Bananas

This attractive movie is intermittently hilarious , considered to be a spoof of the Cuban revolution and Fidel Castro . It deals with a botcher New Yorker called Fielding Mellish (Woody Allen) , he's a consumer products tester , as his life is like a guinea pig . Along the way, he becomes infatuated with Nancy (Louis Lasser) , a political activist . But he is dumped by his independient sweetheart and although both of whom take two divergent ways in their lives, those paths cross once again. And Fielding runs off to San Marcos where he joins the rebels , as the coward soldier is forced to enlist the Castro-alike revolution and eventually becomes President of the country. The Revolutionist That Shook the World With Laughter !. More Moving Than Prunes!

Amusing picture fable is plenty of the filmmaker's signature angst-ridden philosophical comedy . Hilarity slips into vulgarity rather too often in this usually in-and-out early Woody Allen comedy which embroils the little man to travel a tiny Latin American nation and becomes involved in its latest rebellion . There is a lot of parody and even ¨Eisenstein's Battleship Potemkin¨and other jokes for moviegoers . Allen is known to be inspired and influenced by Russian filmmaker Sergei Eisenstein as well as Ingmar Bergman. The picture turns out to be an ironical and tongue-in-cheek look at South American revolutions . The majority of the scenes and some set pieces in Bananas were improvised , permitting actors play freely, at times. As Woody Allen felt he had filmed the right shot , he would move to capture on to the next one. Nice and hilarious acting by Woody Allen at his best , as a jilted adventurer who goes into revolution , resulting in fateful consequences . His comic style paid homage to a number of classic comedians which included Bob Hope , Charles Chaplin and The Marx Brothers . Being competently played/directed by Woody Allen , showing his own wistful sense of intelligent comedy . Co-stars his then wife Louis Lasser who gives a likeable acting as his activist girlfriend , along with Carlos Montalbán , Nati Abascal, Miguel Ángel Suárez, René Enríquez and Jacob Morales , the latter has many of the best moments when , drunk with power , he declares Swedish to be the new national language . And you'll have to keep your eyes peeled to spot Sylvester Stallone in his second movie performing an henchman.

Witty as well as lively musical score by Marvin Hamslich contributes much , including South american songs . Colorful as well as evocative cinematography by cameraman Andrew M. Costikyan , being shot on location in Puerto Rico, Playa de Cerro Gordo, Puerto Rico (Fidel camp), Wall Street, Manhattan, New York City. Lavish and stunningly produced by Charles H. Joffe , Allen's ordinary producer . This enjoyable motion picture was vigorously directed by Woody Allen , being his third film as a director. Made during a prolific and clever period in which he acted/directed various really hilarious films , such as : What's Up, Tiger Lily?, Take the money and run , Pussycat, Pussycat I Love You , Sleeper , Everything You Always Wanted to Know About Sex but Were Afraid to Ask , among others . Subsequently he made several masterpieces. Including a series of movies in which he provided nice direction, investing care enough, wit and warmth, such as : Crimes and misdemeanors , New York stories, September, Radio Days, Hanna and her sisters , Broadway Danny Rose, Zelig, Stardust memories , A midsummer Night's Sex Comedy, Interiors, Manhattan and Purple rose of Cairo. Rating 7/10. Better than average. The movie will appeal to Woody Allen enthusiasts. Woody Allen has said that this movie was "my funniest picture to that time".

When asked why he titled his third feature-length picture 'Bananas,' Woody Allen replied, "because there's no bananas in it." This, in a nutshell, pretty much summarises the general tone of the film. During the first ten years of his directing career, it's interesting to see Allen slowly developing his craft; as the years go by, from 'Take the Money and Run (1969)' to 'Sleeper (1973),' {and culminating in 'Annie Hall (1977)'} we notice how he learned to assimilate an unrelated collection of gags into a mature, cohesive narrative. 'Bananas (1971)' sits somewhere in the middle of all this, with a more developed story than its predecessors, but maintaining its roots as an anarchic comedy, much in the same vein as films like 'Duck Soup (1933)' and 'Monty Python and the Holy Grail (1975).' Though I had not anticipated enjoying 'Bananas' very much, I must say that the film provided countless moments of immeasurable hilarity. Though slightly uneven in parts {as is often the case, some jokes hit while others miss}, the film delivers the promised laughs.

The storyline is characteristically simple and absurd. After a revolution breaks out in the small South American nation of San Marcos, a mediocre, unintellectual New Yorker, Fielding Mellish (Allen), travels there to impress his ex-girlfriend (Louise Lasser). After the fascist government tries to have him assassinated, poor Fielding falls in with the rebel gangs, somehow eventually becoming the President of the Latin American republic. This absurd plot line allows Allen to pile one gag on top of another, and, interestingly, the story itself never seems to lose its way or go off on any tangents. The film's satirical take on war, with the Vietnam War still raging in 1971, was very timely, and Allen also aims a few jabs at the media's handling of warfare – in the ridiculous and inspired opening, ABC's Wide World of Sports arrives in San Marcos to commentate the assassination of the current President. Later, Howard Cosell returns to host the consummation of Fielding's marriage, with an enthusiastic crowd watching the awkward couple tussling beneath the covers. 'Bananas' is a type specimen of one of Woody Allen's "early, funny movies."

Woody Allen's second film as co-writer/director/star (not including "What's Up, Tiger Lily?") is a grab-bag of lunatic revue sketches, some of them hilarious. Spurned by his activist girlfriend, product-testing schnook in New York City quits his job and heads to a strife-ridden Latin American country to become a part of their revolution. Trenchant political satire must have looked outrageous in 1971, but time has made a few of these gags gruesomely topical and accurate (but no less funny). Targets include man-woman sexual matters (territory Allen was spot-on with right from the start), television commentary (sent up brilliantly), urban violence, Catholicism, psychiatry, assassinations, a Marx Brothers-styled courtroom, Miss America and...J. Edgar Hoover. The pacing seldom flags, but Allen's screenplay (penned with his "Take the Money and Run" partner, Mickey Rose) sags in the middle--perhaps he should have kept the action going in NYC a little longer. Terrific music score from Marvin Hamlisch, adept comedic work from the entire crazy cast (including deadpan Howard Cosell and Roger Grimsby as themselves). **1/2 from ****

"Bananas" is one of Woody Allen's earliest films: a pure comedy, with some satirical and political overtones (which are about 100% on-target - like when the leader of the rebels becomes a dictator himself when he rises to power). It's a strictly hit-or-miss effort, but, fortunately, the hits are definitely more than the misses. It contains many laugh-out-loud scenes; the whole courtroom sequence, his military training, the scene where he tries to pass unnoticed while he's buying a pornographic magazine, and his reaction to the line "You're not tense, are you?" are among the many highlights. It does have its dead spots, though, and some rather too obvious jokes that can't match the level of the rest (the closing sequence does not work at all, IMO). Marvin Hamlisch's score is unbelievably catchy.

I went to see "Bananas," in the early 1970s with three of my high school buddies, in our local theater. And, it remains -- three decades later -- one of the most memorable and one of my most talked about movie-going experiences ever. So much of it was comprised of absolutely hysterical scenes which I've told countless people about through the years, and still tell people about.

Watching this movie today, it seems as if it had been somewhat haphazardly written. I get the feeling that Woody Allen had kept a journal in which he noted the funniest sights he'd witnessed and the cleverest one-liners he'd heard, over a period of years, and then set about mixing all of these totally unrelated funny things into one script. It's like he was saying to himself, "I think I'll throw in the bit about the guy trying to discreetly buy a sex magazine in a quiet neighborhood store and getting embarrassed, and then the snake bite bit later on. But first before the next plot turn, I think I'll put in the bit in which a guy gets out of his car and falls into an open manhole.", etc. You feel at times like you're watching a Benny Hill-type comedy show, or a TV variety show with a series of comedy skits that have nothing at all to do with each other. Somehow, Woody blended it all together into a fairly coherent story. There are also a few scenes which feature "Airplane"/"Naked Gun"-style tongue-in-cheek humor. But, this movie had been made *long* before those were even thought of. There's a message in that: This movie was ahead of its time. There's a segment of "Bananas," early on, which is just one outrageously funny bit after another after another.

I guess the movie doesn't really have a point . . . except maybe that maniacal dictators are crazy, dangerous and should be driven from power . .. or maybe that freedom is worth fighting for . . . or maybe that some causes are worth laying down your life for. Obviously, there's relevance in all of that for us, today. Or maybe the whole point of this movie could simply be that Woody Allen knows how to make people laugh.

Later, Art