Le pistonné

Guy Bedos starring in this movie with Coluche, Yves Robert describing what it was to get in the army in 1955 and spend part of your duties in Morocco. Not a big hit but a personal journey for who would become a bit later one of the most successful producer of his time.

Jean-Pierre Marielle plays excellently here as a gaudy « Lieutenant » in the French Army, all too eager to become acquainted with Guy Bedos as a would-be Brigitte Bardot dear friend.

The scenes captured in Morocco are stunning with their blend of vividness and melancholia, as seen through the eyes of a young private longing only for his family and love in Paris.

It might be remindful also of Jacques Rosier insight into this lost generation's feelings of « appelés » without a meaningful goal to fight for.

The beginning is quite classical, with low-brow scenes reminiscent of anti-militaristic humor, soldiers'songs, and all the folklore of French military service, still existing when the movie was shot.

Claude Berri became famous worldwide with "Jean de Florette" and his remake of Pagnol's "Manon des sources" but his career had begun long before,in the early sixties when he was lucky to direct the great Michel Simon in "le vieil homme et l'infant" (an old man and a Jewish child during WW2).

"Le pistonné" is no masterpiece but it broke a taboo:never before,a commercial movie had dealt with the colonial war.Some would say there had been Jean-Luc Godard's "le petit soldat" ,but it was reserved for intellectuals and besides,it did not take place in North Africa.Claude Berri was virtually the first and the true forerunner of Yves Boisset ("RAS",1973) and René Vautier ("avoir 20 ans dans les Aurès",1971).

It's the story of a private,who does not feel like going to war ,not at all.But duty calls.To avoid it,he tries to get somebody to pull strings for him(that's what the title means).But alas,it will not work.

Guy Bedos gives a fine performance as the squaddie ,and he is so good we forget he's actually too old for the part.He's given strong support by Georges Géret as the warrant officer,a grumpy naive man to whom he makes believe he can bring Brigitte Bardot (no less) into the barracks .

The second part deals with the war itself (actually a guerrilla war)and although it is mainly a comedy,one of the last pictures which shows a maimed soldier who bursts out laughing nervously leaves a bitter taste in the mouth.