Anatevka

I know people have complained about the length of this movie. Yeah, it is long, three hours approximately, but there are so many things that compensate. Norman Jewison's direction is very good, and the film is stylishly filmed, with some nice cinematography and there are nice scenery and costumes. The choreography is great, energetic in parts and graceful in others. Next, the music is outstanding. The incidental music largely reminiscent of Russian folk music is a real treat, but the songs are outstanding. The beautiful "Sunrise, Sunset", the fun "Tradition", the idealistic "Match Maker" and the energetic "If I Were A Rich Man", all amazing. Also, Topol, what an absolutely brilliant performance. He put body and soul into Tevye, successfully mixing humour, wisdom and poignancy and the result is one of the most memorable performances in any musical to grace our screens. All the other performances are wonderful, I liked it all five daughters had distinct personalities, and Norma Crane is fantastic as the mother. The story is both tight and poignant, about a milkman of Jewish values, who wishes his five daughters to marry. In conclusion, wonderful and definitely memorable. 10/10 Bethany Cox

The story took place in the village of Russia, 1904. It centered around the leading role, Tevya, who was diaryman. Tevya was a enlightened old man, he had open-minded thought and he deeply loved his three daughters. When he looked into the future of the daughters who were unmarried, he always sang the song "If I am the rich" very kindly, because he fervently expected that they got a bright future.

In the beginning, Tevya was trying to marry off Tzietel, the oldest daughter. The matchmaker found her a matcher in Lazar Wolfm the butcher. However, the butcher was much older than Tzietel, and she didn't love him. she loved a poor tailor, and they promised to each other that they would get married. At last Tevya said yes to them. Meanwhile the second child Hodel, and a poor student also fell in love soon, and they got engaged. They informed her father this and he gave them permission to be married. The poor student was arrested for demonstrating, and was sent to a distant prison, Hodel left to join there. Last, the last daughter , Chava and Fyedka fell in love. Chava told Tevya, and he was outraged, because she wanted to marry out of the faith. She got married anyway, and Tevya disowned her. Soon after that, all of the Jewish people in Anatevka got a notice to move out. And that's the end of the play. Ir's a kind of sad ending.

"Fiddler On the Roof" is the stage-to-screen adaptation of the famous musical. It tells the story of Tevye, a poor Jewish milkman in the tiny Russian village of Anatevka. This role is played by Topol, who played the character onstage in the London production of "Fiddler." We see him as a man mired in traditions, but struggling between his devout faith and the changing times when three of his daughters feel the urge to marry. The movie is beautifully shot, and tempers the story, which deals with the harsh realities of Jewish life in pre-Revolutionary Russia, with classic musical numbers sure to put a smile on your face. Between its incarnations on the stage and on screen, "Fiddler" will be immortal.

Let me say up front, I am not predisposed to enjoy a movie like this. On the contrary, as a straight WASP, the last thing I want to watch is a broadway musical or a bunch of Jews 'kavetching' about how bad they have it. That is definitely NOT what this film is about. Though the subject matter is Jewish, to say it is a Jewish film would grossly limit it's significance. It is about the human experience. Any one who has felt pain and persecution will relate to it. Therefore I say every human should love this film. It has an indomitable optimism and remarkable pathos that causes the viewer to empathize with the characters, namely Reb Tevye, played by Topol in arguably one of the finest dramatic performances ever. Considering the lack of success Topol has had with the rest of his career it would literally seem he was born to play this part. This film will most likely not be enjoyable for those looking for spoon fed, mindless entertainment or titillation, but for anyone who appreciates the beautiful things in life, it is high art. I recommend you set aside an undisturbed block of time, (use the can first, it's three hours long) when you are feeling relaxed, eat some good homemade soup and watch this masterpiece. Perfect casting, cinematography, pacing, art direction, wardrobe and best of all, an exquisite soundtrack by the great, and very young, John Williams. Listen to this movie on a powerful sound system and it will sweep you into each musical number. Especially (my favorite) the bar room dance scene. Fiddler on the Roof should be on every top 100 list that exists. Like no other movie I can think of, 'Fiddler' reaches deep into the heart and begs one to look at what things in life are worth living for and dying for.

Rarely a film so authentic. I saw several movies by Norman Jewison, Moonstruck(1987), ... and justice for all.(1979), F.I.S.T.(1978), Rollerball(1975), The Cincinnati Kid(1965), Bogus(1996), Other People's Money(1991), Only You(1994). I saw also two masterpieces by the same Norman Jewison: Jesus Christ Superstar(1973) and In the Heat of the Night(1967). Fiddler on the Roof(1971) it's his most successful and fulfilled film, in my opinion. The actors are downright amazing: Topol, Norma Crane, Leonard Frey, Molly Picon, Paul Mann, Rosalind Harris (exceptional), Michele Marsh, Neva Small. The music is very beautiful. There are many movies which lasts only 90 minutes, but you want to finish faster, they are so bad; Fiddler on the Roof it lasts 180 minutes, but you do not want to end.