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Let It Be

  • 1970
  • 6
  • 1 Std. 21 Min.
IMDb-BEWERTUNG
7,6/10
8406
IHRE BEWERTUNG
Paul McCartney, John Lennon, George Harrison, Ringo Starr, and The Beatles in Let It Be (1970)
The filmed account of The Beatles' attempt to recapture their old group spirit by making a back to basics album, fully restored for the first time.
trailer wiedergeben1:33
2 Videos
99+ Fotos
Musik-DokumentarfilmDokumentarfilmMusik

Der verfilmte Bericht über den Versuch der Beatles, mit einem "Back to Basics"-Album ihren alten Gruppengeist wiederzuerlangen, was sie stattdessen weiter auseinander trieb.Der verfilmte Bericht über den Versuch der Beatles, mit einem "Back to Basics"-Album ihren alten Gruppengeist wiederzuerlangen, was sie stattdessen weiter auseinander trieb.Der verfilmte Bericht über den Versuch der Beatles, mit einem "Back to Basics"-Album ihren alten Gruppengeist wiederzuerlangen, was sie stattdessen weiter auseinander trieb.

  • Regie
    • Michael Lindsay-Hogg
  • Hauptbesetzung
    • John Lennon
    • Paul McCartney
    • George Harrison
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,6/10
    8406
    IHRE BEWERTUNG
    • Regie
      • Michael Lindsay-Hogg
    • Hauptbesetzung
      • John Lennon
      • Paul McCartney
      • George Harrison
    • 95Benutzerrezensionen
    • 29Kritische Rezensionen
    • 72Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Oscar gewonnen
      • 2 wins total

    Videos2

    Official Trailer
    Trailer 1:33
    Official Trailer
    Teaser Trailer
    Trailer 1:04
    Teaser Trailer
    Teaser Trailer
    Trailer 1:04
    Teaser Trailer

    Fotos126

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    Topbesetzung23

    Ändern
    John Lennon
    John Lennon
    • Self (The Beatles)
    • (Nicht genannt)
    Paul McCartney
    Paul McCartney
    • Self (The Beatles)
    • (Nicht genannt)
    George Harrison
    George Harrison
    • Self (The Beatles)
    • (Nicht genannt)
    Ringo Starr
    Ringo Starr
    • Self (The Beatles)
    • (Nicht genannt)
    Sue Ahearne
    Sue Ahearne
    • Self - 'Apple Scruff'
    • (Nicht genannt)
    The Beatles
    The Beatles
    • Themselves
    • (Nicht genannt)
    Peter Brown
    Peter Brown
    • Self
    • (Nicht genannt)
    Peter Craddock
    • Self - Third London Police Officer on Rooftop
    • (Nicht genannt)
    Ray Dagg
    • Self - First London Police Officer on Rooftop
    • (Nicht genannt)
    Geoff Emerick
    Geoff Emerick
    • Self
    • (Nicht genannt)
    Mal Evans
    Mal Evans
    • Self
    • (Nicht genannt)
    Kevin Harrington
    Kevin Harrington
    • Self
    • (Nicht genannt)
    David Kendrick
    • Self - Moustachioed London Police Sergeant
    • (Nicht genannt)
    Eileen Kensley
    Eileen Kensley
    • Self - 'Apple Scruff'
    • (Nicht genannt)
    Michael Lindsay-Hogg
    Michael Lindsay-Hogg
    • Self
    • (Nicht genannt)
    George Martin
    George Martin
    • Self
    • (Nicht genannt)
    Heather McCartney
    • Self
    • (Nicht genannt)
    Linda McCartney
    Linda McCartney
    • Self
    • (Nicht genannt)
    • Regie
      • Michael Lindsay-Hogg
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen95

    7,68.4K
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    Empfohlene Bewertungen

    10Shaolin_Apu

    Strangely cool

    The Beatles is probably the most famous musical act ever that has been on the ground of this Earth. That said the movie 'Let It Be' presents the group at a stage where they were about to break-up. They were not at their best during the filming, but what is shown in the movie is still about the most fabulous thing ever to see. There is no way anymore to get any closer to them than the 'Let It Be' movie.

    John, Paul, George and Ringo will perform nicely raw versions of their famous hit songs. They haven't yet figured out all the lyrics yet but it's still nice to hear any the songs in a unfinished stage. The movie will also show you how they were playing some of their oldies as a warm up songs before starting with another take of their newer songs.

    The atmosphere seems to be bit dark, Lennon is passive and Paul is clearly the one who is steering the ship now. Some visitors who appear at the studio make the daylight occasionally shine but as a better than nothing solution the rooftop concert in the end is "really enjoyable" like one of the passers-by say. It's all somehow sad, but strangely cool .
    lulurae96

    Let it Be Again!!!

    Yes the film is poorly edited--the sound sometimes doesn't exactly sync...but hey its the Beatles. Finally playing themselves in a film designed to show off their musical roots and working toward an album stripped of the "hee, hee, hee" and "blowing bubbles through straws". I saw the film when it was released 37 years ago. I have a VHS copy. I watch it at least two times a year. I still to this day do not see a film about a group breaking up. Albeit--there were some tense moments...but what "family" doesn't have tense moments. I remember the scene between Harrison and McCartney over George's guitar playing for "I've Got A Feeling"/I remember the scene between Lennon and McCartney discussing George's reluctance to "going out on the road". Tense/Uptight--sure--but what shines the most is the music. The rooftop concert shows just how hot a band the Beatles actually were. I actually find the album to be a joy...they actually get a chance to rock out just like they did in the early days. And with a nod to Lennon, they actually had a bite to these new songs. To dismiss this film is a big mistake. If anything--it should be looked upon as a historical document. I am all in favor of the film coming out on DVD. It would be a blast to see the unused footage and more.
    fox2mike

    I love the transformation the fab four go through as the movie progresses

    I doubt this will spoil anything, but feel free to discard this if it does.

    The thing I love the most about Let It Be, which I was so privileged to watch was the transformation the beatles go through. Let me explain. The very first scenes of the movie, you have the an unshaven, stoned John barely even singing Don't Let Me Down, With Paul wailing away a harmony, missing words frequently(Fast-forward to Maxwell's Silver Hammer and you'll know what I mean). George is struggling with his solo and producing not much more than intermittent, out-of-tune whangs with his guitar, and Ringo (Whose disposition brings to mind Edgar Allen Poe) solomnly taps away at his drums. However, as the film progresses, the rhythm becomes tighter, the basslines more melodious, the solos crisper, and the drums more vibrant(I Me Mine and For you Blue are good examples). Unfortunately, that is thanks in part to Paul's Liverpool lilt ordering the other three, especially George around. George is the one I feel sorry for the most because he is fighting to meet Paul's demands (how hard can the middle-eight on I've got a feeling be!) and like an idiot here I am laughing uncontrollably at the awful noise George's guitar makes. Moving from Twickenham to Apple definitely helps them. I love the cover tunes they play just for fun, like You really got a hold on me, Shake rattle and Roll, and especially Besame Mucho(Okay Paul, fess up, you're not exactly Pavarotti(just kidding)). I can't help but bawl my eyes out when I hear Two of Us(after all the fussing they made over that solo ("Keep it simple and then complicate it where it needs complicating") and all that), Let it Be, and The Long and Winding road. The Long and winding road is especially teary because with just piano, organ, guitars and drums it is so simple and beautiful without all the screeching ladies and Disney movie like orchestrations added later. Ah, And of course the show on the roof. Simply jamming away and having fun, they have reached the culmination of their transformation for bad, uncertain playing to melodious, timeless music making. The worst part is that the band continued to nose-dive afterward. I consider myself very fortunate to be able to watch this long, but wonderfully musical movie.
    9Spondonman

    "Nothing's Going To Change My World" ...

    As a life-long Beatles fan don't expect objectivity here - I first saw this in the early 70's and found it riveting … and got the same feeling tonight. This was an early ordinary rockumentary about 4 ordinary yet very talented blokes in their late 20's at the peak of their creative powers, in the process of readjustment to being mere hairy bickering mortals again after experiencing a few years of quasi-godhood. "Mr. Epstein" was long dead although Paul was trying to fill his shoes, and their Apple Empire was shrinking. The Beatles almost on their own created intelligent pop/rock music, which imho has not moved on since 1969 where they left it. There have been many excellent innovative and intelligent rock bands that have come and gone since, many borrowing and adapting from the Beatles back catalogue – however I don't count the many cash-in rip-off bands such as Oasis. Has anyone since not ripped them off at some point? I've lost count of the number of times over the decades I've heard a "new" piece of music and said to myself "I've heard that before somewhere – ah yes, such and such by the Beatles". Apart from the quantum leaps in sound technology since then nothing of any lasting musical value has been added – there has been no progression. Led Zeppelin filled stadia – but did they fill billions of hearts? Queen was popular – but did they rule the world? Pop and rock music may have always been ephemeral, but along with Louis Armstrong, Bix Beiderbecke, Lata Mangeshkar, Frank Sinatra and Jimi Hendrix the Beatles weren't. Never mind about their timeless music, they even managed to look timeless while everyone else around them in here looked dated by the early '70's. God works in mysterious ways.

    John, Paul, George and Ringo got together first in Twickenham Studios then in the Apple basement in January 1969 to rehearse some new songs with the assistance of almost-5th Beatle Billy Preston (and occasionally actual-5th Beatle George Martin) and with the hope of playing live again sometime soon. Yoko (definitely not 5th Beatle) would have probably been on stage with them. As it turned out on they only made it to the Apple roof on 30th January, disturbing the peace of the police on the streets of London below. The Rolling Stone review of the film from 9th July 1970 that I remember so well was typically over-reverential but had some telling points – the first being how deliberately grainy the photography was which still can take some getting used to and that there was over 800 hours of footage from 4 cameras to edit down to the brief 80 minutes we got. How on Earth can it ever be properly remastered and will more ever be officially available in our lifetimes? Maybe we should also bear in mind that the film was to be called Get Back as a return to simplicity for the band, and that McCartney originally penned racist lyrics for this sublime song which thankfully weren't incorporated into any of the final versions. There's a lot of classic pop music in here – from their own then new stuff to rock'n'roll standards from the '50's, which the Beatles were in an ideal and unchallengeable position to translate for listeners both of the Old World of pop and the New World of rock that they left behind them.

    Highlights: A splendid cod version of Bessame Mucho from McCartney; a loving version of You Really Got A Hold On Me from Lennon; the videos for Two Of Us, Let It Be, Long And Winding Road; and Get Back, Don't Let Me Down up on the freezing roof; so many others. Overall: to a fan, a beautiful and sad account of a unique group of individuals struggling and failing against disintegration; this should also be essential viewing to fans of intelligent pop/rock music who might have sometimes wondered where U2, Bon Jovi, Kings Of Leon et al came from – so far though, this was the artistic pinnacle.
    10f.gimenez

    PLEASE, RELEASE IT!!

    I watched this Beatles documentary for the first time when it was released for the second time in the Spanish theaters in 1980.

    I enjoyed it very much in spite of being 10 years old, because a friend of mine had the "Let it be" tape and we used to listen to it very often and we both knew all the songs pretty well. We had a splendid time.

    Now I have a copy in VHS of the film and I use to watch it from time to time.

    I know it´s mostly a documentary about The Beatles break-up which is kind of sad, but it would be unfair to say the film is not most enjoyable and besides the rehearsals and the arguments, it ends with the very last Beatles concert, (the famous rooftop concert).

    The Beatles were four guys who spent some six years together 24 hours a day, "eight days a week" as they would say, working very hard, dealing with all kind of stressing events and it´s logical they split up in the end. Fame is very expensive. George Harrison explains it very well in the last chapter of The Beatles Anthology: "The fans gave the money and the screams, and The Beatles kind of gave their nervous systems...". And I agree with him. It had to be hell!.

    None of the four Beatles was to blame for their break-up, that´s something that just had to happen.

    If you ever have the chance of watching this film, just do it. It´s a must for all the Beatles fans and all the music lovers.

    I hope this gem is released in DVD with lots of extras in the near future!!. Please, release it!!.

    Long live the Beatles!.

    Handlung

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    • Wissenswertes
      Following the argument with Sir Paul McCartney seen in the movie, George Harrison went home and wrote the song "Wah-Wah", which he recorded for his first solo album two years later. Three days after the argument with McCartney, Harrison temporarily quit the Beatles after a row with John Lennon. Harrison was coaxed back a week later, after McCartney promised that they would start recording in the band's new Apple Studios, instead of Twickenham Studios.
    • Patzer
      Due to the two-camera technique used to film most of the scenes, during much of the performances the audio does not match up with the performers. One such example is during the Suzy Parker segment, and again during I Got a Feeling, though this scene was filmed using five cameras.
    • Zitate

      John Lennon: I'd like to say thank you on behalf of the group and ourselves, and I hope we passed the audition.

    • Alternative Versionen
      The first cut, which was supervised by Michael Lindsay-Hogg and The Beatles themselves, ran for 210 minutes. It was screened in a private screening room on 20th July, 1969. After the screening, three of The Beatles wanted further cuts to be made. According to Mark Lewisohn's "The Complete Beatles Chronicle", a second version was edited in the absence of John Lennon and Yoko Ono. This new cut (with a considerable amount of "John and Yoko" footage cut out) became the 81-minute release that made the cinemas. In an interview on the "I Am The Eggpod" podcast, Lindsay-Hogg confirmed that the footage deleted from the theatrical release contained a large amount of material featuring Lennon and Ono sitting alone away from the group and "whispering to each other". Lindsay-Hogg claims that about "one reel of film" was removed.
    • Verbindungen
      Edited from The Beatles: Don't Let Me Down (1969)
    • Soundtracks
      Paul's Piano Intro
      Performed by The Beatles

      Written by Paul McCartney

      Published by Apple Records

      Courtesy of Apple Records

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    FAQ19

    • How long is Let It Be?Powered by Alexa
    • When the film was to be released in 1970, there was to be a box set with a booklet about the film etc., but because of delays with printing, the LP was released on it's own, all be it much later. The film, the LP and the booklet were originally to be called Get Back, but in the same context. Can this be confirmed ?
    • Even though Peter Jackson has reworked the footage into a much more pleasing presentation, will the original documentary film ever be released?
    • What is the difference between Let It Be (1970) and Get Back (2021)?

    Details

    Ändern
    • Erscheinungsdatum
      • 20. Juli 1970 (Westdeutschland)
    • Herkunftsland
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • Beatles at Work
    • Drehorte
      • Apple Corps, 3 Savile Row, Mayfair, London, England, Vereinigtes Königreich(13-24 January 1969)
    • Produktionsfirmen
      • Apple Corps
      • ABKCO Films
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    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 1.061.569 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 21 Min.(81 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.37 : 1

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