Das Privatleben des Sherlock Holmes

This has always been one of my favorite movies. A good take on Holmes, a witty story, a bittersweet ending and music by Miklos Rozsa that sets the tone perfectly. When I saw it had become available on DVD I rushed out and bought it, without even checking to see the extras on the disc. The quality of the print is all right, but there are times it should have been better. The extras just kept getting better. Christopher Lee remembers his times playing Holmes in other films as well as Mycroft in this movie. Then there's the film editor who mentions parts of the movie I never heard of. Then the disc shows the deleted scenes in various forms and it's amazing what was cut. There is only one little bit I feel would have explained things in the movie better, but all the scenes are interesting. A must for people who love this film and want a wealth of information.

Billy Wilder's excellent 1970 film handles the whole subject of Sherlock Holmes from a refreshingly different angle. As the title suggests, the film is rather more concerned with characterisation than plot, which although entertaining and original, is hardly an adequate stage to show off Holmes' exceptional talents.

Instead, Wilder and Diamond start with the premise that "Watson's" stories for Strand Magazine were a little more lurid than the "reality" and use it to develop a more subtle characterisation than the "thinking machine" of the literary Holmes. Admittedly, the film probably concentrates on Holmes' celebrated cocaine habit more than it should, but all references are lifted straight from the book and in any case, Stephens does not dwell on it.

Stephens himself is quite simply excellent, giving Holmes' a depth of character not seen again until Jeremy Brett on the small screen. Stephens' performance leaves us with a slightly melancholy Holmes', a man who perhaps regrets that, unlike Watson, he has dedicated his life to pure reason and while the screenplay hints at Holmes' sexuality, Stephens deflects it masterfully, remaining ambivalent and gentile where a less accomplished actor would have been simply camp, and so uses the suggestion to wrap another layer of ambiguity about the character.

All in all, Wilder and Stephens combine to make a refreshingly accessible Holmes and the entertainment comes from the interplay of characters rather than pace of plot.

This is fun. It wouldn't be if it had strayed too far from the Holmes persona or if it were not a good movie. Holmes is a favorite from childhood, and odd take-offs on him are generally not appreciated. I have settled on the Jeremy Brett series as the definitive version, but enjoy others that are well done. To me, with remakes and other versions, if the piece is well done, it is not only acceptable but enjoyable. With remakes, I don't know what's worse - it being a general flop as a movie or their changing it all around and calling it the same thing. Sometimes, both happen. Usually, if you like the subject matter, you will probably like a good adaptation, if a bit more inventive that the source material. The Seven Percent Solution movie was well done and enjoyable.

I haven't seen a lot of Robert Stephens, but have appreciated what I have. I looked him up and found that this was pretty light fare for his experience. This is a quality portrayal by him, and the others do a good job as well. The overall production is pleasing. The Dr. Watson portrayal mystifies a bit, that here and in other things, they make him sort of ditsy. That doesn't fit the original stories, nor what Holmes' temperament would seem to tolerate as a companion or assistant with his careful work. Maybe it came from the early Rathbone series with Nigel Bruce. Whether intentional or not, he nearly always had a bumbler quality to his portrayal.

This is a worthy production in all aspects, which I would think garnered some critical approval at its time of release. I can see why it would take the public a while to adjust to seeing Sherlock Holmes as presented here. But, it speaks of the film's overall quality that it has aged well.

Sherlock Holmes (Robert Stephens) and Dr. Watson (Colin Blakely) get involved in a very weird case involving a mysterious French woman (Geneuieve Page), Sherlock's brother Mycroft (Christopher Lee), midgets, Scotland, the Queen and the Loch Ness Monster! Believe it or not they all come together. I originally saw this on TV back in the late 70s but it was so heavily edited (for instance, the entire first half hour was gone because it dealt with gay characters which was still a taboo on TV back then) that I couldn't follow it and gave up. Now it's back on uncut and I'm glad I'm finally able to see it.

A very strange movie but lots of fun. Some people think this is a spoof. It really isn't but there are some very funny moments--my favorite is at the beginning when Holmes blasts Watson for how he writes about his cases--"Watson, I've never said 'elementary my dear Watson' in my life!""Poetic license Holmes". There's also quite a few funny one liners mostly delivered with great relish by Stephens and it does deal with the sexual relations of Holmes and Watson (it was hinted that they were gay lovers). But it does involve a very serious case and the jokes stop towards the end.

Stephens is actually very good as Holmes--he won't make you forget Basil Rathbone but he's not bad. Colin Blakely isn't as big a buffoon as Nigel Bruce was but he tends to overact a little. Page is just terrible as the mystery woman--but then again, English is her second language. Lee, surprisingly, is kind of stiff as Mycroft. He's a very good actor--I'm surprised to see him so bad.

The movie is very lavish (probably because Billy Wilder was involved)...a lot of money and attention was given to sets and costumes, and they actually went on location to shoot the end in Scotland. The cinematography is just beautiful and the movie was never dull. It doesn't always mix the comedy with the drama successfully but it works more often than it misses. As most people know this was HEAVILY edited before it was released and the uncut version doesn't seem to exist anymore. That's too bad but what remains is not bad. Worth catching...a must see for Holmes fans.

Billy Wilder's take on the world's most famous detective is both painstakingly faithful and sardonically subversive to Sir Arthur Conan Doyle's idiossyncratic creation. Presented as a case that loyal companion John Watson duly recorded but requested remain secret until long after his death, in which Holmes aids a Belgian woman find her missing husband, a mining engineer hired by an apparently non-existant English company, it makes clever use of the rulebook Conan Doyle set down while at the same time undermining it from within. The title and the plot may seem misleading at first - the first half hour especially seems at odds with what comes afterwards - but in fact if you're a Holmes fan you'll quickly realise that this is as close to romance as the detective would ever allow, and Wilder tells it through a masterful accumulation of small touches that only someone as meticulous as the man himself would notice. Script-wise, it's a cracking mystery in the best Doyle tradition, with all the time-honoured twists and turns present and correct. The acting is also up to Wilder's usual standards; Stephens and Blakely are an engaging duo as a bored Holmes and a bumbling Watson, and there's a hysterically funny supporting turn by the always underrated Revill as a Russian ballet impresario. Wilder's trademark pointed cynicism fits the English witticism particularly well, even if at times it all seems a bit too modern for the peaceful Victorian surroundings, but it is quite ironic to see him chiding Britain's stiff-upper-lip, old-fashioned morality when the film seems to be an "old timers' movie" entirely out of sync with its own time. Still, it's hard to find fault in such a thoroughly civilised and delightful entertainment.