Füge eine Handlung in deiner Sprache hinzuSatan saves a man from death on condition he become his disciple (and, as it turns out, a hairy murderous beast).Satan saves a man from death on condition he become his disciple (and, as it turns out, a hairy murderous beast).Satan saves a man from death on condition he become his disciple (and, as it turns out, a hairy murderous beast).
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I remember seeing this title on the marquee at my home drive-in as a child. Watched it and finds it an interesting film, but curious as to why it's not in the Mad Doc series...or is it? The acting isn't bad at all, especially compared to original Mad Doc. I noted that the first scene of the monster's arms look like they were re-used from the Mad Doc flix. The Filipino back-drop of this film, as well as the Mad Doc films, provides something a little different and interesting that stands alone from movies that we're accustomed to viewing. The mono sound with the atmosphere, particularly in the opening scenes, gives the filmgoer the creeps. I do wish I could've talked my parents into taking me to see it way back then!
Beast of the Yellow Night features a hideous man-monster that tears its victims to shreds, but the real horror is a semi-naked Vic Diaz. The rotund Filipino actor appears at the beginning of the film as Satan wearing nothing but a loincloth (my eyes!), promising dying army deserter Joseph Langdon (John Ashley) immortality if he agrees to become a servant of evil. Unperturbed by Vic's lack of clothing, Joseph agrees and is 'reborn' in several bodies over the years, his mission to awaken the evil in the people that he meets. Langdon's latest guise is that of facially disfigured accident victim Philip Rogers, who, having been pronounced dead, amazes everyone by coming back to life with a brand new face (his doctor is so shocked that he promptly has a heart attack).
Phil's sexy blonde wife Julia (Mary Charlotte Wilcox) takes her hubby home but notices that he now behaves rather strangely. But it's not just his personality that has changed: from time to time, Phil/Langdon physically transforms into a horrible bloodthirsty creature with rubber claws and great big jaws.
The first of producer Roger Corman's movies to be shot in the Philippines during the '70s, this clunker from director Eddie Romero is frequently confusing (what Satan has to gain from turning his servant into a killer beast is never explained) and pretty dull for the most part, even when Ashley is in monster mode. There are a couple of brief gory moments (a disembowelment and some slashed faces), and Wilcox sheds her clothes (or her body double does--it's hard to tell), but for the most part the film is painfully slow, especially when the creature is given refuge by an old, blind bandit (an idea lifted from Frankenstein?). The ending sees the monster and the blind man trapped by the army in a burning field of grass, Phil/Langdon finally shot and killed even though he was bullet-proof only moments earlier.
Phil's sexy blonde wife Julia (Mary Charlotte Wilcox) takes her hubby home but notices that he now behaves rather strangely. But it's not just his personality that has changed: from time to time, Phil/Langdon physically transforms into a horrible bloodthirsty creature with rubber claws and great big jaws.
The first of producer Roger Corman's movies to be shot in the Philippines during the '70s, this clunker from director Eddie Romero is frequently confusing (what Satan has to gain from turning his servant into a killer beast is never explained) and pretty dull for the most part, even when Ashley is in monster mode. There are a couple of brief gory moments (a disembowelment and some slashed faces), and Wilcox sheds her clothes (or her body double does--it's hard to tell), but for the most part the film is painfully slow, especially when the creature is given refuge by an old, blind bandit (an idea lifted from Frankenstein?). The ending sees the monster and the blind man trapped by the army in a burning field of grass, Phil/Langdon finally shot and killed even though he was bullet-proof only moments earlier.
This movie begins in Southeast Asia immediately after World War 2 with soldiers searching in the jungle for someone (or something) who has killed a couple of innocent villagers. As it turns out, an American deserter named "Joseph Langdon" (John Ashley) is also in the vicinity and due to his desperate situation makes a deal with the devil (played by Vic Diaz) to escape from the situation he has found himself in. It's at this point that the movie fast-forwards to the present with the body of Langdon being buried but his soul transported into a man named "Philip Rogers" (also played by John Ashley) who has just been declared dead by a surgeon in a hospital. Needless to say, his wife "Julia" (Mary Wilcox ) is overjoyed when Philip comes back to life. However, the new version of Philip isn't the same and immediately makes decisions that hurt all those around him by sowing evil among them--and that especially applies to Julia and his brother "Earl" (Ken Metcalfe). But then one night something very unexpected happens and Philip is transformed into a kind of werewolf--which creates even more problems for everyone involved. Now rather than reveal any more I will just say that this was a standard low-budget film characteristic of movies produced in the Philippines during this particular time. Yet, even though the acting was adequate it was the makeup and special effects which really doomed this film-especially on the part of the supposed werewolf. It was really bad. That said, I have rated the film accordingly. Below average.
BEAST OF THE YELLOW NIGHT is yet another classic from Director Eddie Romero. War criminal, Joseph Langdon (John Ashley) makes a deal with Satan (Vic Diaz), inheriting another life. He becomes businessman, Philip Rogers. With his beautiful wife, Julia (Mary Wilcox), he seems to have hit the jackpot!
Of course, as the old saying goes, "When you dance with the devil, the devil calls the tune", and Philip's existence soon becomes a nightmare of grisly murder and madness. He's transformed into a monster, resembling a scorched pot roast with fangs!
Meanwhile, goody-two-shoes Julia tries to save their marriage. Can her love overcome Philip's bloodlust and break his bargain with Beelzebub?
Compared with other horror films, BOTYN is a royal mess. However, compared with other Romero epics, it's a minor masterpiece! Are the actors like human furniture? Yes. Is the dialogue inane, and delivered in emotionless fashion? Yes. Still, the plot holds together in a strange, dull way. Watch and believe...
Of course, as the old saying goes, "When you dance with the devil, the devil calls the tune", and Philip's existence soon becomes a nightmare of grisly murder and madness. He's transformed into a monster, resembling a scorched pot roast with fangs!
Meanwhile, goody-two-shoes Julia tries to save their marriage. Can her love overcome Philip's bloodlust and break his bargain with Beelzebub?
Compared with other horror films, BOTYN is a royal mess. However, compared with other Romero epics, it's a minor masterpiece! Are the actors like human furniture? Yes. Is the dialogue inane, and delivered in emotionless fashion? Yes. Still, the plot holds together in a strange, dull way. Watch and believe...
Well, you do not have to worry about a yellow night in this film. I was thinking that perhaps there would be a full moon or something giving the night a yellowish tint which unleashes the beast, but no, the only yellow is the smoke that sometimes accompanies Satan when he shows up. This is just one of those films that tries really hard to do something good, but ends up making a film that is a bit confusing as you begin to figure out it is supposed to be kind of like an evil Quantum Leap thing, but you never really know what Langdon the main character of the story is supposed to be doing when he assumes others identities.
The film starts out in a bit of confusing fashion as a man is apparently on the run and a woman is gunned down on the way of bringing him food. He is starving and makes the mistake of eating nearby grapes, which are not actually grapes as they are poisonous. Satan comes along and taunts the man and the man agrees to do Satan's bidding and Satan rewards the man with rotten meat. The man is apparently put into other people's bodies to do stuff and he randomly becomes a monster, but who knows why. The man he is through most of the film has a wife that totally loves him, apparently more than her actual husband and a blind man offers him aid, but can he get out of Satan's clutches!?!
Not all that great, thinking this film was made in the Philippines. The cast is mainly Asian; however, the man guy, his wife and brother are all English actors. The gore in the film is light and revolves around him turning into the monster which is sort of like a werewolf, but not really and there is never a real reason he turns into this beast. Though he is a beast in daytime too, so one of those titles that just does not fit with what is going on.
So, not totally horrible, but too much of the film is a bit lacking in the plot department. Why does the guy even turn into a monster? Has he turned into a monster in any of his other stops in his service to Satan and what exactly is he supposed to be doing in these other bodies? You get some kills and some cool scenes, but not enough to become a good film, just one worth watching to try and figure out what is going on.
The film starts out in a bit of confusing fashion as a man is apparently on the run and a woman is gunned down on the way of bringing him food. He is starving and makes the mistake of eating nearby grapes, which are not actually grapes as they are poisonous. Satan comes along and taunts the man and the man agrees to do Satan's bidding and Satan rewards the man with rotten meat. The man is apparently put into other people's bodies to do stuff and he randomly becomes a monster, but who knows why. The man he is through most of the film has a wife that totally loves him, apparently more than her actual husband and a blind man offers him aid, but can he get out of Satan's clutches!?!
Not all that great, thinking this film was made in the Philippines. The cast is mainly Asian; however, the man guy, his wife and brother are all English actors. The gore in the film is light and revolves around him turning into the monster which is sort of like a werewolf, but not really and there is never a real reason he turns into this beast. Though he is a beast in daytime too, so one of those titles that just does not fit with what is going on.
So, not totally horrible, but too much of the film is a bit lacking in the plot department. Why does the guy even turn into a monster? Has he turned into a monster in any of his other stops in his service to Satan and what exactly is he supposed to be doing in these other bodies? You get some kills and some cool scenes, but not enough to become a good film, just one worth watching to try and figure out what is going on.
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- WissenswertesThe poster for this film was on Garth's bedroom wall in Wayne's World.
- Zitate
Julia Rogers: Who are you?
Joseph Langdon: As far as you're concerned, I am and can only be... whoever, whatever you think I am.
- VerbindungenEdited into The Beast of the Yellow Night (2014)
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- Laufzeit1 Stunde 27 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Beast of the Yellow Night (1971) officially released in Canada in English?
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