Loving

In the great Jean Renoir classic "Rules of the Game", a character played by the director himself comments that "everybody has his own good reasons." This rightly has been taken to be the great humanist director's basic philosophy of life. Seeing, over and over again, this understanding, non-judgmental attitude by a narrative artist toward his characters' weaknesses is what makes art film audiences love Renoir's work and consider him one of the greatest filmmakers of the 20th century. Irvin Kershner's "Loving" is one of the rare Hollywood films worthy of being called Renoirian, and it is for just this reason. Even though "Loving" is filled with highly-flawed characters making seemingly disastrous choices about their lives, its genius is how it puts the audience in a position where it cannot (or at least cannot with any decency) judge them. This may be more than many audience members can handle, being so used to films with heroes and villains about whom they are allowed to feel smugly superior. The legendary "New Yorker" critic Pauline Kael, in her rave review of the film, wrote that it "looks at the failures of middle-class life without despising the people; it understands that they already despise themselves" and that there's "a decency in the way that Kershner is fair to everyone." We could use a few more films like "Loving" out there in the American film cannon. If you every get a chance to see this film, don't hesitate to do so!

LOVING is a film for the patient movie buff. It is not a film for those who want to see murders or car crashes every five minutes. It is a maturely-told, sensitively-acted, -written and -directed film about a commercial artist's marital (and extra-marital) entanglements. It relies on character rather than plot to convey its points.

All the actors are spotless in their portrayals, especially George Segal and Eva Marie Saint as the artist and his harried wife. It is a film that slowly builds interest in the characters which is amply rewarded for the audience by the film's conclusion. LOVING is a film that will leave you silent at the end, and thinking about it for days afterward.

Brooks Wilson (George Segal) is a commercial artist married to Selma (Eva Marie Saint) with two young daughters. His girlfriend Grace wants more. He's desperate to get a new account. His life unravels during a party with his business associates and wives.

For most of this movie, it has a life in the day feel. It's big personal issues in small everyday world. It's a slow simmer until the last ten minutes when all hell breaks loose. Segal is simple in his performance but the character is not appealing. He's not fun. He's not outwardly evil. He's just amoral. This is not a big laughs comedy but it does have a few smirks. It's not for everyone.

In the wake of Bob & Ted & Carol & Alice came a string of similar sex comedy/dramas including Loving. George Segal was on a role in the late 60's/early 70's, but this is one of his lesser known efforts from the period. And seeing how few votes this movie has gotten here on IMDb, it's still quite unknown despite being available on DVD since 2003.

The film has a typical plot of it's time: successful man throwing away his perfect life with wife and kids with his unfaithfulness. Eva Marie Saint who plays his wife is far more attractive than the woman he's seeing on the side, so it was hard for me to feel any sympathy at all for this guy. A young Sherry Lansing (the future Paramount producer) shows up in a small but memorable role, looking like the twin sister of Raquel Welch. She should of played the "other woman" instead, we would of understood why he was cheating on his wife a whole lot more. Not only did Lansing's career end not long after Loving, but the actress who played the other woman, Janice Young, vanished completely after Loving, as did the other major actress in the movie, Nancie Phillips. Neither of their IMDb listings list them as being deceased, so i'm definitely curious as to their whereabouts.

One major reason why this movie deserves more attention is that it now possesses more historical importance than ever before. As noted in the trivia section, there's a scene that takes place at a construction site, and that scene was shot on location at none other than the World Trade Center construction site, of all places.

I was surprisingly impressed by this film. It's a very 60's film about the self destruction of a 60's illustrator whose is going through some kind of middle-age crazy. As others have said, it takes a lot of patience to get through to the final, awesome scene. Very touchy-feeley, but you never get a definite answer about George Segal's feelings and thoughts. His mistress is not that enthralling and neither is the neighbor-hood wife that he succumbs to. Sherry Lansing, in a small part is extremely beautiful. All the acting is good especially George Segal and Eva Marie Saint. You could almost get woozy from all the alcohol consumed and the cigarette smoke. Lots of early appearances from up and coming actors such as Roy Schneider and Sterling Hayden. Anyway, this all leads up to a party that is totally humiliating and cringe-worthy. I kind of remember parties like these! It all ends abruptly and on a down note. If you like introspective, depressing movies with a large dose of humiliation, this is for you.