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Jack rechnet ab

Originaltitel: Get Carter
  • 1971
  • 18
  • 1 Std. 52 Min.
IMDb-BEWERTUNG
7,3/10
38.638
IHRE BEWERTUNG
Michael Caine, Britt Ekland, Glynn Edwards, and Ian Hendry in Jack rechnet ab (1971)
Home Video Trailer from Warner Home Video
trailer wiedergeben2:40
1 Video
99+ Fotos
GangsterCrimeThriller

Als sein Bruder unter mysteriösen Umständen bei einem Autounfall stirbt, reist der Londoner Gangster Jack Carter nach Newcastle, um Nachforschungen anzustellen.Als sein Bruder unter mysteriösen Umständen bei einem Autounfall stirbt, reist der Londoner Gangster Jack Carter nach Newcastle, um Nachforschungen anzustellen.Als sein Bruder unter mysteriösen Umständen bei einem Autounfall stirbt, reist der Londoner Gangster Jack Carter nach Newcastle, um Nachforschungen anzustellen.

  • Regie
    • Mike Hodges
  • Drehbuch
    • Mike Hodges
    • Ted Lewis
  • Hauptbesetzung
    • Michael Caine
    • Ian Hendry
    • Britt Ekland
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    38.638
    IHRE BEWERTUNG
    • Regie
      • Mike Hodges
    • Drehbuch
      • Mike Hodges
      • Ted Lewis
    • Hauptbesetzung
      • Michael Caine
      • Ian Hendry
      • Britt Ekland
    • 264Benutzerrezensionen
    • 85Kritische Rezensionen
    • 80Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Nominiert für 1 BAFTA Award
      • 1 Nominierung insgesamt

    Videos1

    Get Carter
    Trailer 2:40
    Get Carter

    Fotos125

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    Topbesetzung43

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    Michael Caine
    Michael Caine
    • Jack Carter
    Ian Hendry
    Ian Hendry
    • Eric Paice
    Britt Ekland
    Britt Ekland
    • Anna
    John Osborne
    • Cyril Kinnear
    Tony Beckley
    Tony Beckley
    • Peter
    George Sewell
    George Sewell
    • Con McCarty
    Geraldine Moffat
    Geraldine Moffat
    • Glenda
    • (as Geraldine Moffatt)
    Dorothy White
    • Margaret
    Rosemarie Dunham
    • Edna
    Petra Markham
    • Doreen
    Alun Armstrong
    Alun Armstrong
    • Keith
    Bryan Mosley
    Bryan Mosley
    • Cliff Brumby
    Glynn Edwards
    Glynn Edwards
    • Albert
    Bernard Hepton
    Bernard Hepton
    • Thorpe
    Terence Rigby
    Terence Rigby
    • Gerald Fletcher
    John Bindon
    John Bindon
    • Sid Fletcher
    Godfrey Quigley
    Godfrey Quigley
    • Eddie
    Kevin Brennan
    Kevin Brennan
    • Harry
    • Regie
      • Mike Hodges
    • Drehbuch
      • Mike Hodges
      • Ted Lewis
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen264

    7,338.6K
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    Empfohlene Bewertungen

    7ma-cortes

    Violent film about a killer who returns home to investigate a familiar crime and meets sleazy character after another

    An excellent noir cinema produced by Michael Caine and very well directed by Mike Hodges ; an extremely tough movie burdened by cruel murders and seedy characters , based on a novel titled 'Get Carter' by Ted Lewis from 1970 . This brutal , austere crime-thriller focuses a cheerless enforcer Jack Carter (Michael Caine) , a tough , amoral gangster who works as a killer at the town . Magnificent Michael Caine in the title role , he's a hit-man who returns home to investigate his brother's death by some mobsters . Two-fisted Jack in order to revenge his sibling , vows vengeance and spontaneously meets sleazy characters (Ian Hendry, Mosley) in the middle of sinister bands war and running afoul into underworld . When his brother dies under mysterious circumstances in a car accident , London gangster Jack Carter travels to Newcastle to investigate and meets nasty characters who may have been involved . Carter aware the murder of his brother at the hands of a "gang" opponent led by a mobster (John Osborne) . As he decides to travel his natal Newcastle to investigate who is responsible . This city in northern England is portrayed as a cool place , foggy , sordid , rainy , dirty , gray and industrial aspect . Carter starts moving in this ambient , full of sad pubs , horse races , buildings almost in ruins , piers of black water and ravaged aspect postindustrial , which had almost erased from his memory . While we see as his facade of sophisticated and elegant Londoner gentleman with exquisite manners , educated pose, and expensive costumes , begins collapsing , leaving see the lascivious, malleability and cold killer . All of this ends up in the discovery of X film involving his niece what angry Jack Carter enormously . This triggers a wave of violence that sweeps the the underworld lumpen in northern England . Carter keeps the things moving along until ending vendetta. The end of the film is like a summary of the entire story for the scenarios that uses austere bleak and cold environment.

    This interesting film features thrills , raw energy ,adult subject matter with abundant nudism , lots of violence and enlivened by high-powered performances . Plenty of intrigue, atmospheric music , kinky sex ,noisy action and grisly killings until impressive finale vengeance . It is a movie very violent , depressing charismatic , magnificently set , but always strong , with a perfect abstraction of a climate of moral misery to game with the cold environment and ramshackle scenarios well photographed by cameraman Wolfgang Suschitzky . Adequate musical score by Roy Budd with a rare mixture , the dark psychedelia of the movement "Northen Soul" , so fashionable in the proletarian clubs from the north of England of the 70s .

    This British 1971 film "GET CARTER¨ is an original movie and is far superior subsequent 1972 remake , a Black Gangster version titled ¨The hit-man¨, a Blaxploitiation movie regularly directed by George Armitage with Bernie Casie , Pam Grier , Roger E Mosley and Paul Gleason . And remade again (2000) by Stephen Kay , in which Las Vegas avenger goes home to Seattle to learn his brother's death , starred by Silvester Stallone in the title role , Miranda Richardson , Alan Cummings , Mickey Rourke and again Michael Caine at a special appearance .
    8gogoschka-1

    The Leanest, Meanest British Crime Thriller Ever

    This film has a stunning Michael Caine play cold-blooded gangster Jack Carter on a quest for vengeance. Carter never wavers, he never strays from his path, he is like a surgical instrument that cuts down everything in his way with clinical precision without passion or mercy. If the Terminator were a human character, he would be Carter. Alfred he is not (hint: that's a Batman reference) . One of the best British crime flicks ever. 8 stars out of 10.

    In case you're interested in more underrated masterpieces, here's some of my favorites:

    imdb.com/list/ls070242495
    ginger_sonny

    classic

    British gangster classic starring Michael Caine as the eminently quotable, ultimately tough Jack Carter

    Hard to believe that a major studio felt the need to remake this British gangster classic, which ranks up there with the likes of The Long Good Friday as one of the finest home grown films of the past 30 years.

    Caine is the gangster who goes to Newcastle for his brother's funeral and begins to suspect his death was no accident; cue edgy thrills and violence as he exacts revenge on the folks he believes responsible.

    Caine, as in the majority of his signature roles, is superbly armed with a set of eminently quotable one-liners ("You're a big man, but you're out of shape" tops the bill this time), and as emotionally detached and violently ruthless as Point Blank's similarly vengeful Lee Marvin, while director Hodges paints a gritty, bleak picture of the gangster underworld.

    Soap fans will be equally intrigued to see Coronation Street's Alf Roberts (aka Bryan Moseley) being tossed off a roof.
    tedg

    Cool Sight

    I saw this together with "The Silencers." The two were roughly contemporary and both played with notions of cool. There is a sort of symmetry here that I think is intrinsic to cool.

    It is a symmetry of misogynism. The idea with Dean Martin's thing is probably more familiar to most viewers through Austin Powers. Martin is basically an ugly thug whose fame was based on fantasies about the rat pack. But we are to believe that women — here as automatons with pink bits — automatically adjust to him as god merely through presence. There are gadgets and settings too, and everything emanates from the being of the man. Cinematically speaking, it is Italian storytelling.

    Here in Carter we have something else. Its the same pull on values. The man has charm, enough that every woman in his orbit gets seduced and suffers. But the entire dynamic is different. Its the environment here that is the focus, not the man. Unfortunately, this film has not aged well and we have much, much better examples of cool ground out from a gritty machine.

    This guy is a genuine thug. To be cool in this mold you cannot be violent. You have to be an observer, one who understands the workings of the machine that surrounds. Small insights into those workings give great advantage. The cinematic expression of that dynamic is not groundbreaking in this film. But it is there, is gritty in a human way and gives a worthy ending as the machine grinds on, another viewer somewhere having gotten some small advantage.

    I have not seen the remake, I think. But it is hard to imagine it working as well. This, by the way, was when Caine was real and true. When he understood this business of what I call folded acting, where he could spend some energy being the character, and some being in the character of an actor playing the guy. Two, simultaneous conversations with us, one with us as a watcher.

    Ted's Evaluation -- 3 of 3: Worth watching.
    dougdoepke

    Cold, Hard, and Glistening

    The movie's an ice-cold exercise in revenge, with a no-nonsense script and a first-rate turn by Caine as the heck-bent avenger. Someone killed his brother and, by golly, they're going to pay along with anyone else who gets in his way. The idea's not new; what's different is that Carter (Caine) has almost no redeeming qualities. He's about as cold blooded as the worst of the gangsters he confronts. Rooting for him is like rooting for a stomach pain over a headache.

    Then too, Caine's ice-blue eyes are put to good use in sizing up his targets. And catch that gear shifting in the fast car timed to coincide with Carter's fast action on the bed. At last the subtext of all those sleek auto advertisements is revealed, this time in high octane. I just wish we saw more of Ms. Ekland, both literally and especially figuratively. And if that's not enough, catch that great ending. It's a marvel of imaginative staging and a perfect cap to what's gone before. Anyway, the movie reminds me of a polished piece of glass-- just about as cold and shiny and needing no depth. I couldn't stop looking at it.

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    Handlung

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    • Wissenswertes
      Writer and director Mike Hodges was surprised that a star of Michael Caine's stature would want to play Carter. Caine said "One of the reasons I wanted to make that picture was my background. In English movies, gangsters were either stupid or funny. I wanted to show that they're neither. Gangsters are not stupid, and they're certainly not very funny." He identified with Carter as a memory of his working class upbringing, having friends and family members who were involved in crime and felt Carter represented a path his life might have taken under different circumstances: "Carter is the dead-end product of my own environment, my childhood. I know him well. He is the ghost of Michael Caine."
    • Patzer
      Kinnear's LandRover [BYX 564B], driven by Eric Paice throughout most of the movie, is the same vehicle used by the Police when they raid Kinnear's mansion near the end.
    • Zitate

      Cliff Brumby: [blocking Carter's path] Listen, I don't like it when some tough nut comes pushin' his way in and out of my house in the middle of the night! Bloody well tell me who sent you!

      Jack Carter: You're a big man, but you're in bad shape. With me it's a full time job. Now behave yourself.

      [Brumby takes a swing at Carter, who grabs his hand, punches him, and then slaps him in the face for good measure]

      Jack Carter: [as he's leaving] Goodnight, Mrs. Brumby.

    • Alternative Versionen
      Due to deep accents of some characters, the film was partially dubbed for the US release to allow Americans to understand what the characters on screen were saying.
    • Verbindungen
      Featured in V.I.P.-Schaukel: Folge #7.1 (1977)
    • Soundtracks
      Lookin' For Someone
      (uncredited)

      Music by Roy Budd

      Lyrics by Jack Fishman

      Sung by Lesley Cline, Mick Gallagher and John Turnbull

    Top-Auswahl

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    FAQ16

    • How long is Get Carter?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 6. August 1971 (Westdeutschland)
    • Herkunftsland
      • Vereinigtes Königreich
    • Offizieller Standort
      • Official Site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Carter - Asesino implacable
    • Drehorte
      • Blackhall Rocks Beach, Blackhall Rocks, Hartlepool, County Durham, England, Vereinigtes Königreich(Final Confrontation between Carter & Paice on the beach and by the aerial ropeway coal skips.)
    • Produktionsfirma
      • Metro-Goldwyn-Mayer British Studios
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    Box Office

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    • Budget
      • 750.000 £ (geschätzt)
    • Weltweiter Bruttoertrag
      • 60.404 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 52 Minuten
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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