Alias Smith & Jones

I saw every episode of this show until the tragic suicide of Pete Duel. Pete Duel and Ben Murphy had the chemistry that makes a very good "buddy" show. They were Hannibal Heyes (Pete Duel) and Kid Curry (Ben Murphy), outlaws trying to go straight under the aliases Smith and Jones. Heyes had the brains and Curry had the fast draw, but they used brains more than guns. Many of the shows were elaborate scams the boys set up to get friends of theirs out of trouble - while trying to keep out of trouble themselves. It was funny and charming and it was one of the most enjoyable shows I ever saw on television. After the death of Pete Duel, they replaced him with Roger Davis playing Hannibal Heyes. I watched a few, but it was never the same.

I'm watching reruns on the Western E&W digital channels. The story lines were very good and interesting, as well as the great color and scenery. It seemed that the popularity began to fade when Pete Duel died (I heard it was suicide around the Christmas Holidays). Roger Davis was not as well accepted as the replacement of Hayes, but I think it was only because he had appeared in the series a few times before as a baddie. I just saw one this evening "The smiling man with a gun". Since they are not shown in any sequence each evening, you never know which will be Hannibal Hayes. Since the show first aired, I have retired and visited different areas of the west each summer for the past six years. I've tried to figure where that beautiful scenery was. My guess would have to be Moab UT and the Arches NP. That is how the rock formations looked out there, and also Sedona, AZ. No tall cactus so it was not in southern Arizona. Thanks.

I'll always wonder: had he lived, could Pete Duel have rescued the TV Western from oblivion? Gunsmoke and Bonanza, the hoary old legends of the genre, already were teetering on their ancient last legs, with but a few more seasons to be squeezed out of them, when, out of the blue, as I remember it, came Alias Smith and Jones, whose fresh and jokey episodes became pretty wildly popular, especially with young people (that would be the likes of *me*, as I was 16 at the time). Alas, as others have already noted, Pete Duel committed suicide just as the series was hitting its stride. (The story of Duel's death made headlines across the country in a way contemporary viewers of TV dramas cannot imagine.) Roger Davis came in as a replacement and the series slid right downhill immediately thereafter--although I did like the episodes with Michele Lee. At any rate, about the only TV Western afterward to generate anything similar to Alias Smith and Jones' excitement was Kung Fu. Sidenote: James Garner's marvelous, and utterly forgotten series, Nichols, should have been the next great Western after Alias . . .

What made Alias Smith and Jones tick? I always thought it was a sleek updating of what had already been a semi-comic TV Western success a few years earlier, Maverick. In fact, you can spot touches of the Bret Maverick characterization in both Heyes and Curry, along with some similar story lines and plot developments. Not to mention the lifting of the "five pat hands" trick, which Bret Maverick employed more than once. All of which should not be too much of a surprise, however, as Roy Huggins was instrumental to both series.

Otherwise, watch out for the handful of episodes with Slim Pickens. "Exit from Wickenburg", the one where Slim works as the crooked bartender of a saloon/casino, is a masterpiece. It just wouldn't be a proper 1960s Western without Slim popping up every now and then.

What a pity that Pete Duel succumbed to his demons. What a loss for network TV, the Western, and the many fans of Alias Smith and Jones. Who knows what could have been . . . .

This is the first time I've written a review, and it's for a show 40+ years old - talk about 'timely'! I was 11 when Pete Duel killed himself and cried myself to sleep for a week at least. I have such a clear memory of coming downstairs and seeing the paper that my father read each morning with a picture of Pete and the horrible news. This show is obviously nostalgic and sentimental for me - a comfort food if you will - however, after repeated viewings of every episode of the Pete Duel version I think it is amazing that the chemistry of the two leads shines through regardless of whether the episode is one of the great ones, or one of the silly - Ben & Pete rose above their material week after week. What an amazing legacy to leave behind - along with countless others I marvel at how much Pete Duel is still missed and thought of by his fans. I am thrilled to have the series available on DVD anytime I need it to brighten my life. My other 'go to' series from the 70s whose leads also had a chemistry that defies explanation - especially since neither of the 2 pairs of actors in either show were close friends or socialized in real life - is the UK series The Professionals. I highly recommend that series to anyone not already familiar with it!

In the world of "Smith and Jones" nothing and no one can be trusted. Heyes and the Kid are wanted outlaws, but compared to the respectable citizens - lawyer, sheriff, banker, nun - who swindle, lie, betray and try to kill them, they are new-born innocents. No matter how brilliant Heyes' latest scheme, it's bound to end in disaster, and even if they DO make a little money, someone will steal it. Not that WE are any better at knowing what will happen next:

"Everything's under CONTROL!" cries the harassed deputy, and the Bank explodes.

Heyes and the Kid are not great romantic rebels like Butch Cassidy and Sundance; they are just, like the rest of us, trying to earn an honest living in a treacherous world. But they ARE inspiring nonetheless in the depth of their friendship - at a crisis, they never have to confer -and in their empathy with other outcasts:

"We like to think there's a little bad in everyone," says Heyes, enjoying the joke.

While earlier Western series may have tended to sermonize, "Smith and Jones" never takes itself too seriously, but charms us with its modesty into acceptance of the values it recommends.