledge of this event until first viewing the flick (in 2022) so this Godzilla film was also a history lesson.
Some old Godzilla films are too talky but this one is more concerned with the creatures and less concerned with the humans - GOOD.
Enter Smog Monster! He might be my favourite Godzilla enemy? Enter young Japanese people taking drugs and perhaps reliving 60s "Woodstock". Enter Godzilla flying in the air for the first time. Enter the strangest Godzilla film score ever! Where do I stop?
This is a wonderful movie on so many levels and, as stated above, a great history lesson about Japan. Not for all tastes but I love it.
In the late 60s/early 70s Japan had a very serious pollution problem that was killing people all over the place. I had no knowledge of this event until first viewing the flick (in 2022) so this Godzilla film was also a history lesson.
Some old Godzilla films are too talky but this one is more concerned with the creatures and less concerned with the humans - GOOD.
Enter Smog Monster! He might be my favourite Godzilla enemy? Enter young Japanese people taking drugs and perhaps reliving 60s "Woodstock". Enter Godzilla flying in the air for the first time. Enter the strangest Godzilla film score ever! Where do I stop?
This is a wonderful movie on so many levels and, as stated above, a great history lesson about Japan. Not for all tastes but I love it.
Godzilla vs Hedora (AKA The Smog Monster) is less slick than many of the later productions. It is also somewhat less serious, and features a Godzilla who is more mythic than consistent with his earlier and later portrayals. The Godzilla in this film is a force of nature in more than just a figurative sense. She is also highly intelligent and a defender of the earth and, to some extent, its people.
Even from the title, its easy enough to figure out what this film is about. Tadpoles mutate because of the mutagenic properties of pollution in Tokyo Bay (interestingly, this somewhat silly idea is far less absurd than most of the latter pseudoscience used in Godzilla scripts - almost as bad as Star Trek Voyager sometimes was). The mutant tadpoles fuse at the cellular level and grow into a giant tadpole which then mutates three or four times, spewing out its own toxic pollutants, first as terrestrial and eventually as air pollution. The visuals are good, but the special effects are admittedly below even Toho's usual standards.
Created in the early 1970s, this film is metaphorical and symbolic, although it is still, at heart, a Godzilla film. Hedora is an unsubtle metaphor for the ecological state of the world, and is, in that sense, a monster of our own making. Godzilla is an embodiment of nature, and is to be viewed as a positive force for all life on earth. These symbols are particularly apparent in the use of cartoons as transitional devices from one plot point to another.
Godzilla Vs Hedora walks a very thin line between giant-monster violence and a kid-oriented film. As somebody who has since his early teens, been interested in the environment and as somebody who always liked Japanese Monster films, I developed a sentimental attachment to this film very early on. In fact, this is my all-time favorite Godzilla film, and more than any other film, it is the reason why I consider myself a fan of the big green lizard. This is the film which establishes Godzilla as an environmentalist and a friend to young people - his two best roles.
Even from the title, its easy enough to figure out what this film is about. Tadpoles mutate because of the mutagenic properties of pollution in Tokyo Bay (interestingly, this somewhat silly idea is far less absurd than most of the latter pseudoscience used in Godzilla scripts - almost as bad as Star Trek Voyager sometimes was). The mutant tadpoles fuse at the cellular level and grow into a giant tadpole which then mutates three or four times, spewing out its own toxic pollutants, first as terrestrial and eventually as air pollution. The visuals are good, but the special effects are admittedly below even Toho's usual standards.
Created in the early 1970s, this film is metaphorical and symbolic, although it is still, at heart, a Godzilla film. Hedora is an unsubtle metaphor for the ecological state of the world, and is, in that sense, a monster of our own making. Godzilla is an embodiment of nature, and is to be viewed as a positive force for all life on earth. These symbols are particularly apparent in the use of cartoons as transitional devices from one plot point to another.
Godzilla Vs Hedora walks a very thin line between giant-monster violence and a kid-oriented film. As somebody who has since his early teens, been interested in the environment and as somebody who always liked Japanese Monster films, I developed a sentimental attachment to this film very early on. In fact, this is my all-time favorite Godzilla film, and more than any other film, it is the reason why I consider myself a fan of the big green lizard. This is the film which establishes Godzilla as an environmentalist and a friend to young people - his two best roles.
Wusstest du schon
- WissenswertesDirector Yoshimitsu Banno has mentioned that Hedorah's eyes in the film were deliberately made to resemble female genitalia, with Banno joking that the vaginally inspired look made it more unsettling. During Godzilla's battle with Hedorah, strange white orbs are ripped out of Hedorah's dried-out body. According to Banno, they are meant to be Hedorah's eyes, which he considered the most important part of a person's body. The film has a running theme of eyes being injured with several of its characters. However, the reason they do not resemble Hedorah's actual eyes is due to rushed production and a smaller budget. Banno mentioned that not only had Toho given him less than half of the budget of the prior Godzilla films, but he was also only given 35 days to shoot the entire film (both the drama scenes and the special effects scenes). Making matters even more challenging for Banno was the fact that he had to make do with a single film crew.
- PatzerWhen Hedorah throws some sludge at Godzilla during the Mt. Fuji scene, it hits Godzilla's right eye - but after Hedorah gets done laughing, Godzilla's left eye is the one that is damaged.
- Zitate
Yukio Keuchi: There's no place else to go and pretty soon we'll all be dead, so forget it! Enjoy yourself! Let's sing and dance while we can! Come on, blow your mind!
- Crazy CreditsIn the AIP version of this film, its entire cast is mysteriously uncredited.
- Alternative VersionenThere are two distinct versions of the American International Pictures version of this film, which is titled "Godzilla vs. the Smog Monster." The first version, presumably the original 35mm theatrical version, features an English language cartoon sequence (reworked from a similar Japanese language one in the Japanese version). A similar insert replaces a shot of a newsreader with an English language map of Fuji City. In addition, AIP removed all of the Japanese text from the scenes of various "science lessons" given by Dr. Yano. This is the version that was released on VHS and LaserDisc by Orion Home Video in 1989. The second version, however, has none of these unique shots. The Hedorah cartoon and newsreader scene are unchanged from the Japanese version and Dr. Yano's science lessons feature onscreen Japanese text. This version seems to have been the standard 16mm release for television distribution and can be seen mostly in unlicensed home video releases of the film, such as the 1990 Simitar VHS release from the U.S. and the Digital Disc DVD release from Canada.
- VerbindungenEdited into Frankensteins Höllenbrut (1972)
- SoundtracksKaese! Taiyô wo
("Return! The Sun")
Main Title Theme
Music by Riichirô Manabe
Lyrics by Yoshimitsu Banno
Sung by Keiko Mari, the Honey Knights and the Moon Drops
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Godzilla contra monstruos del smog
- Drehorte
- Produktionsfirma
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Box Office
- Budget
- 250.000 $ (geschätzt)
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