Der Schwanz des Skorpions

What a bloody fun experience! 'The Case of the Scorpion's Tail' is an impossible puzzle, and is so with purpose.

This film serves to take you on a violent, shocking, thrill ride.

The build to each climax is short, simple and damn effective. As is the set-up for the plot. A woman is granted one million dollars, others want that hefty sum and will do anything to get their sweaty hands on it (and probably a half-naked woman in the process).

Shown through cinematography creative as anything, lots of gratuitous unappealing sexytime and unexpected conveniences is the violent, shocking, thrill ride exactly as intended.

While she makes love to someone else, Lisa's husband dies in a jet crash. She stands to inherit all of his money, despite them being basically separated. An ex-lover has a confrontation with her, threatening her with blackmail. She pays up — some money now, then some when she gets the letter where she wished that her husband was dead. But a gloved hand finds the letter and kills the ex-lover!

Lisa has to go to Athens to collect the money, but runs into one of her husband's ex-lovers, Lara Florakis (Janine Reynaud, Succubus) and a knife wielding maniac. Peter Lynch (George Hilton from All the Colors of the Dark) saves her and takes her to the hotel. She asks for all of the money in cash, despite warnings to how dangerous that is.

That same maniac tries to kill Peter, then comes back to kill Lisa, sharp jazz wails staccato punctuating each stab of the knife, each rip across her body. Jump cuts and flashes and the room is covered by the police, who question him.

An INTERPOL agent, Inspector Stavros (Luigi Pistilli, The Good, the Bad and The Ugly, Your Vice is a Locked Door and Only I Have the Key), offers to help Peter with the case and the moment he goes to talk to Lara, he's attacked by the gloved man.

That brings in Cléo Dupont(Anita Strindberg, Who Saw Her Die?), a journalist who pretty much instantly falls in love with our hero. They go up to his room, but it's been turned over by the police, with even the bed sliced open looking for the million dollars that went missing when Lisa was killed.

Turns out the gloved man wasn't on Lara's side — he or she slits her throat, then runs up a spiral staircase as a guard gives chase. This reveals a room full of one eyed baby dolls and a strange oil painting. Between the woman's face against the glass with blood spraying everywhere and these reveals, this film is really tipping its hat toward Argento.

The bodyguard chases after the killer, but is knocked off the roof. One slash across the fingers and we have another dead body. It's 45 minutes in…and most of the IMDb cast is already dead!

That said — there's a stewardess that gets the gift of scorpion earrings from an unseen lover. So there's that.

Meanwhile, Peter and Cléo make love on an orange shag couch while a peeping tom watches from the window. You know how Bruce Banner always has on purple slacks and you wonder, "Who wears purple slacks?" Peter does.

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¨The Case of the Scorpion's Tail¨ begins with the mysterious death of a billionaire when a plane explodes and spirals into the killing ; as the newspapers publicize : ¨Air disaster , nor survivors¨ . As his suddenly rich wife (Evelyn Stewart or Ida Galli) because he's insured for one million of dollars . Being the unfaithful spouse the beneficiary as the insurance agency arranges to pay . It draws the attention of various sleuths to sniff out suspects . A dogged and top investigator named Peter Lynch (George Hilton) , a Greek police (Luigi Pistilli), a Interpol agent ( Alberto De Mendoza ) and a journalist ( Anita Strindberg) , follow a wake of blood to the bitter final . Meanwhile Peter Lynch becomes companion and protector the widow .

Sergio Martino's great success is compellingly directed with well staged murders plenty of startling visual content , though was submitted to limited censorship in Spain . This is a customary slasher where the intrigue, tension, suspense appear threatening and lurking in every room , corridors and luxurious interior and exterior . The picture packs atmospheric blending of eerie thrills and creepy chills combined with a twisted finale . It displays lots of guts and blood but it seems pretty mild compared to today's gore feasts . It's a solid movie , a thrilling story plenty of suspense and intrigue in which the victims seem to be continuous . The staged killings are the high points of the movie , they deliver the goods plenty of screams, shocks and tension . The intriguing moments are compactly made and fast moving ; as the film itself takes place from various points of sights . It packs tension, shocks , thrills, chills and lots of blood . There's plenty of moments of gore and a number of scenes that are quite thrilling , resulting to be definitely the spotlight of the film the surprising ending situation . Lousy special effects when the plane explodes , it's in made in ridiculous scale model that lookalike a little toy . Written by the usuals , Ernesto Gastaldi and Eduardo Manzanos Brochero ( also producer with his Production Company called Copercines , as he produced several Gialli and Western as ¨Apocalypse Joe , Danger Pass , Winchester one among thousand , Arrival Sartana , Djanjo the condemned ¨) . Good ambiance design and acceptable production design by Cubero and Galicia , both of whom created lots of sets in several Western filmed in the 60s and 70s . Sergio Martino's so-so direction is well crafted, here he's less cynical and more inclined toward violence and lots of killings . It's a co-production Italian- Spanish , for that reason appears Spanish actors as Luis Barboo , Alberto De Mendoza , Janine Reynaud and Italian players as Luigi Pistilli and Ida Galli , among others . Colorful and evocative cinematography by Emilio Foriscot who photographed splendidly Londres , Madrid , Rome and Greece where is developed the action . However , the photography is washed-out and for that reason is necessary an urgent remastering . Very good and suspenseful score by Bruno Nicolai , known disciple of Ennio Morricone and his director of orchestra .

The picture is professionally directed by the prolific filmmaker Sergio Martino . Talented and versatile writer/director Sergio Martino has made a vast array of often solid and entertaining films in all kind of genres as horror, Giallo , comedy, Western, and science fiction in a career that spans over 40 years . He especially was expert on Western as proved in ¨Mannaja¨ and ¨Arizona returns¨ and Giallo as this ¨The case of scorpion's tail ¨ , ¨Torso¨ ,¨the scorpion with two tails¨ and of course ¨The strange vice of Mrs Ward¨. Rating: Acceptable and passable , this is one more imaginative slasher pictures in which the camera stalks in sinister style throughout a story with magnificent visual skills. This is a bewildering story , funny in some moment but falls flat and it will appeal to hardcore Gialli fans

Well made and stylish while still ultimately making sense this thriller would work better for non giallo fans to get interested in the genre than the later Argento entries which go overboard in all directions.

For fans of these crazed Italian thrillers, they will appreciate George Hilton and the turns his character takes and what he's put through. The camera-work is fresh with dashes of graphic violence and odd, but appropriate choices and a good not overblown music score as well. The less you know about the story the better to make it work.

The only thing lacking in keeping this from being a great Sergio Martino directed giallo is that the story doesn't have that extra sexual or psychological, or both element to put it over the top. It's more a routine mystery, the characters are well defined but live or die according to the plot not according to their own virtues and flaws.

The recent DVD (2005) release is beautiful looking and definitely the way to see the film, unless these ever get art house screenings which seems unlikely.

Just watched The Case of the Scorpion's Tail for the first time, very impressed. Incredibly stylish, good looking cast, great locations (London and Athens), a terrific musical score by Bruno Nicolai, a few interesting plot twists and some decent murder scenes. The latter reminded me very much of Dario Argento's giallo movies, the blood does look more like red paint to be honest but the kills are pretty brutal (despite the BBFC 15 rating). I liked one scene in which the camera is angled at 90 degrees and swings between 2 people having a conversation. This movie ticks all the right giallo boxes, right down to bottles of J&B whisky everywhere, and the quote I have used for my title is one of the best lines ever! Better than director Segio Martino's later film "Torso", this is essential viewing for fans of the Giallo genre. Superb.