Kein Lied für meinen Vater

I find myself recommending this movie to people all the time. It is such a clear picture of the challenges faced by anyone trying to help an aging parent.

But there is another aspect to it that I love. It is one of the few serious films I've seen that shows the effect of a character being viewed as the salt of the earth, heroic and charming by outsiders, but who is nasty, judgmental and selfish with his own family. Whatever has happened due to Douglas' character aging and beginning to lose his mental faculties, you know that this particular pain has been part of his children's lives forever.

Such a relationship is always difficult -- it is especially so with an older relative who has truly done heroic things, and who is respected and loved even by those he abuses. It puts everyone who knows his darker side in a bizarre and awkward position, seeming like villains for ever saying a word against a much-admired person.

This movie captures the agony and poignancy of such a relationship perfectly, and shows the various levels of maturity with which one's family can choose to respond. The character's daughter needs to stay away, his son takes it with a grain of salt, as evidenced by his wry smile and mild answer when his fiancée finds his father "charming." This is a must-see film, for more reasons than I can list here.

I saw this movie when it first came out and I remember it vividly from over thirty years later. I recently saw it again, expecting the passage of time to have dimmed my fondness for it somewhat. It was just as wonderful as I remembered it, but I understood things at the age of 39 that I did not at ten. Melvyn Douglas and Gene Hackman deservedly got Oscar nominations for their splendid work here. There is also a marvelous script, also nominated for an Oscar. I expect I will remember the last line until I die. Most Highly Recommended

"I Never Sang for My Father" has to be one of the saddest films ever made. Relations between parents and grown up children are examined in this tight drama that rings true from beginning to end. We can relate to how the dynamics in a family change as parents get older and children are now involved in problems of their own with their families.

This is basically about the special relationship between a father and a son. Tom Garrison, the father, is in his eighties. His son Gene has lost his wife and is now seeing a woman doctor in California. When Margaret, the mother, suffers a heart attack and dies, Tom and Gene come to a confrontation because the father wants to keep a grip on his son to help him during that adjustment period. Gene, who has always been a good son, has to make a decision that will put him at odds with his father.

The idea of children taking care of their parents during their old age is questioned here. On the one hand, Tom, the father, is a self made man who struggled hard for all he achieved in life. Gene, the son, is in the eyes of the father, a failure, because of his passive nature. Tom has counted on relying on Gene for those late years and because of his intransigent nature, he is not willing to compromise in the solution the son has for him.

The film version of Robert Anderson's play, and directed by Gilbert Cates, gathered a stellar cast to bring the family alive. Melvyn Douglas, in one of his best screen appearances, makes Tom Garrison come alive. Mr. Douglas' take on his character shows a man that while giving an appearance of being strong, underneath, shows his vulnerability. Gene Hackman, who plays the son, is a perfect match for Melvyn Douglas. Their scenes together show a raw energy between a domineering father and a son that has gone along to please him. Estelle Parsons is seen as Alice, the estranged daughter and Dorothy Stickney who plays Margaret, the mother.

Gene Hackman plays a former marine who's wife had died not too long ago for cancer. His parents live close by and he visits every so often. Hackman has never really gotten along with his dad, played by Melvyn Douglas, but gets along better with his mother. His mother dies and his sister, played by Estelle Parsons, comes home and we find out that Douglas had banished her several years earlier and she's never come back since. Hackman and Parsons have to decide what to do with dad, which is either hiring a full time nurse or moving him into a nursing home or letting him move in with one of them. Both Gene Hackman and Melvyn Douglas were nominated for best actor but lost out to George C. Scott for Patton. Several people have called this movie very depressing but i don't think it is, but just like what Roger Ebert said, a good movie is never depressing, only bad movies are.

I can count on this movie to move me, to bring up feelings for me EVERY TIME I see it. Robert Anderson, the writer, nailed it, caught the essence of the difficulty children have relating to their fathers. Melvyn Douglas is outstanding as the father who, when his son (Gene Hackman) comes to visit falls asleep in front of the TV watching inane Westerns and then says to his son, "Gene, Gene are you leaving so soon? We hardly get to spend any time with you..." And the daughter says: "I am grateful to him (her father) because he taught me a very important lesson: This world is cold and lonely and uncaring and if you can't get the love and attention you need from your own father, who can you get it from? Yes, I am grateful to him..." This is powerful stuff. Great writing and acting except for the woman who plays Hackman's future bride. Bad casting there. The rest is superb. If you want to be moved (and some movies SHOULD move you -- that's another reason they're called 'movies,' right?!!), this is it.