Der Killer von Wien

THE STRANGE VICE OF MRS. WARDH (Sergio Martino - Italy/Spain 1970).

A bit of an essential Giallo entry, Martino's first thriller, although I personally prefer his fourth giallo YOUR VICE IS A LOCKED ROOM AND ONLY I HAVE THE KEY (1972), also starring Edwige Fenech, which has the pleasant setting of a country-estate and is even more lurid, over-the-top and slightly less predictable than this one.

This was Fenech's first starring role for producer (and lover) Luciano Martino and the rest of the cast soon became Martino-regulars, playing very similar roles in his later films: Edwige Fenech as calculating victim, George Hilton as the ever-conniving smoothie and evil-looking Ivan Rassimov as the malicious outsider who would become one of the regular bad guys in Italian genre cinema. Fenech plays the kind of character here that would become her trademark, a sexually liberated, glamorous and utterly shallow fashionista. She plays Julie Wardh, the restless wife of an official at the American embassy in Vienna and an investment broker (either one of these, or both, quite an unusual combination of professions!) who is disturbed by reports about a sex killer. She is convinced she is being stalked by Jean (Rassimov), a sadistic ex-lover, and, worse still, suspects that he may the killer. We also learn, through numerous flashbacks, that they had quite a kinky and sadomasochistic relationship. In the meantime a killer, a blonde woman is slashed to death while taking a shower. This doesn't stop Julie from a little fawning with George (a suave George Hilton), the cousin of her attractive friend Carol. Unsurprisingly, she's the next target of the razor-killer who terrorizes her in an underground car park and even all the way into Spain, where she thought she was save.

Many of Martino's films feel a bit over-polished to me. I recently watched a whole bunch of his films, including his crime thriller THE VIOLENT PROFESSIONALS (1973) as well as Fulci's DON'T TORTURE A DUCKLING (1972), which easily is superior to this one, but very raw, even somewhat shabby and unpolished in comparison with Martino's carefully stylized productions. Certainly a handsome production with substantial doses of sexual perversion and misogynistic violence and enough twists and turns to make for an entertaining thriller. And one has to give it to him, Martino has a real knack in framing some impressive shots, such as the glass-breaking scene in one of Fenech's flashbacks. The plot is fairly straight-forward, not needlessly over-complicated and by giallo-standards, the number of oddball characters and bizarre suspects is limited, but the ending is incredibly far-fetched and even hints at the super-natural. Where did that suddenly came from, Gastaldi? Logic and common sense is best left home when watching this one, but - unless you're on medication - you're probably gonna need a couple of drinks to fully appreciate this pleasantly lurid masochistic puzzle.

Camera Obscura --- 7/10

Mrs. Julie Wardh (Edwige Fenech) returns to Vienna with her husband Neil Wardh (Alberto de Mendoza), who is an investor in Wall Street. Julie and Neil have been married for one year but they do not love each other. Julie has a trauma from her former boyfriend Jean (Ivan Rassimov), who was a sadistic man. While Neil has meetings in Austria, Julie spends he vacation with her friend Carol Brandt (Cristina Airoldi). They go to a party where Carol introduces her handsome cousin George Corro (George Hilton), who has just inherited a fortune with her. When Julie sees Jean in the party, she decides to leave the place. Soon Julie, who is neglected by Neil, has a love affair with George. Meanwhile a serial-killer that kills women with a razor blade is terrifying Vienna and the inspector (Carlo Alighiero) has no lead to follow. When Julie is blackmailed because of her love affair with George, she suspects Jean might be the blackmailer. Carol decides to go to the meeting with the blackmailer and is killed. Julie believes that Jean might be the wanted killer and decides to leave Vienna and Neil to go to Spain. Will she be safe and loved?

"Lo strano vizio della Signora Wardh" is a suspenseful erotic giallo directed by Sergio Martino in the beginning of his career. The plot is tense and there are many suspects that might be the serial-killer. The conclusion surprises the viewers that will never guess who might be the killer. My vote is seven.

Title (Brazil): "O Estranho Vício da Senhora Ward" ("The Strange Vice of Mrs. Ward")

Note: On 05 Jun 2020 I saw this film again.

My old buddy Rob, who knows more about "psychotronic" movies than anybody I know, recently e-mailed me to rave about a film he'd just seen, "The Strange Vice of Mrs. Wardh" (1970). He urged me to put this Italian thriller, of the kind nowadays called "giallo," on my list of films to rent. Well, I'd never heard of this movie before, and my list of films to rent right now is pretty darn long, but, believing that there's always room for giallo (ouch!), I put it right at the top of my rental list, and boy, am I ever glad I did! "Mrs. Wardh" turns out to be a very suspenseful, stylish, sexy and violent thriller that really does keep you guessing. In it, Edwige Fenech plays the wife of a stockbroker, living in Austria, who becomes the target of a serial slasher (as has been pointed out elsewhere, those giallo killers really do seem to gravitate toward the ol' straight-edge razor, for some reason). I hadn't seen Ms. Fenech in anything before, but can understand now why she is such a beloved cult actress in Europe. She is remarkably attractive in this film, at 22 years of age, and a modern-day interview with the actress, included on this DVD from the fine folks at No Shame, reveals that she is, astonishingly, still quite beautiful today, 35 years later. Anyway, besides Fenech's exquisite presence, this film boasts gorgeous location shooting in Vienna and Sitges (near Barcelona), Spain, as well as trippy background music that will haunt your memory for days. The film is atmospheric as can be and has been directed with style to spare by Sergio Martino. I guarantee you won't foresee any of the twists and turns that this ingeniously plotted film dishes out. It's a real winner. Thanks, Rob!

The Strange Vice of Mrs Wardh was the first giallo movie I saw and I remember thinking the main actress Edwige Fenech was beautiful beyond words. Saw it again recently on Tubi and unlike a lot of movies where over time my earlier opinion changes this time my opinion actually elevated in my admiration for her. She is mesmerizing and this movie has great atmosphere.

Sergio Martino's "Lo Strano vizio della Signora Wardh" (1970) is a welcome addition to the list of giallos that had remained long unseen for me. Martino has done some of the most interesting of the 70's exploitation cinema (like "Torso" and "Mountain of the Cannibal God") and also an interesting spaghetti western "Mannaja." The giallo hasn't as hard-to-follow and confusing plot as it could have, there are not too many characters which makes their efforts and plot turns easy to follow. The story is simple and involves strange murders closely related to beautiful Wardh lady. There are some masterfully constructed mystery / giallo segments that look no less ambitious than those of Dario Argento. I mean mostly the garage scene and the "gas" scene near the end. These build the suspense well and involve the audience much better than some of the more gore-oriented works of the genre. Martino's film has also some stylish and violent murders but fortunately he didn't concentrate only on them. The locations are simply stunning, and the end twist is surprising and certainly original in my opinion. I think this is among the best of the giallo genre, on the same level with Mario Bava's "Blood and Black Lace", the films by Argento and Tonino Valerii's "My Dear Killer", for example, to name just a few.