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Das Haus nebenan - Chronik einer französischen Stadt im Kriege

Originaltitel: Le chagrin et la pitié
  • 1969
  • PG
  • 4 Std. 11 Min.
IMDb-BEWERTUNG
8,1/10
4317
IHRE BEWERTUNG
Das Haus nebenan - Chronik einer französischen Stadt im Kriege (1969)
Home Video Trailer from Milestone
trailer wiedergeben2:01
1 Video
18 Fotos
GeschichteKriegDokumentarfilm

Füge eine Handlung in deiner Sprache hinzuAn in-depth exploration of the various reactions by the French people to the Vichy government's acceptance of the German invasion.An in-depth exploration of the various reactions by the French people to the Vichy government's acceptance of the German invasion.An in-depth exploration of the various reactions by the French people to the Vichy government's acceptance of the German invasion.

  • Regie
    • Marcel Ophüls
  • Drehbuch
    • André Harris
    • Marcel Ophüls
  • Hauptbesetzung
    • Helmut Tausend
    • Marcel Verdier
    • Alexis Grave
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,1/10
    4317
    IHRE BEWERTUNG
    • Regie
      • Marcel Ophüls
    • Drehbuch
      • André Harris
      • Marcel Ophüls
    • Hauptbesetzung
      • Helmut Tausend
      • Marcel Verdier
      • Alexis Grave
    • 42Benutzerrezensionen
    • 25Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 6 Gewinne & 2 Nominierungen insgesamt

    Videos1

    The Sorrow and the Pity
    Trailer 2:01
    The Sorrow and the Pity

    Fotos18

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 11
    Poster ansehen

    Topbesetzung66

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    Helmut Tausend
    • Self, former Wehrmacht Captain
    • (as Helmuth Tausend)
    Marcel Verdier
    • Self, pharmacist in Clermont-Ferrand
    Alexis Grave
    • Self, Yronde farmer
    Louis Grave
    • Self, Yronde farmer, Résistance Fighter
    Pierre Mendès France
    Pierre Mendès France
    • Self, Former Prime Minister Of France
    Emile Coulaudon
    • Self, Former Head of the Auvergne Maquis
    Walter Warlimont
    • Self, General, adjutant to the Wehrmacht Supreme Command
    Georg Stumme
    • Self, general in the Wehrmacht
    • (Archivfilmmaterial)
    • (as General Stummel)
    Tausend
    • Self
    • (as Frau Tausend)
    Anthony Eden
    Anthony Eden
    • Self, Winston Churchill's foreign Secretary 1940-1945
    Sepp Dietrich
    • Self, SS commander
    • (Archivfilmmaterial)
    • (as Zepp Dietrich)
    Roger Tounze
    • Self, journalist for La Montage newspaper based in Clermont-Ferrand
    Adolf Hitler
    Adolf Hitler
    • Self
    • (Archivfilmmaterial)
    Albert Speer
    Albert Speer
    • Self
    • (Archivfilmmaterial)
    Mr. Leiris
    • self, Former Mayor Of Combronde
    • (as Monsieur Leiris)
    Christian de la Mazière
    Christian de la Mazière
    • self, an aristocratic ex-fascist and Veteran of the French division of the Waffen SS
    André Harris
    • Self, interviewer
    Philippe Pétain
    Philippe Pétain
    • Self
    • (Archivfilmmaterial)
    • Regie
      • Marcel Ophüls
    • Drehbuch
      • André Harris
      • Marcel Ophüls
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen42

    8,14.3K
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    Empfohlene Bewertungen

    10zundays

    masterpiece

    A masterpiece in the genre of the documentary. This is a long movie. You've got to have time on your hands, and a little bit of patience to allow Ophüls to unravel all the strands of the French attitude under German occupation. But the journey is worth every minute of your time.

    Focusing on the town of Clermont-Ferrand, Ophüls tries to understand what it was to live with German soldiers in your town, an optimistic and collaborating government, an exiled general urging you to resist and underground organizations who used terrorism as their only weapon. Ophüls does not multiply the number of interviewees. He chooses about 15 of them and interviews them long enough that you understand their comments within the context of their personality and outlook. But the most surprising is the variety among the interviewees: a very courageous farmer, a reckless British spy, a British minister, a self-sufficient German general, a doubting German soldier, a chauvinistic bourgeois, a young nobleman attracted by the Nazi theories, a young disillusioned nobleman-philosopher ready to sacrifice his life, a clear-sighted Jewish government representative, a naïve woman, a Communist, a nationalist. You'll be surprised to find out who is the most perceptive of the bunch
    8arenn

    The Best World War II Film I've Seen

    I bought the DVD version of THE SORROW AND THE PITY not so much because I wanted to watch it, but because, as with many other classic films, I felt I should. At 4 hours long, I could never quite muster the will to screen it, with the end result that this film sat on my shelf for months before I finally gathered the courage to watch it last night. My original plan had been to screen the first disc one night then watch the rest after a decent interval of recovery. I quite frankly expected to be bored to death watching hours on end of interviews in French.

    Boy was I wrong. This turned out to be one of the most engrossing films I've seen. Yes, it is too long. But you're willing to forgive it that. This is simply the best film I've seen on World War II. Numerous interviews with French politicians, teachers, shop keepers, peasants, hoteliers, and more along with ones of Germans and Englishmen gave one of the most revealing and human portraits of World War II - and of the French people - I've seen. Combined with included archival footage from the war, this made for what is clearly one of the great all time documentaries and greatest WWII films I've seen.

    TSATP draws you in right away and really never lets up. Almost every interview enlightens in some way. Everybody talking has their own agenda - spin in modern parlance - but the director is able to combine these in a way that exposes the most blantant of falsehoods and also paints a realistic composite portrait. The Nazi propaganda films were also chilling. One early example is a film of black and arabic French soldiers captured by the Nazis with the implication that racial impurity led to the French demise.

    I could go on and on about this but I think I'm running out of room and need to talk about the DVD. I highly recommend this film for anyone who wants to go beyond history book versions of the war.

    As for the DVD version itself, there are several flaws, starting with the $50 price tag. Beyond that, the print used was a poor one. The quality of the interview scenes was not much better than that of the archival footage spliced in. The subtitles were also not that great. Interestingly, much of disc two appeared to have a remixed soundtrack. For interviewees in English and German, the director dubbed over a partial French translation with the original language reduced in the background. This partial French translation was then subtitled in English (and not always well). On disc two, quite a few of the English sections did not have French dubbing or subtitles, which is where I suspect the sound remix comes in. The ending was also quite abrupt and choppy (Maurice Chevalier in English?) and didn't have the feel of being original, though let me stress I've no real knowledge to substantiate this.
    10Mrs.Mike

    Stunning, enlightening and unforgettable!

    If you are a movie buff, you have probably gotten the impression from the bulk of movies about WWII that the French populace as a whole fought bravely to resist the Nazi Occupation. "The Sorrow and the Pity" makes it clear that such was not the case. This stunning documentary includes interviews from people from all shades of the spectrum politically, philosophically and socially. The interviewers did a great job of coaxing the truth from these people by being friendly rather than confrontational. Some of the most amazing footage is from German newsreels, with the ghastly "pure race" prejudices being illustrated with a very sarcastic commentary on some of the French prisoners of war. I think that every high school student in The United States should see this film so that they understand that you can't always just " go along to get long". Of course, with the average high school student's attention span, it would have to be shown in shorter installments. This film is completely worthwhile and never boring!
    8politfilm

    Film banned in France for more than ten years because it showed the extent of the collaboration and the burden of historical responsibility

    This two-part documentary analyzes the occupation of France in World War II through the example of a city with a population of approximately 100,000 people. The spirit of the time is quite well conveyed with the use of archive materials, as well as interviews with members of the resistance movement, collaborators with the occupying forces, and German soldiers who participated in the occupation. Everyone is given the space to express their views and explain the logic that guided them during the war. A side of French history, today mostly hidden, is presented: dark and shameful collaboration, but also the heroic resistance to the occupation - all this in the context of a true civilizational tragedy. The film has been banned in France for more than ten years (it wasn't aired on TV until 1981), supposedly because it was too one-sided, but in fact because it showed the extent of the collaboration and the burden of historical responsibility for the committed crimes - a history that was rushed to be forgotten, in order not to disturb the post-war social consensus and the re-established status quo.
    8refresh_daemon

    Historically Significant Historical Documentary

    This is an important documentary because it's an early (1969) look back at Vichy France during World War II, when many of those who lived through the Nazi Germany occupation of France were still alive and were able to speak about their experiences. It's a rather straightforward documentary, blending interviews with archival footage and contemporary scenes from France and Germany.

    The French filmmakers took care to interview French, both in support and opposed to the government of France who collaborated with Germany after their swift defeat, as well as Germans, both Nazi and otherwise and British officials who were involved in the war. With three languages present, the dialogue is spoken over in French, although in the English cut that I viewed, the English was mostly left alone.

    It's not a stunning film as a documentary, in terms of presentation, but some of the stories that the film brings out of its sources are quite amazing and document a lot of details that a basic study of the WWII era during a history class might not bring out. Even more notably, the individual stories of those involved at the time highlight much of what's going on while also providing an emotional connection to a person or groups of people and making the situations easier to imagine. I think The Sorrow and the Pity remains a valuable film simply because there aren't many of its kind from its era and for how personal it chooses to be in telling the stories of the men and women that lived during this terrible moment in history. But it's really long and people who don't care about history or about people's stories probably would find much in here to like. 8/10.

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    Handlung

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    • Wissenswertes
      Originally intended for French television. However, French broadcasters refused to show it arguing the documentary depicted occupied France as exclusively populated by traitors.
    • Zitate

      Dr. Claude Levy: France is the only government in all Europe whose government collaborated. Others signed an armistice or surrendered, but France was the only country to have collaborated and voted laws which were even more racist than the Nuremberg laws, as the French racist criteria were even more demanding than the German racist criteria. It's not something to be proud of.

    • Verbindungen
      Featured in Der Stadtneurotiker (1977)
    • Soundtracks
      Ça Fait d'Excellents Français
      Music by Georges Van Parys

      Lyrics by Jean Boyer

      Performed by Maurice Chevalier

    Top-Auswahl

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    FAQ

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    Details

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    • Erscheinungsdatum
      • 14. April 1971 (Frankreich)
    • Herkunftsländer
      • Schweiz
      • Westdeutschland
    • Offizieller Standort
      • BFI
    • Sprache
      • Französisch
    • Auch bekannt als
      • The Sorrow and the Pity
    • Drehorte
      • Clermont-Ferrand, Puy-de-Dôme, Frankreich(Main location)
    • Produktionsfirmen
      • Télévision Rencontre
      • Société Suisse de Radiodiffusion et Télévision (SSR)
      • Norddeutscher Rundfunk (NDR)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 13.082 $
    • Eröffnungswochenende in den USA und in Kanada
      • 5.224 $
      • 26. Feb. 2023
    • Weltweiter Bruttoertrag
      • 13.082 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      4 Stunden 11 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono

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