Friends - Eine Liebesgeschichte

An orphaned 14 year-old (Anicée Alvina) arrives at her cousin's (Pascale Roberts) home in Paris having travelled from the South of France. Feeling alone, she soon meets a 15 year-old English boy (Sean Berg) who lives with neglectful businessman father (Ronald Lewis). They impulsively decide to run off to the South of France together and move in to her deceased father's cottage on the Carmargue near Arles where they grow up, fall in love and struggle to survive.

One thing is for sure is that this is a film that would not be made today, with the sexual attraction and the way it is depicted by director Lewis Gilbert that will be perceived as both natural and uncomfortable, with an almost disquieting voyeuristic handling of the relationship. For all this is it is a very charming and tender film with the beautiful landscapes of the Carmargue gorgeously shot by Andréas Winding and a sweet score by Elton John. Followed by a sequel: PAUL AND MICHELLE (1974).

Perhaps the most concerning thing about this film is the way many reviewers only see it as controversial, because it deals with young love. Also the ideals it sets out are how we would like to see the world, but are often prevented from doing so.

Get past all this and you have a simple story of a boy and girl, who become friends and develop into lovers; but mostly outside of society's rules. While they pay lip service to certain conventions, they don't allow the rules to control their daily lives. The need for money requires the boy to get a job, but beyond this they live an idealistic existence in the beautiful surroundings of the Camargue.

If you don't get a warm feeling while watching this film, then you have a cynicism that will spoil any innocent storyline. This may not be the Hollywood blockbuster that makes a lot of money, but it's one of those films whose story is very relevant at any time.

I first saw this movie my freshman year in college. I still consider those times quite magical, and this movie fits into that profile. The young female lead was exquisite, growing quickly from an innocent-looking child intoto a young beauty. A host of movies from that era blended music, cinematography, and dialogue in a way that has become basically a lost art. Friends uses a near-classical score from Elton John with scenes of the French countryside that display like a series of paintings.

Even the somewhat-sappy dialogue fits into the culture of that era, spoken poetically by the 2 leads. The movie is truly eye-and-ear candy to be enjoyed. The subject is almost heart-breaking, as 2 youngsters try to capture happiness with methods they don't quite understand. This kind of romance has disappeared from the screen, substituted by a sort of head-banging cinematic relationship with sex and love.

I recently listened to cuts from the soundtrack on Elton John's "Rare Masters" CD. It brought back all the reasons I really cherished this movie. Hearing the voices of the leads within one cut let me once again relive the sights and sounds of an era that embraced life, love, and romance.

So many reviews have stolen my thunder as to why I like this film. I always like the Elton John music that sticks with me and the excellent scenic photography when Paul and Michelle run through a wild slough area to hug after a bitter argument. It surprised me that the actress playing Michelle was over 17 according to her biography, thus kind of a rebuttal to critics who considered it exploitive underage sex. What I like about the film is what it is not. It is not violent, cruel or insensitive. It is not some kind of mechanically constructed video game fantasy spinoff. It is not a teenage sex comedy with 50 bathroom jokes. It is unlike what American cinema churns out today. Yet reviewers of the time thoroughly trashed this film.

When I first saw this film on video in a department store... it intrigued me. Considering the fact that I thought I was in love and I was the same age as the youths in this film at the time (although I realize they are now old enough to be my parents), plus the soundtrack being written by Elton John & Bernie Taupin just before they "made it big" here in North America... I figured I had nothing to lose in buying it. I was not disappointed.

So far, I have shown it to many guys I have dated since, and to my current boyfriend... obviously, they didn't find it as lovely as I do... preferring to call it a "chick" movie... but I still laugh and cry. This film was vastly overlooked. It's good to see it's available to rent at one of the local video stores around here so that other people can share the magic.

So maybe it's a bit far fetched... but it gives you a lighthearted sense of innocence... and a renewed faith in love.