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Let It Be

  • 1970
  • 6
  • 1 Std. 21 Min.
IMDb-BEWERTUNG
7,6/10
8388
IHRE BEWERTUNG
Paul McCartney, John Lennon, George Harrison, Ringo Starr, and The Beatles in Let It Be (1970)
The filmed account of The Beatles' attempt to recapture their old group spirit by making a back to basics album, fully restored for the first time.
trailer wiedergeben1:33
2 Videos
99+ Fotos
Musik-DokumentarfilmMusikDokumentarfilm

Der verfilmte Bericht über den Versuch der Beatles, mit einem "Back to Basics"-Album ihren alten Gruppengeist wiederzuerlangen, was sie stattdessen weiter auseinander trieb.Der verfilmte Bericht über den Versuch der Beatles, mit einem "Back to Basics"-Album ihren alten Gruppengeist wiederzuerlangen, was sie stattdessen weiter auseinander trieb.Der verfilmte Bericht über den Versuch der Beatles, mit einem "Back to Basics"-Album ihren alten Gruppengeist wiederzuerlangen, was sie stattdessen weiter auseinander trieb.

  • Regie
    • Michael Lindsay-Hogg
  • Hauptbesetzung
    • John Lennon
    • Paul McCartney
    • George Harrison
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,6/10
    8388
    IHRE BEWERTUNG
    • Regie
      • Michael Lindsay-Hogg
    • Hauptbesetzung
      • John Lennon
      • Paul McCartney
      • George Harrison
    • 95Benutzerrezensionen
    • 29Kritische Rezensionen
    • 72Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Oscar gewonnen
      • 2 wins total

    Videos2

    Official Trailer
    Trailer 1:33
    Official Trailer
    Teaser Trailer
    Trailer 1:04
    Teaser Trailer
    Teaser Trailer
    Trailer 1:04
    Teaser Trailer

    Fotos126

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    + 119
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    Topbesetzung23

    Ändern
    John Lennon
    John Lennon
    • Self (The Beatles)
    • (Nicht genannt)
    Paul McCartney
    Paul McCartney
    • Self (The Beatles)
    • (Nicht genannt)
    George Harrison
    George Harrison
    • Self (The Beatles)
    • (Nicht genannt)
    Ringo Starr
    Ringo Starr
    • Self (The Beatles)
    • (Nicht genannt)
    Sue Ahearne
    Sue Ahearne
    • Self - 'Apple Scruff'
    • (Nicht genannt)
    The Beatles
    The Beatles
    • Themselves
    • (Nicht genannt)
    Peter Brown
    Peter Brown
    • Self
    • (Nicht genannt)
    Peter Craddock
    • Self - Third London Police Officer on Rooftop
    • (Nicht genannt)
    Ray Dagg
    • Self - First London Police Officer on Rooftop
    • (Nicht genannt)
    Geoff Emerick
    Geoff Emerick
    • Self
    • (Nicht genannt)
    Mal Evans
    Mal Evans
    • Self
    • (Nicht genannt)
    Kevin Harrington
    Kevin Harrington
    • Self
    • (Nicht genannt)
    David Kendrick
    • Self - Moustachioed London Police Sergeant
    • (Nicht genannt)
    Eileen Kensley
    Eileen Kensley
    • Self - 'Apple Scruff'
    • (Nicht genannt)
    Michael Lindsay-Hogg
    Michael Lindsay-Hogg
    • Self
    • (Nicht genannt)
    George Martin
    George Martin
    • Self
    • (Nicht genannt)
    Heather McCartney
    • Self
    • (Nicht genannt)
    Linda McCartney
    Linda McCartney
    • Self
    • (Nicht genannt)
    • Regie
      • Michael Lindsay-Hogg
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen95

    7,68.3K
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    Empfohlene Bewertungen

    fox2mike

    I love the transformation the fab four go through as the movie progresses

    I doubt this will spoil anything, but feel free to discard this if it does.

    The thing I love the most about Let It Be, which I was so privileged to watch was the transformation the beatles go through. Let me explain. The very first scenes of the movie, you have the an unshaven, stoned John barely even singing Don't Let Me Down, With Paul wailing away a harmony, missing words frequently(Fast-forward to Maxwell's Silver Hammer and you'll know what I mean). George is struggling with his solo and producing not much more than intermittent, out-of-tune whangs with his guitar, and Ringo (Whose disposition brings to mind Edgar Allen Poe) solomnly taps away at his drums. However, as the film progresses, the rhythm becomes tighter, the basslines more melodious, the solos crisper, and the drums more vibrant(I Me Mine and For you Blue are good examples). Unfortunately, that is thanks in part to Paul's Liverpool lilt ordering the other three, especially George around. George is the one I feel sorry for the most because he is fighting to meet Paul's demands (how hard can the middle-eight on I've got a feeling be!) and like an idiot here I am laughing uncontrollably at the awful noise George's guitar makes. Moving from Twickenham to Apple definitely helps them. I love the cover tunes they play just for fun, like You really got a hold on me, Shake rattle and Roll, and especially Besame Mucho(Okay Paul, fess up, you're not exactly Pavarotti(just kidding)). I can't help but bawl my eyes out when I hear Two of Us(after all the fussing they made over that solo ("Keep it simple and then complicate it where it needs complicating") and all that), Let it Be, and The Long and Winding road. The Long and winding road is especially teary because with just piano, organ, guitars and drums it is so simple and beautiful without all the screeching ladies and Disney movie like orchestrations added later. Ah, And of course the show on the roof. Simply jamming away and having fun, they have reached the culmination of their transformation for bad, uncertain playing to melodious, timeless music making. The worst part is that the band continued to nose-dive afterward. I consider myself very fortunate to be able to watch this long, but wonderfully musical movie.
    8Lejink

    Twilight of the Gods..

    Another watched in-flight movie on my IPod, "Let it Be" for my money now stands as an honest and convincing testimony to the talent and stature of The Beatles, even as one can sense the ties that bind loosening them individually in front of you.

    Of course there's a sadness and elegiac sensation for fans in watching this "posthumous" film and it's also fair to say the music isn't always top-drawer Beatles - only McCartney brings his best work to the party, although John and especially George would recover their chops in time for "Abbey Road". Sure, too the playing's a bit sloppy at times but there's never a moment when there isn't fascination at something going on on-screen. And for-by much is made of Paul and George's spat (with John acting as unlikely peace-maker) and the at times tired and dishevelled appearance of the guys themselves, there are many other revealing and rewarding vignettes, even before director Michael Lindsay-Hogg, corrals the band for three assured in-studio video performances (all, significantly, of Macca tracks) and then the great idea (since aped by the Stones and U2) of playing their new stuff live on Apple's roof, on a biting cold Jamuary day. It was also inspired of Lindsay-Hogg to intersperse the general public's comments before the group brings the "audition" to a close.

    The photography is great, the four stepping into life from their iconic White Album photos and I enjoyed the honest but fair editing applied to what was by all accounts a massively over-recorded exercise. Favourite moments for me include Paul and Ringo's boogie-woogie piano run-through, George assisting Ringo with the writing of "Octopus's Garden" and of course that final run-through of "Get Back" on the roof, with Paul surprisingly getting in some improvised anti-Establishment digs before the police pulled the plug.

    Of all the concerts that ever have been or ever will be, that 20 minute Apple gig is the one I wish I could have been at. And surely even if slightly Pyrrhically, the great music they produce over the last thirty minutes or so of the film justifies the raison-d'etre of the film, working up the songs from in-progress to issuable level.
    10Shaolin_Apu

    Strangely cool

    The Beatles is probably the most famous musical act ever that has been on the ground of this Earth. That said the movie 'Let It Be' presents the group at a stage where they were about to break-up. They were not at their best during the filming, but what is shown in the movie is still about the most fabulous thing ever to see. There is no way anymore to get any closer to them than the 'Let It Be' movie.

    John, Paul, George and Ringo will perform nicely raw versions of their famous hit songs. They haven't yet figured out all the lyrics yet but it's still nice to hear any the songs in a unfinished stage. The movie will also show you how they were playing some of their oldies as a warm up songs before starting with another take of their newer songs.

    The atmosphere seems to be bit dark, Lennon is passive and Paul is clearly the one who is steering the ship now. Some visitors who appear at the studio make the daylight occasionally shine but as a better than nothing solution the rooftop concert in the end is "really enjoyable" like one of the passers-by say. It's all somehow sad, but strangely cool .
    10f.gimenez

    PLEASE, RELEASE IT!!

    I watched this Beatles documentary for the first time when it was released for the second time in the Spanish theaters in 1980.

    I enjoyed it very much in spite of being 10 years old, because a friend of mine had the "Let it be" tape and we used to listen to it very often and we both knew all the songs pretty well. We had a splendid time.

    Now I have a copy in VHS of the film and I use to watch it from time to time.

    I know it´s mostly a documentary about The Beatles break-up which is kind of sad, but it would be unfair to say the film is not most enjoyable and besides the rehearsals and the arguments, it ends with the very last Beatles concert, (the famous rooftop concert).

    The Beatles were four guys who spent some six years together 24 hours a day, "eight days a week" as they would say, working very hard, dealing with all kind of stressing events and it´s logical they split up in the end. Fame is very expensive. George Harrison explains it very well in the last chapter of The Beatles Anthology: "The fans gave the money and the screams, and The Beatles kind of gave their nervous systems...". And I agree with him. It had to be hell!.

    None of the four Beatles was to blame for their break-up, that´s something that just had to happen.

    If you ever have the chance of watching this film, just do it. It´s a must for all the Beatles fans and all the music lovers.

    I hope this gem is released in DVD with lots of extras in the near future!!. Please, release it!!.

    Long live the Beatles!.
    jedralski

    The greatest band ever and the Oscar award - who could ask for more ?

    Oscar awarded documentary about Beatles final sessions. Great occasion to peep behind the big scene and see The Fab Four working in the studio. Amazing picture that must be seen not only by Beatles fans, but by all good movies lovers. An undeniably classic with lots of legendary tunes.

    Handlung

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    • Wissenswertes
      Following the argument with Sir Paul McCartney seen in the movie, George Harrison went home and wrote the song "Wah-Wah", which he recorded for his first solo album two years later. Three days after the argument with McCartney, Harrison temporarily quit the Beatles after a row with John Lennon. Harrison was coaxed back a week later, after McCartney promised that they would start recording in the band's new Apple Studios, instead of Twickenham Studios.
    • Patzer
      Due to the two-camera technique used to film most of the scenes, during much of the performances the audio does not match up with the performers. One such example is during the Suzy Parker segment, and again during I Got a Feeling, though this scene was filmed using five cameras.
    • Zitate

      John Lennon: I'd like to say thank you on behalf of the group and ourselves, and I hope we passed the audition.

    • Alternative Versionen
      The first cut, which was supervised by Michael Lindsay-Hogg and The Beatles themselves, ran for 210 minutes. It was screened in a private screening room on 20th July, 1969. After the screening, three of The Beatles wanted further cuts to be made. According to Mark Lewisohn's "The Complete Beatles Chronicle", a second version was edited in the absence of John Lennon and Yoko Ono. This new cut (with a considerable amount of "John and Yoko" footage cut out) became the 81-minute release that made the cinemas. In an interview on the "I Am The Eggpod" podcast, Lindsay-Hogg confirmed that the footage deleted from the theatrical release contained a large amount of material featuring Lennon and Ono sitting alone away from the group and "whispering to each other". Lindsay-Hogg claims that about "one reel of film" was removed.
    • Verbindungen
      Edited from The Beatles: Don't Let Me Down (1969)
    • Soundtracks
      Paul's Piano Intro
      Performed by The Beatles

      Written by Paul McCartney

      Published by Apple Records

      Courtesy of Apple Records

    Top-Auswahl

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    FAQ19

    • How long is Let It Be?Powered by Alexa
    • When the film was to be released in 1970, there was to be a box set with a booklet about the film etc., but because of delays with printing, the LP was released on it's own, all be it much later. The film, the LP and the booklet were originally to be called Get Back, but in the same context. Can this be confirmed ?
    • Even though Peter Jackson has reworked the footage into a much more pleasing presentation, will the original documentary film ever be released?
    • What is the difference between Let It Be (1970) and Get Back (2021)?

    Details

    Ändern
    • Erscheinungsdatum
      • 20. Juli 1970 (Westdeutschland)
    • Herkunftsland
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • Beatles at Work
    • Drehorte
      • Apple Corps, 3 Savile Row, Mayfair, London, England, Vereinigtes Königreich(13-24 January 1969)
    • Produktionsfirmen
      • Apple Corps
      • ABKCO Films
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    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 1.061.569 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 21 Min.(81 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.37 : 1

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