Gamera gegen Zigra - Frankensteins Weltraumbestie schlägt zu
Originaltitel: Gamera tai Shinkai kaijû Jigura
IMDb-BEWERTUNG
3,7/10
2035
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuSpace aliens arrive on Earth with their giant shark and intend to take over the planet, but first they must destroy Gamera.Space aliens arrive on Earth with their giant shark and intend to take over the planet, but first they must destroy Gamera.Space aliens arrive on Earth with their giant shark and intend to take over the planet, but first they must destroy Gamera.
Keiichi Noda
- Jigura (Japanese version)
- (Synchronisation)
- (as Kei'ichi Noda)
Empfohlene Bewertungen
The space aliens are back but it's not as camp and silly as Gamera vs. Guiron (1969). Sadly this film is quite slow and boring although not the worst of the franchise but probably the second worst. The biggest problem was that they forgot to smash the city, maybe the models cost too much to smash them. The new kaiju is pretty cool, maybe my second favourite after Guiron. The human story is fairly routine. There is one really funny moment though where Gamera plays Zigra's spine plates like a xylophone. Worth watching for completionists only. And the xylophone think, that was memorable and funny.
Campy and low-budget, all the things that make the old Gamera movies great. This movie follows a creature named Zigra, who first destroys a moon base then threatens Tokyo. Gamera arrives late and generally just mucks things up. He does somehow save the day, in one of the cheesiest fight sequences ever made. If you like stupid old movies, this one's for you.
"Gamera is really neat, Gamera is full of meat, We believe in Gamera!"
"Gamera is really neat, Gamera is full of meat, We believe in Gamera!"
Admittedly, the English-dubbed version I watched may not have done the film justice, but "Gamera vs. Zigra" is pretty awful, even by bargain-basement kaiju-eiga standards. Briefly, an alien spaceship attacks a moonbase, then plunges into the ocean near Japan, from where Zigra kidnaps two kids and their fathers. There is a lengthy expositional scene where an alien space-babe (with '"super-celestial powers"), who seems to be channeling some kind of giant space-shark, explains Zigra's backstory, informs us that resistance is futile, and demonstrates diverse abilities such as causing earthquakes and hypnotising subjects with a snap of her finger. Typical of the Showa-era Gamera series, grownups are ineffectual, but the children manage to rescue their stupefied fathers and escape. Gamera attacks the submerged spaceship, which inexplicably changes into a monster resembling a gigantic, robotic 'goblin shark'. Various adventures and battles follow, with the two children always in the thick of things. As usual, Earth's puny weapons are proven useless and only Gamera, the children's friend, can save us. At times, the film (or at least the dubbed dialogue) makes no sense: explaining Zigra's origins, the space-babe states "We on Zigra planet, we used to live in the sea but your Earth science polluted the water and we could no longer live there", this despite the fact that Zigra is 400 light-years from Earth. The special effects are low-budget and not very effective, with most of the monster action underwater or on a beach. The Gamera suit looks as unconvincing as ever and the silly Zigra costume is on par with most of Gamera's goofy kaiju foes (Gyaos being an exception). In keeping with the drift toward 'environmental values' in the genre ('Godzilla vs the Smog Monster' was released the same year), the film has lots of preachy moments about valuing the oceans, etc., yet opens with what is essentially a plug for "Sea World". There are also several references to Coke, the tiresome little girl's libation of choice. For a kaiju film, there is not a lot of 'action' and far too much time is spent on the space-babe's pursuit of the annoying children, descriptions of carnage and destruction that we don't get to see, and Zigra's continual gloating about his superiority, our dismal fate, etc. His comeuppance for this verbose posturing is to have his dorsal fins played like a xylophone by the triumphant turtle, who then breaks into dance (even sillier than Godzilla's infamous victory jig in 1964's 'Invasion of Astro-Monster'). Incongruously, after this lighthearted song-and-dance moment, Zigra is incinerated while still alive. The Gamera formula was getting pretty tired by 1971 and, perhaps fortunately, this was the last of the original Showa-era films. Other than 'starring' in 1980's dire "Gamera Super Monster" a compilation of fight scenes frame-worked by a ridiculous (and possibly imaginary) story involving 'space women', the giant, jet-powered, flying turtle hibernates until 1995's excellent "Gamera: Guardian of the Universe". One bonus: the score includes the 'Gamera Song', this time with lyrics and sung by a children's choir. If this memorably cheerful ditty doesn't lay an egg in your inner ear, nothing will.
An unconvincing model moon base is blasted by a spaceship (which looks like the crown of The Statue of Liberty has collided with a giant liquorice allsort); the spaceship proceeds to Earth and lands in the sea. On board the craft: a hot Japanese woman (Eiko Yanami) under the control of Zigra, an alien goblin shark/swordfish who causes massive earthquakes (that occur off-screen to stay within budget) in order to force the human race to surrender its oceans. Gamera isn't about to let that happen and steps in to sort out the uppity fish, but when the titanic turtle destroys the spaceship, Zigra grows to massive proportions...
If it wasn't for the presence of yummy Eiko Yanami, who cavorts in a sexy space outfit, a bikini, and a mini-skirt, I would have dozed off during this one: it's easily the worst of the Gamera films thus far, with a hum-drum seen-it-all-before plot, annoying kids, and very little in the way of monster action. Much of the film acts as an advertisement for Kamogawa Sea World, and we're treated to performing killer whales and seals. Meanwhile, Gamera spends a lot of the time face down in the sea, having been zapped by Zigra, and is only revived by a lightning bolt for the finalé, in which he teaches Zigra a lesson by playing his dorsal spines like a xylophone before barbecuing him.
2.5/10, generously rounded up to 3 for the salient environmental message: keep the oceans clean!
If it wasn't for the presence of yummy Eiko Yanami, who cavorts in a sexy space outfit, a bikini, and a mini-skirt, I would have dozed off during this one: it's easily the worst of the Gamera films thus far, with a hum-drum seen-it-all-before plot, annoying kids, and very little in the way of monster action. Much of the film acts as an advertisement for Kamogawa Sea World, and we're treated to performing killer whales and seals. Meanwhile, Gamera spends a lot of the time face down in the sea, having been zapped by Zigra, and is only revived by a lightning bolt for the finalé, in which he teaches Zigra a lesson by playing his dorsal spines like a xylophone before barbecuing him.
2.5/10, generously rounded up to 3 for the salient environmental message: keep the oceans clean!
Possibly one of the earliest attempts at cinematic product placement.
Ahh, Gamera. Zigra. Giant Turtle. Giant Fish. Fire. Hypnosis beams. I guess the pleasure from these classic japanese monster films is watching a world, or mostly Japan, where giant mutant monsters exist, children know much much more than the adults, and cities are crushed as easily as cheesy models...oh wait, they are models. Anyway, UFO comes to Japan. The main brats Kenny and Helen (will someone get her a coke already!!) go on zany trying to prevent Zigra and his scantily clad henchwoman (VA-VOOM!) from trying to take over earth. The Zigra woman has the ability to hypnotize people with a simple snap and she must follow Zigra's orders to kill the children who mysteriously manage to survive again and again (duh). People yell AH!!, Gamera shows up, Zigra blows stuff up, a lot of paint...uh blood is spilled, I think there were dolphins, and lots of subplots to keep virtually anyone watching perplexed. Also, the diabolically catchy Gamera song is sung here. Add this all up for a huge laughs and best seen with Joel and da bots (HEY, THAT'S US!!).
Ahh, Gamera. Zigra. Giant Turtle. Giant Fish. Fire. Hypnosis beams. I guess the pleasure from these classic japanese monster films is watching a world, or mostly Japan, where giant mutant monsters exist, children know much much more than the adults, and cities are crushed as easily as cheesy models...oh wait, they are models. Anyway, UFO comes to Japan. The main brats Kenny and Helen (will someone get her a coke already!!) go on zany trying to prevent Zigra and his scantily clad henchwoman (VA-VOOM!) from trying to take over earth. The Zigra woman has the ability to hypnotize people with a simple snap and she must follow Zigra's orders to kill the children who mysteriously manage to survive again and again (duh). People yell AH!!, Gamera shows up, Zigra blows stuff up, a lot of paint...uh blood is spilled, I think there were dolphins, and lots of subplots to keep virtually anyone watching perplexed. Also, the diabolically catchy Gamera song is sung here. Add this all up for a huge laughs and best seen with Joel and da bots (HEY, THAT'S US!!).
Wusstest du schon
- Wissenswertes"Gamera vs. Zigra" was the only classic Gamera film not released in the U.S. until the advent of home video. All the previous films had been picked up for theatrical distribution or for television. "Gamera vs. Zigra" first appeared in the U.S. in 1987 via videotape, long after its Japanese release.
- PatzerAlthough Gamera is a monster, how is it possible for him to use his flame jets and his fire breath under water?
- Zitate
Kenny: Ah, Gamera!
Helen: I don't like monsters.
Kenny: Gamera is the friend of all children!
Helen: Is he really?
- VerbindungenEdited into Gameras Kampf gegen Frankensteins Monster (1980)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Gamera vs. Zigra?Powered by Alexa
Details
- Laufzeit
- 1 Std. 27 Min.(87 min)
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen