Zwei Mädchen aus Wales und die Liebe zum Kontinent

In the end of the Nineteenth Century, the English teenager Ann Brown (Kika Markham) travels from Wales to Paris and befriends the French Claude Roc (Jean-Pierre Léaud) and she invites him to visit her hometown, where she lives with her mother (Sylvia Marriot) and her younger sister Muriel (Stacey Tendeter). When Claude arrives at her home, Ann and Muriel become close friend of Claude, but Ann pushes Claude towards Muriel and they fall in love for each other. However their mothers propose a separation during one year without any communication between them to make them sure about their real feelings. But after six months in Paris, Claude is seduced by many love affairs and sends a letter to Muriel calling off their commitment. When Claude meets Ann in Paris later, they have a love affair; but Claude still has feelings for Muriel.

"Les Deux Anglaises et le Continent" is a pointless and dull romance with a melodramatic triangle of love that recalls a soap-opera most of the time. The cinematography, sets and costumes give a beautiful reconstitution of the period; the gorgeous Kika Markham and Stacey Tendeter have great performances; but the excessive narrative of the obvious is irritating and the feature could be shorter. My vote is seven.

Title (Brazil): "As Duas Inglesas e o Amor" ("The Two Englishwomen and the Love")

Claude Roc has been invited to the coast, where two sisters and a mother will be host, a trip from gay Paris to Wales, lets him gather up his sails, he has ambitions of becoming a betrothed. It's a pleasant and quite ordinary stay, he falls for Muriel but parents have their say, a resolution is prepared, a separation for a year, after which they can agree to run or play.

It's not the most exciting romantic drama you might encounter, some musical chairs, not so passionate affairs, a rather drab and dull performance by Jean-Pierre Léaud who is difficult to disassociate from Antoine Doinel, although generally all the performances and characters are pretty disengaging. Not the best product of François Truffaut's career all told.

One must try to watch Anne and Muriel with lovely feelings in heart as Truffaut has created a masterpiece of love.The love portrayed in this film requires sacrifice.This is a kind of cinematic oeuvre which will absolutely captivate your senses.You will wonder how Nestor Almendros has been able to create remarkable images.Everything about this film is perfect.This is a film to be watched with your partner provided you have ever loved someone in your life.

The two English sisters are as different as night and day. Yet they wear similar costumes. The young man who loves them does a highly believable job throughout the story. The seaside scenery and the young man's acting carry the movie through. The young man's love for Muriel is almost heartbreaking.

Truffaut is at his strongest with this film. He balances French sensitivity with English fullness of personality quite well. I like this better than most of Truffaut's other movies. The movie does not lag at all.

Throughout the movie we are left to wonder. Will it be Muriel? Will it be Anne? The two sisters do good acting jobs. The casting of Muriel was excellent, as her face was very distinctive.

there are two things that held this film back from being a truffaut masterpiece: the voice over and jean pierre leaud.

the voice over is overused in this film and is hardly effective in many cases. the voice over always sound rushed, hasty and monotonous, it hardly treats the story sensitively and it sounds like truffaut (the one doing the voice over) is trying to say it as fast as he can so he can move on to something else in the story. the problem is he uses the voice over to explain complex emotions of the characters and he could have used someone else to do the voice over with more expression and pace. this brings me to my second problem with the film. the voice over is often explaining the complex emotions of leaud's character, claude, while leaud wears the same expression of confusion and dismay throughout the film. he says his lines in that same quiet, shy voice for most of the film and looks uncomfortable and timid in the role. my suspicion is that truffaut used voice over to compensate for leaud's lack of acting ability. leaud is thoroughly miscast as claude, a complex character who is at the center of the love triangle.

but somehow, the film does pull together and is a very moving story about what happens when three people distrust their instincts and refuse to make decisions about their feelings for one another. anne and claude hide their intention of committing to each other behind this french idea of "free love" that neither really buys into. muriel is a very religious woman who treads very carefully with claude because of his ideas on love and sex and has some very strong guilty feelings about her sexual desire. claude...well according to the voice over, he prefers to love them from afar than to choose between them. he wants both women, but knows he can't so he subconsciously refuse to choose between them and just go back and forth between the two when the relationship with one becomes difficult.

anne and muriel are similar to other truffaut heroines. anne is more forgiving and nurturing and patient, very much like Julie from day for night. muriel is the unstable passionate one who could sacrifice her sanity for a man, very much like catherine from jules and jim or adele H. they're both well acted by kika markham and stacey tendeter, and they're the ones who carry this film. the photography wasn't as lush as i expected it to be, but it has enough eye candy for those who love costume dramas with nice houses and gardens. the voice over and the dialogue are very well written and is poetic without sounding trite most of the time.

the film could have been a masterpiece of truffaut if he'd got someone else to do the voice over and got a more competent actor for claude. the film compensates for these weaknesses with superb writing and good performances from the rest of the cast.