Die Teufel

British director Ken Russell's adaption of Aldous Huxley's book "The Devils of Loudun" is one of the most origional, controversial and daring films ever made. The film takes place in 17th-century France and centres on the hypocritical and licentious behaviour of debauched priest Father Urbain Grandier, brilliantly played by Oliver Reed. A second plot strand involves the humpbacked nunn Sister Jeanne, played by Vanessa Redgrave, who, along with her fellow nuns, is obsessed with Grandier. When the nuns become seemingly possessed, disgruntled representatives of the Catholic Church and corrupt officials move in and seize their opportunity to get rid of Grandier.

The film gets off to an excellent start, gradually building up the tension and highlighting the flaws within the Catholic religion. However the middle section involving the possession of the nuns is far too theatrical and over-the-top and the action becomes weighed down by the overbearing performance of Michael Gothard as Father Barre and Derek Jarman's lurid sets. The final section of the film, however, is mightily impressive and well-scripted and benefits hugely from Oliver Reed's committed performance.

While Vanessa Redgrave impresses in the role of Sister Jeanne this is Oliver Reed's film and a performance which proves he was a great actor and not just a great hellraiser. This film illustrates that he is easily the equal of his contemporaries including Caine, Connery, Harris and Finney.

While director Ken Russell's films can range from the very good to the absolutely awful "The Devils" is without doubt his best. This is perfect material for Russell to work with and the ideal outlet for his unique vision. Russell was part of the new breed of controversial directors who emerged in the late 1960s and 1970s who courted controversy with images of sex, nudity, violence and shocking images. "The Devils" is no exception and while it will by no means be to everyone's taste it should be commended for its daring take on the hypocritical side to religion and for helping to pave new ground in cinema.

This film never got the credit it deserved. It's both a savage socio-political critique in the vein of Millers "The Crucible" and a crazed excerise in Grand Guignol. Only Russell could have pulled this one out. Also features Oliver Reed in one his greatest roles. Father Grandier was Reeds Maximus.

Shocking, beautifully elegant, a truly provocative masterpiece that induces raw emotions. 10/10

Two years before 'The Exorcist' hits the screen, Ken Russell puts the Catholic Church in the spotlight by filming one of the most disturbing films of all times. Except from being a sheer technical and aesthetic masterpiece, 'The Devils' provokes as a film with its relentless sense of anarchy. Religious hysteria and illusions, the horror of human arrogance and depravity and the love that turns to cherishing that turns to hatred. It's hard to put it in words, one must simply watch it to understand the simple splendor of this film. For open-minded viewers only...

In 17th Century France Cardinal Richelieu gains allegiance with King Louie Xlll in persecuting the Protestant populace. He finds resistance however in the charismatic Father Grandier (Oliver Reid) of Loudon whose walls and lack of religious strife pose a problem to the Cardinal's grand plan. When a sexually repressed nun falsely accuses Grandier of witchcraft, Richelieu's minions go to work to slander and burn.

It is no small order to make the claim that The Devil's is director Ken Russell's most audacious work. Known for pushing the envelope throughout his career The Devil is a relentless non-stop depiction of witch hunt depravity graphically presented by Russell who takes things to such a fever pitch you wonder if he has control during moments as the literal orgiastic trial runs into overtime. Featuring some of Russell's most outlandish as well as outstanding scenes and compositions it's devastating brutality never let's up with the opening portion of the film dealing with a plague. Even comedy relief such as the King's target practice having a very dark tone to it.

As Grandier, Reid effectively shows both virility and sensitivity as he defends the city while left vulnerable to carnal delight and love. Vanessa Redgrave's horny hunch back nun may be the most challenging role of her career that she gruesomely surmounts, the results riveting. Max Adrian as a quack doctor leads a supporting cast of well defined misanthropes bent on revenge and power.

Russell's interpretation of actual history ( with a mighty contribution from wife Shirley's outstanding costuming) paints some remarkable canvases throughout the Devils, most of it hard to look at and you walk away from it amazed and appalled; impressed and ill. The Devils is one tough watch.

Ken Russell is one of those filmmakers whose work you can immediately identify. Whether your first was "Altered States" or (like me) "The Devils," you learn early on that if Mr. Russell's name is listed as director and/or writer, you can expect to be at least a little disturbed.

"The Devils" is, in my humble opinion, one of the best films ever made. I wish I hadnt been born so late because I can imagine how truly intense an experience it must've been to view "The Devils" in theater.

This film is the only film I've ever seen, regardless of genre, to take the viewer into the pit of hell and to hold her/him there unrelenting, uncompromising, and to make the viewer feel as s/he has actually experienced hell. I can only imagine how much difficulty Mr. Russell must have had when MPAA members saw this film. It's bleak, horrifying, shocking, disgusting and thoroughly delicious. Aldous Huxley (the author of the book on which this film was based) would have been proud to see that his true story of a Satanic Catholic church translated very well to film.

One last thing: I have never really been able to sit through the entire film since the first time I saw it. That is, odd as it sounds, extreme praise. What kind of hell would it be if I could sit comfortably?

Thank you, Ken Russell!