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Bataillon der Verlorenen

Originaltitel: Uomini contro
  • 1970
  • 16
  • 1 Std. 37 Min.
IMDb-BEWERTUNG
7,6/10
2092
IHRE BEWERTUNG
Bataillon der Verlorenen (1970)
DramaKrieg

An der italienisch-österreichischen Front des Ersten Weltkriegs führt ein verheerender italienischer Angriff auf die österreichischen Stellungen zu einer Meuterei unter den italienischen Tru... Alles lesenAn der italienisch-österreichischen Front des Ersten Weltkriegs führt ein verheerender italienischer Angriff auf die österreichischen Stellungen zu einer Meuterei unter den italienischen Truppen.An der italienisch-österreichischen Front des Ersten Weltkriegs führt ein verheerender italienischer Angriff auf die österreichischen Stellungen zu einer Meuterei unter den italienischen Truppen.

  • Regie
    • Francesco Rosi
  • Drehbuch
    • Tonino Guerra
    • Raffaele La Capria
    • Francesco Rosi
  • Hauptbesetzung
    • Mark Frechette
    • Alain Cuny
    • Gian Maria Volontè
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,6/10
    2092
    IHRE BEWERTUNG
    • Regie
      • Francesco Rosi
    • Drehbuch
      • Tonino Guerra
      • Raffaele La Capria
      • Francesco Rosi
    • Hauptbesetzung
      • Mark Frechette
      • Alain Cuny
      • Gian Maria Volontè
    • 8Benutzerrezensionen
    • 15Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 wins total

    Fotos21

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    Topbesetzung24

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    Mark Frechette
    Mark Frechette
    • Sub-lieutenant Sassu
    Alain Cuny
    Alain Cuny
    • General Leone
    Gian Maria Volontè
    Gian Maria Volontè
    • Lieutenant Ottolenghi
    Giampiero Albertini
    • Capitan Abbati
    Pier Paolo Capponi
    Pier Paolo Capponi
    • Lieutenant Santini
    Franco Graziosi
    • Major Ruggero Malchiodi
    Mario Feliciani
    Mario Feliciani
    • Medic Colonel
    Alberto Mastino
    • Soldier Marrasi
    Brunetto Del Vita
    • Colonel Stringari
    Nino Vingelli
    Nino Vingelli
    • Neapolitan Injured Soldier
    Zdravko Smojver
    • Sergeant
    Antonio Pavan
    • Lieutenant Pavan
    Emilio Bonucci
    • Soldier
    Franco Acampora
    • Soldier
    • (as Francesco Acampora)
    Luigi Pignatelli
    • Sub-lieutenant Avellini
    Spartaco Conversi
    • Lieutenant in Trench
    Maurizio Mastino
    • Scout Soldier
    Daria Nicolodi
    Daria Nicolodi
    • Nurse
    • Regie
      • Francesco Rosi
    • Drehbuch
      • Tonino Guerra
      • Raffaele La Capria
      • Francesco Rosi
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen8

    7,62K
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    Empfohlene Bewertungen

    8emilian77

    One of the most realistic historical movie.

    About me, this is a masterpiece of the genre.It is a story about the brutality of war, telling the terrible events happened in the Italian front during world war I. Here we have General Leone, a cruel high official that, without any respect of human life, send his men to the slaughter armed only with guns against the austrian-asburgic machine guns. He is an imaginary personage, but is probably inspired to the real existed General Cadorna.He sadly famous for similar behaviors(such as collective executions of his soldiers for insignificant motivations,like for example thefts by an unknown),and for this,after an heavy defeat at Caporetto, he was replaced by much more able and honest General Armando Diaz. All of this represented with heartbreaking realism in this movie, that unlike other similar, prefer the historic accuracy instead that unrealistic heroism.

    I have to signal the excellent photography.
    9latinese

    One of the best war movies ever

    I am a bit of a war movie buff. I am also interested in military history, and W.W.I is one of my specialties, since I even got my PhD with a dissertation on W.W.I narratives. I also discussed Emilio Lussu's novel (Un anno sull'altipiano) Rosi's film is based on. Well, sometime when they make a film out of a novel you love, you may get disappointed. I wasn't. In many points Rosi wasn't faithful to the novel, but hey, that's what screenplays must be. The film is gorgeous nonetheless. What makes me rather sad is the horrible fact that there is no DVD version of this authentic masterpiece of world cinema, one of the most intelligent and impressive war films ever. This is a shame for Italy. Low-level Italian B-movies of the 70s have been made into DVDs, but this film hasn't. It's a real shame.
    9miketraverss

    A lost classic.

    This is really a lost masterpiece of an anti-war film. The total futility of the loss of life in wasted back and forth engagements to no advantage , just an horrendous mounting cost of carnage. Martinet officers strut their stuff, more interested in shooting their own men than any real advance. What was it in air those years ago that made men like this keep sending others into the meat grinders.

    This is a very good war film that I can find on almost no list of the best war films. Gone and forgotten... because it was made in Italy??? I don't know.

    More people should see it, up there with Kubrick's Paths of Glory.
    9radlov

    About the insanity of war

    First World War. A more or less forgotten front: in the Italian Alps Italian and Austrian troops face each other. The Italian general Leone orders his men to storm the heavily defended Austrian lines without proper artillery support. They are butchered. Discontent finally leads to a mutiny.

    This is a very dark movie that in a very moving way describes war in its utter absurdity. I consider it a great movie.
    7brogmiller

    "Murder is punished unless done in large numbers and to the sound of trumpets."

    Director Francesco Rosi has 'freely' adapted 'A Year on a High Plateau' by Emilio Lussu in which the author relates his experience of the horrors of trench warfare as an infantry officer.

    There is no doubting the technical excellence of this film. The muted tones and sweeping camerawork of Pasqualino de Santis together with the ominous score of Piero Piccioni are riveting and Signor Rosi has beautifully choreographed the scenes of mass slaughter. The question is of course does the film engage our emotions? In my case I'm afraid not. There are too many scenes where the director is trying to make a point and is simply laying it on with a trowel.

    The author himself, a highly principled and respected politician, was still alive when the film was released and was no doubt surprised at the fate of his character in the final scene! He thought that although some episodes were faithfully re-enacted the film's spirit was far removed from that of his original.

    He is portrayed here as Sassu by Mark Frechette in one of two Italian films he made following his debut in Antonioni's 'Zabriskie Point'. His is a sincere and understated performance and it is a great pity that this actor was such a troubled soul who was to meet a bizarre end while serving a prison sentence for robbery!

    The character of mad General Leone, based upon General Giacinto Ferrero, is played by veteran Alain Cuny. This role is a gift to any self-respecting character actor and his performance is utterly mesmerising. It comes as no surprise that Mr. Frechette is dubbed but it does seem strange that Monsieur Cuny is also dubbed considering he had been appearing in Italian films since the early 1950's. This does not however detract from his magnificently menacing portrayal. The 'socialist' element here and knowing Signor Rosi's work, there has to be one, is personified by the Ottolenghi of Gian Maria Volonte whose far-Left leanings have been well documented.

    Upon its release this film met with a great deal of resistance from the military authorities. It has this in common of course with 'Paths of Glory' with which it has inevitably been compared. It must be said that although made on a smaller budget and in black-and-white, Stanley Kubrick's film packs a bigger punch as does the underrated 'Westfront' of G. W. Pabst.

    Whatever its merits Francesco Rosi's film lacks the subtlety of those two films but still serves as a grim reminder that whichever way you look at it, war is hell.

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    Handlung

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    • Wissenswertes
      Italian censorship visa # 56677 delivered on 9 September 1970.
    • Verbindungen
      Referenced in Tenebrae: Interview with Dario Argento and Daria Nicolodi (1982)

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 17. Juni 1971 (Westdeutschland)
    • Herkunftsländer
      • Italien
      • Jugoslawien
    • Sprache
      • Italienisch
    • Auch bekannt als
      • Many Wars Ago
    • Drehorte
      • Centralni Filmski Studio Kosutnjak, Belgrad, Serbien(Studio)
    • Produktionsfirmen
      • Prima Cinematografica
      • Jadran Film
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    Technische Daten

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    • Laufzeit
      • 1 Std. 37 Min.(97 min)
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.66 : 1

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