IMDb-BEWERTUNG
7,1/10
15.317
IHRE BEWERTUNG
Ein alternder texanischer Viehbauer, der seiner Zeit hinterherhinkt, tritt in Aktion, als Banditen seinen Enkel entführen und seinen Sohn verwunden.Ein alternder texanischer Viehbauer, der seiner Zeit hinterherhinkt, tritt in Aktion, als Banditen seinen Enkel entführen und seinen Sohn verwunden.Ein alternder texanischer Viehbauer, der seiner Zeit hinterherhinkt, tritt in Aktion, als Banditen seinen Enkel entführen und seinen Sohn verwunden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Christopher Mitchum
- Michael McCandles
- (as Chris Mitchum)
Ethan Wayne
- Little Jake McCandles
- (as John Ethan Wayne)
Empfohlene Bewertungen
Though Big Jake doesn't go down with the greatest of John Wayne's films I put it in the class of The Comancheros which I also found entertaining. This film is the right mixture of chemistry and action. No doubt helped by the fact that John Wayne was surrounded with family literally.
John Wayne is the estranged patriarch of a family who owns a big cattle spread just as he did in McLintock. A gang of kidnappers came on the place while most everyone was on roundup and killed several people and kidnapped Wayne's grandson. Grandmother Maureen O'Hara sends for her estranged husband to deal with the kidnappers as he sees fit. Being this is a John Wayne movie, you already know how that is.
Son Michael Wayne is the producer and sons Patrick and Ethan play Wayne's son and grandson. This is a bit of a change for Patrick Wayne. From back in the days of The Searchers, Pat Wayne always played callow youths in his father's and in other films. Here he's a grown man and quite bitter at his father. The conflict between them crackles on the screen. Christopher Mitchum, the son of another Hollywood icon, plays another Wayne offspring as does Bobby Vinton.
The action flows pretty good here and the tension does not let up for a moment. There are some good comic moments, but they are well integrated into the plot of the story.
Of the Duke's films post his Oscar from True Grit, Big Jake is one of his best and a personal favorite of mine.
John Wayne is the estranged patriarch of a family who owns a big cattle spread just as he did in McLintock. A gang of kidnappers came on the place while most everyone was on roundup and killed several people and kidnapped Wayne's grandson. Grandmother Maureen O'Hara sends for her estranged husband to deal with the kidnappers as he sees fit. Being this is a John Wayne movie, you already know how that is.
Son Michael Wayne is the producer and sons Patrick and Ethan play Wayne's son and grandson. This is a bit of a change for Patrick Wayne. From back in the days of The Searchers, Pat Wayne always played callow youths in his father's and in other films. Here he's a grown man and quite bitter at his father. The conflict between them crackles on the screen. Christopher Mitchum, the son of another Hollywood icon, plays another Wayne offspring as does Bobby Vinton.
The action flows pretty good here and the tension does not let up for a moment. There are some good comic moments, but they are well integrated into the plot of the story.
Of the Duke's films post his Oscar from True Grit, Big Jake is one of his best and a personal favorite of mine.
There has been no tougher or more formidable Western heavy than Richard Boone
He has occasionally depicted hard-bitten nobility, as his portrayal of General Sam Houston in "The Alamo" or the ageing cavalry officer in "A Thunder of Drums"but more often his grim, craggy features have led him to villainy
He was Randolph Scott's intelligent, embittered adversary, smooth as a rattlesnake and twice as treacherous, in the Tall T; he wrapped non-conforming farmers in barbed wire in Man Without a Star; as mean, sadistic Major Salinas, he persecuted Rory Calhoun in Way of a Gaucho; and he gave Paul Newman a rough ride in Hombre. In "Big Jake," he wasas alwaysa powerful presence and one of the screen's most efficient scene-stealer
George Sherman's "Big Jake" was the Duke fifth and final film played opposite the lovely redheaded Maureen O'Hara who plays, here, his wife Martha McCandles
The movie opens in 1909 where nine men crossing the Rio Bravo into Texas Their leadera sadistic gunrunnerJohn Fain (Richard Boone) is ready for his bloody McCandles' raid where ten people were slaughtered and Big Jakes's grandson, the 8-year-old Little Jacob (Ethan Wayne) is kidnapped, and a ransom note is left demanding one million dollars in $20 Bills for Jacob's safe return
Marthaquite sure that this job requires an extremely harsh and special kind of man to attend it called back her husband, absent for many years, to pay the ransom, and take back home the little boy alive
Jacob McCandles (Wayne)who has never seen his grandsonresponds to his wife's call and organizes a hunting party to track down the dangerous and violent men
With his two sons, his faithful Indian scout (Bruce Cabot), his loyal dog, and with a large red strongbox packed to the back of a good mule, McCandles initiates his very daring hunt
There are some hard feelings among Wayne's resentful boys, and as the film progresses, Wayne's blue eyes were gentle and revealing a wonderful caring father but also his eyes turn to blue steel as he took that decision to get alive his grandson The heart of the film is Wayne interacting with his wife and what he has in store for his sons next...
Patrick Wayne plays Wayne's older son who is short on ears and long on mouth Christopher Mitchum rides a 'crazy bicycle,' carries a Bergman 1911, and a rifle with one fancy new telescope...
With great action scenes, great photography and with a terrific Elmer Bernstein musical score, "Big Jake" is one of Wayne best Westerns
He was Randolph Scott's intelligent, embittered adversary, smooth as a rattlesnake and twice as treacherous, in the Tall T; he wrapped non-conforming farmers in barbed wire in Man Without a Star; as mean, sadistic Major Salinas, he persecuted Rory Calhoun in Way of a Gaucho; and he gave Paul Newman a rough ride in Hombre. In "Big Jake," he wasas alwaysa powerful presence and one of the screen's most efficient scene-stealer
George Sherman's "Big Jake" was the Duke fifth and final film played opposite the lovely redheaded Maureen O'Hara who plays, here, his wife Martha McCandles
The movie opens in 1909 where nine men crossing the Rio Bravo into Texas Their leadera sadistic gunrunnerJohn Fain (Richard Boone) is ready for his bloody McCandles' raid where ten people were slaughtered and Big Jakes's grandson, the 8-year-old Little Jacob (Ethan Wayne) is kidnapped, and a ransom note is left demanding one million dollars in $20 Bills for Jacob's safe return
Marthaquite sure that this job requires an extremely harsh and special kind of man to attend it called back her husband, absent for many years, to pay the ransom, and take back home the little boy alive
Jacob McCandles (Wayne)who has never seen his grandsonresponds to his wife's call and organizes a hunting party to track down the dangerous and violent men
With his two sons, his faithful Indian scout (Bruce Cabot), his loyal dog, and with a large red strongbox packed to the back of a good mule, McCandles initiates his very daring hunt
There are some hard feelings among Wayne's resentful boys, and as the film progresses, Wayne's blue eyes were gentle and revealing a wonderful caring father but also his eyes turn to blue steel as he took that decision to get alive his grandson The heart of the film is Wayne interacting with his wife and what he has in store for his sons next...
Patrick Wayne plays Wayne's older son who is short on ears and long on mouth Christopher Mitchum rides a 'crazy bicycle,' carries a Bergman 1911, and a rifle with one fancy new telescope...
With great action scenes, great photography and with a terrific Elmer Bernstein musical score, "Big Jake" is one of Wayne best Westerns
He is not dead...NOT HARDLY!! This movie was great. I can't believe I had never seen it. I loved the way he put his kids in place every time they got out of line. Especially that guy with the mustache (Wayne's real life son). I have seldom seen movies where there is so much suspense. The mean man with the blanket was super good also at being a MEAN AND BAD GUY!!!! John Wayne is the best cowboy ever. He looked and acted tough and was apparently TOUGH in real life. I wish Maureen O'Hara would have been in this movie more. She is so good looking. John Wayne was so fearless. I loved the way he bled RED PAINT. Back then, the blood looked like RED PAINT. Haha.
I give this movie a perfect 10!
I give this movie a perfect 10!
This was a John Wayne film I greatly enjoy and was surprised at the wonderful old automobiles from the 1900's driving up and down every trail and even motorcycles. John Wayne played the role as Jacob McCandles who was looked up to as a man you did not mess with and respected. Maureen O'Hare, (Martha McCandles) seeks the help of her husband after years of being separated when their grandchild is kidnapped for a ransom for One Million Dollars. The gang of crooks is headed by Richard Boone, (John Fain) who will kill women and children in cold blood and think nothing of it. Patrick Waynes son has a role in this film along with the Polish Prince of Music and Song, Bobby Vinton. Maureen O'Hara had a very brief appearance only in the beginning and end of this film and this was also the last film that Wayne and O'Hara appeared together. Very entertaining film, you will not want to miss this great film Classic from 1971.
A later John Wayne western that contains a surprising amount of graphic violence. This is by no means another "Wild Bunch" but there are more bloody gunshot wounds than usual.
The plot concerns the search and rescue of a kidnapped grandson that Wayne has never seen.
The banter between Jacob McCandles(Wayne) and his estranged sons is the source of many of the film's great lines. When Patrick Wayne tries to provoke the Duke by calling him "Daddy", the retort by the old man is priceless.
A good villan(Richard Boone), another pairing with Maureen O'Hara, some great one-liners and several references to older Wayne films make this a great choice from the westerns section at Blockbuster. Elmer Bernstein's music is wonderful too, sounding much like his "Magnificent Seven" score.
The plot concerns the search and rescue of a kidnapped grandson that Wayne has never seen.
The banter between Jacob McCandles(Wayne) and his estranged sons is the source of many of the film's great lines. When Patrick Wayne tries to provoke the Duke by calling him "Daddy", the retort by the old man is priceless.
A good villan(Richard Boone), another pairing with Maureen O'Hara, some great one-liners and several references to older Wayne films make this a great choice from the westerns section at Blockbuster. Elmer Bernstein's music is wonderful too, sounding much like his "Magnificent Seven" score.
Wusstest du schon
- WissenswertesJohn Wayne's last film with Christopher Mitchum. The two actors fell out when Mitchum disagreed with Wayne's conservative views during a television interview, and they never spoke again. Mitchum tried to get in touch with Wayne in 1979 when the veteran star was dying of cancer, but did not receive any response.
- PatzerBefore the Rangers set out after the kidnappers, Michael tells them that they are five hours away. He does not refuel his motorcycle before they leave. Presumably, there are no gasoline stations along the way, and no extra fuel is seen being carried. They should have run out of gas a long time before reaching the bad guys.
- Zitate
Jacob 'Big Jake' McCandles: And now *you* understand. Anything goes wrong, anything at all... your fault, my fault, nobody's fault... it won't matter - I'm gonna blow your head off. No matter what else happens, no matter who gets killed I'm gonna blow your head off.
- VerbindungenFeatured in 100 Years of the Hollywood Western (1994)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Gigante entre los hombres
- Drehorte
- El Saltito waterfall, Nombre de Dios, Durango, Mexiko(Automatic handgun scene.)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.800.000 $ (geschätzt)
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