Lucifer Rising

Entertaining, slow moving, insightful, and sometimes shocking fourth installment to the Kenneth Anger short film collection; it possesses all these attributes, as well as being influential to experimental directors of today. A lot of what Anger was doing in "Invocation of My Demon Brother" (film layers, fast edits, bizarre soundtracks) can be seen in most of the music videos on MTV; a characteristic that has driven parents, as well as teenagers, crazy. The primary source of these ideas came from the Acid Trip footage, extensively explicated in Tom Wolfe's lysergic-fused biographical novel, "The Electric Kool-Aid Acid Test." Nevertheless, the idea caught on and Anger utilized the technique to the fullest in "Demon Brother," counterweighted by an equivocal tape-loop supplied by Mick Jagger. In the second film "Lucifer Rising," Anger had already developed his experimentation with edits and layers, this time presenting a more formalized run to the film. Marianne Faithful makes an appearance in the film, as well as an assortment of 60's notables, which includes Manson family member Bobby Beausoleil who also wrote the film's score. Altho not Anger's best volume, (Scorpio Rising is the better) it still has many elements -- as I explained -- that will turn some people on; ergo, a cult following.

A nice little trip for the connoisseur on the hunt for something bizarre, grotesque and visual interesting and/or the adept of magick a la Crowley and his kin. Luckily, the "movie" just runs 28 minutes and so we do not get the time to get bored by this experimental piece.

Egyptian gods summons the angel Lucifer - in order to usher in a new occult age.

This film has been on my to-see list for almost twenty years. In the 1990s, I was big into the counter-culture scene and was reading quite a bit on Charles Manson. The name "Kenneth Anger" came up again and again, and his work was something I just had to see. But the opportunity never presented itself.

Now (2015) I have seen it, and it did not disappoint. Some have called it an extended music video, which is not far off. Others say it is something "occult", but even there I think that is slightly off. I doubt very much the people involved were taking themselves seriously, blending images and symbols from the Druids, Egyptians and Crowley... what an experience.

I don't know much about Kenneth Anger and have only made my way to this film via an interview between Freeman Fly and a guest. They were discussing Crowley and Satanism and mentioned this film.

It's crazy but in a twee, dated way.

Far removed from the 'satanic panic' of 1969's Invocation of My Demon Brother, and closer to the imagery, motifs and ideas of his earlier short Inauguration of the Pleasure Dome, Lucifer Rising finds the infant terrible of the hippie counterculture once again dabbling in the occult, the mystical and the mythological, only this time, with a clear, focused and assured approach. Gone are the frantic superimpositions and chaotic editing. Lucifer Rising is for the most part cleanly edited, more refined in the selection of images and more carefully constructed than its predecessors. It sees Anger harnessing his delirious side in the service of a certain film-making finesse, without losing any of his symbolic potency. What other proof is there that this is Anger at his most professional when he even uses tracking shots in some instances! What next, professional actors? A Crowley-esquire view of ancient Egypt then, with Lucifer as the bringer of Light, touching themes of death and rebirth, Lucifer Rising may lack the visceral, hypnotic madness of its predecessor but makes up for it with an air of spellbinding psychedelia.