Füge eine Handlung in deiner Sprache hinzuBased on the life of Norway's greatest composer Edvard Grieg, and filmed in Norway where he lived. The soundtrack is all Edvard Grieg's music with added lyrics.Based on the life of Norway's greatest composer Edvard Grieg, and filmed in Norway where he lived. The soundtrack is all Edvard Grieg's music with added lyrics.Based on the life of Norway's greatest composer Edvard Grieg, and filmed in Norway where he lived. The soundtrack is all Edvard Grieg's music with added lyrics.
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I saw this one when I was in high school. I had been warned ahead of time, but I liked classical music, including Grieg, and ignored the warnings. I remember several things about it that really sum the film up, in my opinion.
1. The photography was stunning. Snow, fjords, and Norwegian towns and scenery were really pretty, as were the folk costumes.
2. Grieg's music was nice to listen to, though as in all films about composers, they only give samplings.
Those are the good parts. The bad parts were what sank the boat. There wasn't much of a story. Greig's life wasn't as exciting as many other composers lives, and a lot was padded to keep the story going for 2 or 3 hours. I remember a lot of overacting as well. But the worst part of all was the directing. Forever emblazoned upon my memory is the hideously clichéd scene where Grieg, his wife, and someone else spread their arms and run across a green field, stop on a hillock, and spin around to face the audience. Then they do the same thing again - and again! If that's not enough to make you give up, then nothing is.
1. The photography was stunning. Snow, fjords, and Norwegian towns and scenery were really pretty, as were the folk costumes.
2. Grieg's music was nice to listen to, though as in all films about composers, they only give samplings.
Those are the good parts. The bad parts were what sank the boat. There wasn't much of a story. Greig's life wasn't as exciting as many other composers lives, and a lot was padded to keep the story going for 2 or 3 hours. I remember a lot of overacting as well. But the worst part of all was the directing. Forever emblazoned upon my memory is the hideously clichéd scene where Grieg, his wife, and someone else spread their arms and run across a green field, stop on a hillock, and spin around to face the audience. Then they do the same thing again - and again! If that's not enough to make you give up, then nothing is.
This wretched film was inflicted upon me at a weekend house party, when the hosts insisted that we all watch this "absolutely lovely movie" together. Imagine being trapped for 2 and a half hours with a VIDEO of this travesty, on a small TV screen, seeking brief respites ("could you pause it while I visit the 'facility'?"), having to mumble polite monosyllables of assent in response to the hosts' appalling praise of what turned out to be absolute drivel. The film does have exquisite scenery...Norway's a beautiful country! It has lovely music...Grieg was a decent enough composer! It also has the most atrociously awful acting (the lead is one Toralv Maurstad, who has mercifully vanished from sight, Florence Henderson is in this, for Pete's sake---and what on earth are Robert Morley, Edward G. Robinson, Oscar Homolka, and Harry Secombe doing in this?), a sophomoric (or worse) script, amateurish direction, incompetent film editing. And it is SO BORING!!!! No, it's worse than boring, it is profoundly IRRITATING in its boredom.
SONG OF NORWAY is an unbearably dull musical pastiche of clichés heard in every musical ever made that purported to be the saga of a composer's struggles to find recognition for his music. Edvard Grieg's struggles are so dull as to be non-stop in this awful compilation of Norwegian scenery by the truckload with no story to carry it.
It is notable that the man who plays Grieg, TORALV MAURSTAD, never did make another American film, so disastrous were the reviews and box-office for this dull saga. Note also that FLORENCE HENDERSON was not able to make another film in Hollywood but went directly to television and stayed there for a very successful run on "The Brady Bunch". See the film and you will judge yourself why it was an abject failure. And don't be fooled by the presence of OSKAR HOMOLKA, EDWARD G. ROBINSON and ROBERT MORLEY in the cast. They have little or nothing to do.
Music lovers may be enchanted by Grieg's works, but not the way they are presented here. Nor is there any resemblance between the zestful SOUND OF MUSIC and its picturesque way of dealing with the Von Trapp Singers and this dull as dishwater musical that would work better as a travelogue of Norway with the plot excised.
See it at your own risk.
It is notable that the man who plays Grieg, TORALV MAURSTAD, never did make another American film, so disastrous were the reviews and box-office for this dull saga. Note also that FLORENCE HENDERSON was not able to make another film in Hollywood but went directly to television and stayed there for a very successful run on "The Brady Bunch". See the film and you will judge yourself why it was an abject failure. And don't be fooled by the presence of OSKAR HOMOLKA, EDWARD G. ROBINSON and ROBERT MORLEY in the cast. They have little or nothing to do.
Music lovers may be enchanted by Grieg's works, but not the way they are presented here. Nor is there any resemblance between the zestful SOUND OF MUSIC and its picturesque way of dealing with the Von Trapp Singers and this dull as dishwater musical that would work better as a travelogue of Norway with the plot excised.
See it at your own risk.
The team of Robert Wright and Chet Forrest adapted the music of Edvard Grieg
into a biographical operetta as they later did for Alexander Borodin in Kismet and
it ran on Broadway for 860 performances in 1944-46.
In many ways the film shows imagination. The location cinematography in Norway and Denmark is spectacular and obviously influenced by the Sound Of Music as are the musical numbers. There's an animated sequence involving In The Hall Of The Mountain King that is most imaginative.
But the pace is that of escargot. The actors get no real direction at all. Some movie scene stealers like Edward G. Robinson and Oscar Homolka and Robert Morley have their own bag of tricks which are used.
The plot is simply promising composer Edvard Grieg is forbidden marriage to Christina Schollin by her rich dad Robert Morley. He marries Florence Henderson who sings well and probably was hoping she'd break into the big screen stardom after years on the Brady Bunch. The bad reviews Song Of Norway got killed any chance of that. Schollin who never married becomes Grieg's patron instead.
Toralv Maurstad is a big name in Norwegian cinema. But this also killed his career for international stardom.
But if you like the music of Grieg, Song of Norway is for you.
In many ways the film shows imagination. The location cinematography in Norway and Denmark is spectacular and obviously influenced by the Sound Of Music as are the musical numbers. There's an animated sequence involving In The Hall Of The Mountain King that is most imaginative.
But the pace is that of escargot. The actors get no real direction at all. Some movie scene stealers like Edward G. Robinson and Oscar Homolka and Robert Morley have their own bag of tricks which are used.
The plot is simply promising composer Edvard Grieg is forbidden marriage to Christina Schollin by her rich dad Robert Morley. He marries Florence Henderson who sings well and probably was hoping she'd break into the big screen stardom after years on the Brady Bunch. The bad reviews Song Of Norway got killed any chance of that. Schollin who never married becomes Grieg's patron instead.
Toralv Maurstad is a big name in Norwegian cinema. But this also killed his career for international stardom.
But if you like the music of Grieg, Song of Norway is for you.
A horrible biography of composer Edvard Grieg's early life. It was shot on location in Scandanavia. The scenery is just beautiful and the music is fantastic--even the songs (based on Grieg's music) aren't bad. The problem? Everything else. The story is just non-stop clichés; the movie is way too long (2 1/2 hours); the dance numbers are badly staged and hysterically lousy and the acting...let's put it this way...Florence Henderson gives the best performance! Grieg himself is played by Toralv Mausted. Ever hear of him? Didn't think so. There's a reason for this. Also there are over FORTY songs shoved into this movie. Like I said, they aren't bad, but it gets to be a bit much after a while.
I'm giving this a 3 for the scenery and music but everything else is hopeless. Easily one of the worst musicals ever made. Too bad--the scenery is truly gorgeous.
I'm giving this a 3 for the scenery and music but everything else is hopeless. Easily one of the worst musicals ever made. Too bad--the scenery is truly gorgeous.
Wusstest du schon
- WissenswertesCast member Harry Secombe later said "it's the kind of film you'd take your kids to see... and then leave them there".
- VerbindungenReferenced in Süß, aber ein bißchen verrückt: My Sister's Keeper (1969)
- SoundtracksWrong to Dream
Music by Edvard Grieg
Music Adaptation and Lyrics by Chet Forrest (as George Forrest) and Bob Wright (as Robert Wright)
Performed by Florence Henderson
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 3.719.587 $
- Laufzeit2 Stunden 18 Minuten
- Farbe
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