Schloss der Vampire

Intelligently done, but bloody and violent story based on the hit TV show Dark Shadows from the late 60s. The plot revolves around vampire Barnabas Collins, who finds a cure to become human again so he can wed a beautiful girl. Genuinely creepy atmosphere, beautifully filmed and surprisingly first-rate acting by cast.

For anyone who enjoys Gothic melodramas, this one is for you. In the late 1960s and early 1970s, producer Dan Curtis was on a roll with his hit afternoon television series Dark Shadows. When the powers that be decided to make a feature film version, most of the original cast members of the daily soap opera were recruited to star in this production. It is worth noting that several of the performers were pulling double duty at the time, since the daily program was churning out new episodes while HOUSE OF DARK SHADOWS was being filmed.

Of course, a feature film version is going to have a much larger budget than its TV counterpart. And it is also going to be made in color, not black and white. Curtis and his crew do a very effective job transferring the basic original ideas to the big screen. In fact, they do not miss a beat introducing vampire Barnabas Collins (Jonathan Frid) and the rest of the inhabitants of Collinwood to celluloid. From the first fade in, it's a bloody good show, and the entire affair is raised a notch or two by the presence of an old pro-- Joan Bennett, doing quite well as matriarch Elizabeth Stoddard Collins, fang you very much!

This is one of the best horror films of the '70's, and certainly the best vampire flick of that decade. Based on the highly successful supernatural soap opera DARK SHADOWS, this feature film version of the ever popular series recounts the resurrection of Barnabas Collins(Jonathan Frid), a 175-year-old vampire who passes himself off as a modern-day descendant of the Collins clan. While staying at the Gothic Collinwood estate, Barnabas becomes entranced by a beautiful governess(Kathryn Leigh Scott) who bears a striking resemblance to his long-lost love, Josette, and determines to make the young woman his new bride. Few films based on Tv shows work, but HOUSE OF DARK SHADOWS is an exception to that rule and like the TV series on which it is based, HOUSE OF DARK SHADOWS has developed into a cult classic over the years. Like its sequel, 1971's NIGHT OF DARK SHADOWS, the film is currently under restoration. There are several sequences from both films missing. Hopefully, the generally unfavorable opinion of NIGHT will change once all of the missing footage has been recovered, and the film will then rank right up there along with its predecessor like it should.

The shining glory of Producer/Director Dan Curtis's career came in 1983 when he transformed Herman Wouk's acclaimed World war 2 novel "The Winds of War" into an epic television miniseries. But it was during the late 60s and 70s that Curtis originally became a known and respected commodity in hollywood. During that time, Curtis was responsible for the creation of several suprisingly effective "B" horror films.

Minor classics like "The Night Stalker"...."The Night Strangler"....."Scream of wolf" are must see nostalgia pieces for true fans of the Genre. His 1971 semi-gothic effort "House of Dark shadows" also ranks high on the list of Curtis's early cinematic achievements.

The film is based on the unquestioned most popular segment of the old daytime TV series, "Dark Shadows". For those that don't know..."Dark Shadows" was a struggling 60s daytime soap opera concerning the dulling exploits of a boorish super rich New England family....the Collin's. After a season of well worn plots about family infighting and powerstruggles the show was on verge of being canceled. That's when series creator....Curtis....came up with a radical idea. Introduce supernatural elements into the show.

Soon the shows focus drifted from standard issue soap opera melodrama into a detailed examination of Collins family's haunted past. Over the next five years, Dan Curtis brought to light virtually every family Skeleton.....often literally. The seemingly eternally cursed clan's estate....Collinwood...was to play host to various unwanted preternatural ghouls who in one way or another were connected to the family. Among the collection of these occult charactors were: Vampires, Werewolves, Witches, Wizards, Demons, Artifically created men and women, Ghosts, Headless entities.....just to name a few.

When Dark Shadows faded from the afternoon scene in 1971....its ever loyal fans cried for more. Curtis responded with with pair of post series movies....and some 20 years later....a prime time sequel series. The first of these films efforts being the aforementioned 'House of Darkshadows'. In the recreation process the noted director quite capably revived and enhanced many of numberous supernatural elements that made the old serial popular....while offering up far superior production values.

In house of Dark Shadows the audience is privy to the scheme of a wily caretaker who happens upon a map he believes leads to an ancient treasure buried on the grounds of Collinwood. The map brings him to the Collins family crypt where rather than treasure, the caretaker accidentally releases something dark from its eternal bondage.

That same night a young woman is attacked at the main gate of the estate. Left comatose from loss of blood caused by mysterious twin puncture wounds on her neck.....the girl can provide no clue to the nature of her attacker. But soon other victims start to pop up...similarly wounded and minus a few pints of plasma.

A pair of learned locals conclude a vampire is responsible for the attacks. The authorities and Collin's family....quite naturally scoff at the notion. They prefer to believe an unknown type of animal or a madman is behind the attacks. However, the doubters soon change their tune when a Collins family member on the intruders menu is killed and eventually returns from the grave as one of the living dead.

The supernatural nature of the killer revealed....the police are soon scurrying about the area with crosses and stakes....while almost the entire Collins family are armed with cross bows and stringing up enough garlic to corner the market.

While terror reigns supreme at Collinwood, the family has no way of knowing the perpetrator of this unspeakable villainy is dwelling unsuspected within their midst.

By todays standard "House of Dark Shadows" might seem somewhat hokey with its max factor fangs and cherry syrup blood. But for its time, it was quality achievement and even now it provides something rarely seen.....a well written horror film with some into classic gothic overtones added into the mix.

HOUSE OF DARK SHADOWS (1970) is the movie-house version of the then popular Gothic Soap Opera. The film's plot is a re-tracing of the TV series. Willie Loomis (John Karlen), while robbing a New England crypt, accidently awakens 200 year old vampire Barnabas Collins (Jonathan Frid's moment of immortality!) Barnabas comes upon his modern descendants as a "long lost relative from England" leaving out the one little detail about being 200 years old. In the meantime, he is secretly feasting on victims. He enjoys a temporary cure, via a local doctor. What makes this film unique is how this murderous vampire is worthy of sympathy, the tender but extremely haunting encounter the pre-teen Collins boy has with his dead sister, and the rather doomsday style climax. This gem came at a time when decent horror films were a rarity. (Relaxed censorship let about 90% of the horror directors depend more on gore and sex).