Zwei Nachtclubbesitzer geraten in Schwierigkeiten mit dem Gesetz. Einer von ihnen bittet seinen Bruder, den englischen Lord, um Hilfe, und dieser wird später ermordet.Zwei Nachtclubbesitzer geraten in Schwierigkeiten mit dem Gesetz. Einer von ihnen bittet seinen Bruder, den englischen Lord, um Hilfe, und dieser wird später ermordet.Zwei Nachtclubbesitzer geraten in Schwierigkeiten mit dem Gesetz. Einer von ihnen bittet seinen Bruder, den englischen Lord, um Hilfe, und dieser wird später ermordet.
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In London, Chris Pepper (Peter Lawford) and Charlie Salt (Sammy Davis Jr.) get arrested and lose their nightclub. Chris' twin brother Lord Sydney Pepper is tired of the embarrassment. He's willing to pay their fines but insists that they leave the country. They refuse. They go live it up with Chris pretending to be Sydney. Then Chris finds Sydney's dead body. He decides to switch places but it turns out that Sydney had been murdered.
Chris should have told Charlie as soon as possible. This should be a buddy comedy. For that to happen, they need to be both in on the scam and then both get in trouble. This could have been a fun screwball comedy as the duo gets chased around by the killers. It's not funny with Chris hiding the truth in the first half. Sammy is sort of released in the second half. I can certainly see the comedic potential of this pairing. Apparently, this is a sequel and maybe the first one is better.
Chris should have told Charlie as soon as possible. This should be a buddy comedy. For that to happen, they need to be both in on the scam and then both get in trouble. This could have been a fun screwball comedy as the duo gets chased around by the killers. It's not funny with Chris hiding the truth in the first half. Sammy is sort of released in the second half. I can certainly see the comedic potential of this pairing. Apparently, this is a sequel and maybe the first one is better.
Not bad but one wonders if this wasn't a movie Jerry Lewis wanted to make with Dean Martin, the physical gags with Sammy Davis Jr. are straight out of Jerry Lewis's playbook.
Even if you don't like the earlier film, "Salt and Pepper," you have to admit that it is a paragon of structure and traditional storytelling compared its sequel, "One More Time." That's not to say that the second Davis Jr/Lawford team up isn't enjoyable--it is just bizarrely different from the original. "Salt and Pepper," directed by Richard Donner--veteran director of some of the Sixties' best TV series, and later of the classic action/comedies in the Lethal Weapon and Superman series of films--was a light and breezy "Rat Pack" action/comedy. It was wholly conventional for its time. But when it came time for the sequel, the producers apparently decided that the success of the first film was due more to the comedy elements than the thriller elements. With that in mind they made the obvious choice for their new director—Jerry Lewis. The singular Lewis had never directed a film starring anyone else but himself, so I'm not sure what the producers expected would happen. Well, the result was that Jerry didn't just add a few comic touches to the already proved formula. He took the thing over entirely and made "One More Time" a pure 100% Jerry Lewis film, with all that means for good and bad. If you're familiar with Lewis' film-making, you know that his films are very light on plot (ranging from hardly any as in "Cinderfella" to none at all as in "The Bellboy" and "Hardly Working.") and very heavy on surreal jokes, visual gags and his own patented mugging and clowning. Well, the plot of "One More Time" is this: Lawford impersonates his rich brother, who is mysteriously murdered, and Davis Jr. doesn't figure it out until near the end. That's about it. The film is 90 minutes long and at least an hour of that is just Sammy Davis Jr. doing a spot on Lewis imitation in a series of increasingly strange and barely connected (but often funny) vignettes as he rambles about in Lawford's ill-gotten English manor. If you go into this film expecting anything different (as the audiences in 1970 did) then you're going to be sorely disappointed (as the audiences in 1970 were). But if you go in expecting a Jerry Lewis film—you get a pretty good one!
In this sequel to Salt and Pepper, Pepper's brother, an English lord is killed, and Pepper impersonates him to find out who did it. He doesn't tell his friend Salt, who is distrustful of Pepper's brother. This is yet another attempt to recreate the good times of earlier Rat Pack movies, but they should have stopped after Robin and The Seven Hoods. The plot gets worse and worse, and by the end, it is a total mess, with Davis and Lawford breaking out of character to talk to the audience.
This was a good movie with slight holes in the plot. Once you suspend your disbelief though, its a good time. Peter Lawford and Sammy Davis Jr. Work well together and play off of each others' strengths. The only downside is to see how much they aged in the two years from "Salt and Pepper." James Welch Henderson, Arkansas 3/30/2021.
Wusstest du schon
- WissenswertesSoon after filming was completed, Fiona Lewis (who was then getting quite large supporting roles in British films) gave an interview to a newspaper in which she said that the filming had been a nightmare, and describing director Jerry Lewis as the biggest egomaniac she had ever met. Interestingly, when this movie opened in Britain, several months after its American opening, Ms. Lewis was nowhere to be seen in it.
- PatzerThere are multiple discrepancies between the exterior shots of the Plaid Cat pub and the interior scenes, including the shootout. From the inside, a brick wall can be seen outside some of the pub's windows, but there were no brick-walled buildings shown in the establishing exterior shots. Outside another window, a city skyline is visible, but the pub is supposed to be in the countryside and the establishing shot showed only one other house and trees in the vicinity. Finally, when Charlie and Chris exit the pub, as seen from the inside, there is a brick wall outside the entrance door even though the establishing exterior shot showed only a small yard with a walkway leading all the way to the door.
- Zitate
Charles Salt: [Toward the end of the song "Where Do I Go From Here?", talking about Christopher Pepper] I miss you, Pallie.
- Crazy CreditsAfter the film has faded to black at the end, we hear one more gunshot and window breaking.
- VerbindungenFeatured in Dracula: A Cinematic Scrapbook (1991)
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- 1 Std. 32 Min.(92 min)
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