Scrooge

Special . This, I suppose, is the fair term about this adaptation , offering to Albert Finney the privilege to craft a great Scrooge , to Sir John Gielgud to impress as Marley and to viewer to feel a great state of spirit.

All is seductive in this musical . Maybe because it represents more than a real inspired adaptation but a pure energetic dialogue with viewer. The huge goblets, the Santa costume, the dances in spirit of old fashion musicals - just few admirable good points, provocative in same measure.

Sure, some innovations, so smart made than are more than good reflection of book spirit.

Delightful sounds reasonable for a film admirable for honesty and clever remind of the heart of Christmas.

So, spectacular in same measure.

And, no doubts, one of films fair to see time by time.

The story of "Christmas Carol" is well known, so I'm not going to relay it here in detail: old guy is stingy, gets visited by ghosts that show him how much of a jerk he is.

This story has been retold and refilmed more times than most tales. However, I think this may be one of the best versions. I watched it in color, though I believe it was originally in black and white, and it would have been just as good in that form.

The songs are pretty good, but what I really enjoyed was how much personality Scrooge (Albert Finney) had. I really enjoyed the scene where his nephew is playing the Minister's Cat game. Scrooge just came alive! The film also stands out for portraying Hell and mentioning Lucifer. I am used to them Ghost of Christmas Yet to Come showing Scrooge a grave, but not actually taking him to Hell. I was a little taken aback by that... what was a pretty light tale suddenly got very, very dark. I suppose that is the point, though, so they did it well.

If you watch only one version of "Christmas Carol" this year, make it this one.

Are you interested in seeing A Christmas Carol as a musical? You've got several options (since the Public Domain makes it easy for budding songwriters to write music without securing any exclusive rights). I've seen at least four musicals, and I recommend the Albert Finney version. Leslie Bricusse's songs are delightful, the production values are surprisingly good, and Albert Finney is the lead! In a wonderful treat (and the only version I can remember that does this), Albert plays both the main Scrooge and the younger version in the past flashbacks. Usually, it's a role sought out in an actor's middle-age, but since Albert was so young in 1970, he merely covered himself up in unrecognizable makeup during the main meat of the movie. For a few minutes, we get to see him in his true handsome glory, and it's a lot of fun. In either case, young or old, he's a great actor believable in hero or villain roles, which makes him a wonderful Ebenezer Scrooge.

And did you know that he could sing? You'll get to hear a variety of original songs in this movie, from the sweet to the sad, the heartwarming to the funny. Alec Guinness, Kenneth More, Laurence Naismith, Suzanne Neve, Richard Beaumont, and David Collings join in on the musical fun; and Anton Rodgers leads the chorus in the most memorable "Thank You Very Much." It's a very sad scene (the entire town is thanking Scrooge for dying), but the song itself is adorable and will keep you singing it for years to come.

This version might not be the one you watch every year on Christmas Eve, but if it's been a while since you saw it, rent it again this December. There are many little touches that will continue to impress you whenever you do watch it. Details remind you that the writers clearly studied the original text, the production design and costumes make you feel as though you're experiencing the bitter cold alongside them, and Albert Finney makes you want to wrap him up in a hug. No, not because of his twinkling eyes and sparkling smile. Just as he completely transformed himself as Hercule Poirot, you'll forget there's a young, handsome man underneath the makeup of Ebenezer Scrooge. He's a lonely, crotchety old man you'll feel sorry for, and when you see the Ghost of Christmas Past flashbacks, you'll practically forget it's the same actor!

In response to the other comment posted, I can agree. This version is not suitable for ALL ages. Parents should be advised to monitor their small children and perhaps omit the more dramatic scenes involving the Ghost of Christmas Future. When I share this movie with little friends under 12, I take care to either distract them from those sections, or omit them, thanks to the power of the fast-forward button. (But really, today's kids 8-9 and up see way more violent & scary stuff these days!)

However, having said that, I own a copy and have watched it faithfully every Christmas Eve or Christmas Day for nigh onto 20 years. It renews my spirit and reminds me of my responsibilities as a human being.

At the tender age of 12, my Dad took me to see "Scrooge" in the theater when it was released for Christmas. At only 12 years of age, the scenes of the Ghost of Christmas Future were quite vivid.

However, the movie made such an impression on me that it influenced my entire Life philosophy. "Mankind is our business" says Dickens through the Ghost of Christmas Present. This joyful movie filled with wonderful songs that bring me the Christmas Spirit every year. It also imparts the value of staying connected to matters of the spirit and heart, and illustrates the difficulties that arise when ones focus becomes only the material or the monetary. That is a valuable lesson to us all, not just at Christmas, but the whole year through.

I recommend this movie to everyone. Personally, I find it much more engaging and inspiring, not to mention, colorful, than any other version. The performances of all the actors are very entertaining. If you're the sentimental type, keep a hankie close by when Tiny Tim sings for his family at Christmas. What an angel!

Just my 2 cents worth!

In this delightful musical adaptation of The Charles Dickens' classic, Albert Finney is cast as Ebenezer in `Scrooge,' directed by Ronald Neame, who successfully manages to put a fresh face on the familiar tale. Original music and songs (by Leslie Bricusse), from the jaunty to the poignant, add to this uplifting and appealing version, skillfully crafted and delivered by Neame, and beautifully acted by one and all. At 7:00 on Christmas Eve, Scrooge finally tears himself away from his counting house and makes his way home, commenting along the way (in song) that `I Hate People,' only to be greeted at his front door by the apparition of his late partner, Jacob Marley (Alec Guinness). And of course for Scrooge, it's only the beginning of a night that will change his life forever. First, the visit from Marley's ghost, followed, in succession, by the spirits of Christmas Past (Edith Evans), Christmas Present (Kenneth Moore) and Christmas Yet To Come (Paddy Stone). Though not, perhaps, the definitive portrayal of Scrooge, Finney is outstanding and does lend some distinction to the character of the curmudgeonly miser, from the stoop-shouldered walk he affects to his twisted mouth. But, more importantly, he gets beyond the mere physical aspects to capture the personality and singular perspectives of the man as well, and in doing so makes his Scrooge unique; no small accomplishment considering how many times on stage and screen this character has been done, and by how many different actors. Also turning in notable performances are Edith Evans, who makes her spirit of the past warm and accessibly intimate, and Kenneth Moore, whose spirit of the present is as big and engaging as the life he represents. But the real highlight of the film is the portrayal of Marley's ghost by Alec Guinness. What a magnificent actor, and what a magnificent performance! When Marley first enters Scrooge's room he fairly glides, disjointedly across the room, encumbered by the chains he forged in life and which he now must carry around for eternity. There is a fluid rhythm to his every movement, to every step he takes, that lends a sense of the ethereal to him, without-- it must be noted-- the help of any special effects whatsoever. With nuance and precision, with care given to every minute detail, Guinness truly makes him an otherworldly presence. There has never before been, nor will there ever be in the future, an interpretation of Marley any better than this. It IS the definitive portrayal, and a tribute to talents and abilities of one of the great actors of all time.

In addition to the music and songs, there are a couple of scenes that consign this presentation of `A Christmas Carol' the stamp of uniqueness. The first involves the visit from Marley's ghost, wherein Scrooge is taken in flight by Marley, and once aloft they encounter lost souls and phantoms, doomed to wander aimlessly for all eternity. The second is courtesy of the Ghost of the Future, who gives Scrooge a glimpse of the nether world, where he is greeted by Marley, who shows him to the `office' he will occupy for eternity, as well as the massive chain Scrooge has forged for himself during his lifetime. The supporting cast includes Anton Rodgers (Tom Jenkins), who delivers one of the most memorable songs, `Thank you very much;' Mary Peach (Fred's wife), Kay Walsh (Mrs. Fezziwig), Laurence Naismith (Mr. Fezziwig), David Collings (Bob Cratchit), Frances Cuka (Mrs. Cratchit), Richard Beaumont (Tiny Tim) and Suzanne Neve (Isabel). Heartwarming and thoroughly entertaining, `Scrooge' is a welcome addition to the annual holiday festivities. It's always fun to see a new spin on a familiar story, especially when it's as well crafted as this; moreover, this one will leave you whistling a tune and humming for the rest of the day, maybe even for the rest of the year. And that's a deal that's just too hard to pass up. I rate this one 9/10.