Die Ratten von Amsterdam

Don't you just love it when you stumble across an unknown movie and discover it to be an instant favourite? That's the case with PUPPET ON A CHAIN, a virtually forgotten Alistair MacLean drug smuggling thriller that turns out to be one of the most entertaining of '70s thrillers. With shades of Bond and a wonderful setting in the atmospheric city of Amsterdam, this is up there with the best of genre a la the two FRENCH CONNECTION movies.

Sven-Bertil Taube is the solid lead, playing an American agent dispatched to the Netherlands to break up a drug-smuggling ring. Once there he finds himself pursued by an assassin while investigating some shady business ventures that may well be the front for heroin smuggling on a grand scale. The story is fine, but it's the action that makes this a class act: there's a speedboat chase to rival the ones in LIVE AND LET DIE and AMSTERDAMNED alongside plenty of other great suspense and action sequences.

Director Don Sharp, famous from his work for Hammer Studios, contributes to the action and stunts, in particular helping shoot the aforementioned speedboat chase which is the definite highlight and might be the best thing Sharp ever did. Elsewhere, a decent cast of character actors has been assembled, with unique-looking faces filling the cast list. The only thing this film needs now is a decent Blu-ray release...

In Amsterdam to track down a murderous heroin smuggling ring, US agent Paul Sherman faces deadly danger at every turn as he seeks to unravel the mystery of how the drug is transported to the US, and to unmask those responsible.

I was quite cautious of seeing this Alistair Maclean film adaptation because Maclean movies can be a mixed bag, some great, some not-so, however I was quite surprised. It's a not bad adaptation, of course it's not as great as the book - which is one of my favourite Maclean novels - but it captures the book's vicious underbelly of the drugs world, the seedy Amsterdam streets and its canals, and the macabre puppets on a chain fairly well. There's some gritty action, the fistfights can be quite brutal and exciting. There's plenty of judo moves! Of course, this is all overshadowed by a 9 minute rousing boat chase between the good guy and bad guy. The problem is that the plot doesn't flow well and it looks like it's joined up with glue, however it's reasonably watchable.

Sven-Bertil Taube is quite tough and determined as Sherman, though he comes off a bit as a shop floor dummy and lacks the sardonic wit of the character. The rest of the cast - Patrick Allen, the pretty Barbara Parkins, Alexander Knox, Penny Casdagli and Ania Marson - play their parts well.

I've grown up reading Alistair McLean's books and I have watched a couple of movies based on his books. There are some pretty good ones made. But this one is probably the best. Mainly because the characters are pretty interesting and the story line is one of the most original ones you will come across (considering the fact that this is as old as 1972!). Movies on drugs/drug trafficking etc. have been inspired from this slick pic! The hero (Sven Bertil-Taube) is cool as a cucumber (just the way McLean sketched it) .. and he suits his role to the hilt. The plot is usual McLean and the concept is WOW! No review of this film is complete without a mention of the Speed Boat chase in the canals of Amsterdam. My Gawd' ! The "French Connection" road chase, the "Ronin" road chase, the "Tomorrow Never Dies" speed boat chase around the Millennium Dome are all inspired by this superbly crafted sequence which is interspersed with aerial shots, close-ups, action shots and more. Even without a background score, this sequence is great! This movie is a MUST WATCH! :-)Enjoy!

The speedboat chase in the Amsterdam canals in this film is actually being copied by Dutch director Dick Maas in his 1988 film 'Amsterdamned'. I always thought how original it was to have such an out of the ordinary, yet in Amsterdam obvious chase, but apparently it is less original as I thought. In the 18 year older 'Puppet on a Chain' the chase is as vivid and dynamic as in Maas' film, although one detail in Amsterdamned should catch the viewer's attention. Just like in Puppet on a Chain, the villain almost crashes his boat into an oncoming barge, a thrilling moment. In 'Amsterdamned' this barge has a fanfare band, conducted by 'actor', and Holland's famous Oscar-winning documentary director Bert Haanstra. It makes the already exhilarating scene more colourful, and provides it with a light touch. This detail encapsulates an often noticeable and important difference between English and Dutch film-making if you ask me; It seems that in Dutch films a doses of ridiculing of a serious action or scene is indispensable. Fact of the matter is that the 'original' film, Puppet on a Chain, is more believable because of its absence of this ridiculing. I also find it very interesting to see sceneries of my home country (Holland) in such a serious crime intrigue, where BTW everybody speaks British English!

Soulless, silly international co-production boasts picture postcard cinematography in Amsterdam and other locales but is too generic and clichéd otherwise to drum up much excitement. The nominal hero is as stiff and expressionless as a Ken doll, and the vaunted boat chase -- staple of the trailer and TV commercials of the time -- is technically well-executed but out of place in what was supposed to be an adaptation of MacLean's dark, complex tale of drug smuggling, murder and espionage.

This is one of those many cases where producers obtained rights to a valuable property and then jettisoned 90% of what made it memorable or effective; particularly inexplicable in this case, as MacLean is listed as one of the screenwriters! A good (or bad) example of those infamous multi-national 'tax shelter' film productions of the 60's/early 70's.

For better MacLean, look to THE GUNS OF NAVARONE, BREAKHEART PASS or WHERE EAGLES DARE.