Der Mann, den sie Pferd nannten

"A Man Called Horse" is a very unusual film about the west for many reasons. It's NOT set during the usual 'glory days' when most films of the type were set (1866-1880). It had no cowboys. And, it had very little dialog in English.

The film begins with a rich Englishman, John Morgan (Richard Harris), on a hunting expedition in the American West in the 1830s. He and his party are attacked by Sioux warriors and Morgan is taken prisoner by the natives. At first, he's treated like a slave and his life truly sucks. It didn't help that the only one who spoke any English in the tribe was another slave who was French...and the guy was a little nuts! Through the course of the film, however, Morgan learns to respect and even enjoy life with the Sioux and becomes an important member of the tribe. There is naturally much more to it than that but it's best you just see it for yourself.

This movie is almost like an ethnographic portrait of the Sioux and the times instead of a typical western film. The usual sorts of clichés and expectations are mostly missing. Some will hate this--some will no doubt be relieved. All I know is that I enjoyed it and liked the more intimate and native-centered approach of the film. Well made all around...though the sun ceremony is NOT for the squeamish.

I first saw this film in the theatre when it came out in 1970. It was a welcome departure from earlier films about pioneers sitting among their circled wagons shooting whooping Indians like ducks in an arcade.

I saw it last weekend for the first time since, and I think that it holds up well. Whatever the flaws, it is a reasonably good depiction of Dakota Sioux going about their business in the 1820s.

This movie demonstrates that a story can be told with very little dialog and a lot of non-verbal expression. Harris might be the most prominent character but, cumulatively, the cast of small characters weighs in just as heavy.

at the beginning of this movie,there is a blurb about how the events portrayed are taken directly from historical documents of the period.the South Dakota Sioux Indians also had a lot of input into the movie.so,we can assume it is fairly accurate.one thing it does is show the Native American Indians as being just like any other people.this movie took awhile to get going,in my mind,but once it does,it's action packed,and it's very well acted.Richard Harris is the title character.he is a British Lord who is captured by the Sioux in the mid 1800's.first he is treated with disdain,as nothing more than a servant to the aging mother of the chief.gradually,though,things change,though,and he becomes much more.this is a very touching and heart breaking movie.it's also very thought provoking.overall,i give A Man Called Horse a 6/10

One of the first films to ever deal with the relationship between white men and Native Americans that wasn't slanted towards the white man, A MAN CALLED HORSE was released during the same year as the excellent Arthur Penn film LITTLE BIG MAN and the ultra-violent SOLDIER BLUE, which also dealt with the white man/Indian conflict. Richard Harris gives a great performance as an Englishman who loses his wagon team to, and is captured by, a group of Sioux Indians in the Dakota territory of the mid-1800s. He soon learns their ways of living, which primitive as they might be to us and to him are very traditional. Though the film is rated 'PG', be forewarned that there are scenes of violence and bloodshed (particularly the Sun Vow sequence) that could have gotten this film an 'R' (or a 'PG-13'), so the film is not exactly for kids. Nevertheless, it is worth seeing.

A MAN CALLED HORSE (4 outta 5 stars)

Classic western epic stars Richard Harris as an English nobleman on holiday in the American wilderness who gets taken captive by a band of American Indians. He is brutally treated at first but his captors come to accept him as one of the tribe as he gains more knowledge of their different way of life... where one needs to earn his/her place in the hierarchy... unlike British aristocracy. Harrowingly violent scenes may make this film tough to watch for some... but Harris gives one of his usual great performances and the movie provides an atypically (for its time) sympathetic depiction of the Native American people. Much more realistic but just as sincere as that other 70s classic "Little Big Man."