The Grandmother

This film is a lesson. A lesson on how you can, with minor means,

create a work which explores all ways of cinematography. And this

without any dialogue. In my idea films are not there to tell a story

(they can be used as such tough) and this movie goes straight

back to the time where films were shown at carnivals and gave you

a glimpse of new worlds to be explored. Don't worry too much about the (lack of) narritive story. Just sit back

and enjoy the huge amount of emotions that will come to you.

Fear, hatred, love and desire for a better world.

Sick, disturbing and surreal short from David Lynch. A man and a woman get married and have a son who they don't really want. The child grows up being horribly abused by his parents. Then, in a dark sinister room, he plants a seed who sprouts into a grandmother. She, in a way, shows him the affection his parents never gave him. There's more but I won't spoil it.

The film mixes live actors with animation seamlessly. It has sound but no dialogue--the actors just make sounds somewhat like human speech. It's in washed-out color which certainly fits the subject matter. Also you see Lynch using odd noises on the soundtrack which he perfected years later with "Eraserhead". I'm giving this film a 10 but it is VERY disturbing. It's definitely not for everybody. The abuse scenes are horrible to watch and the nonstop morbidness did start to wear on me, but I couldn't stop watching. It all leads to a very sad ending. Sick, troubling and (at times) horrifying movie but just incredible. A 10 but only for those who can stand extreme subject matter.

This film is a must-see for anyone interested in the world of surreal cinema. Combines fascinating visual metaphor with rich, vivid animation to create a disturbing ambience that draws the viewer in, like a fish caught on a hook. The music (provided by a collective of music engineers known as "Tractor") is like a grey canopy that wraps itself over your mind as you find that time and space and your life outside of a cold, flickering living room seem to fade into this backdrop of radioactive multimedia. Make no mistake about it, Lynch is an artist of the highest calibur, and in this gripping work he uses everything in the film as a medium to transmit his imagination to the outside world.

P.S. - If you like Lynch's style, I suggest looking into the films of Alejandro Jodorowsky, Luis Bunuel & Jean Cocteau. All of them brilliant artists in their medium.

"The Grandmother" has got to be one of the strangest works of David Lynch next to "Eraserhead". In order to get the film made, Lynch got a grant from the American Film Institute. Too bad AFI doesn't fund amazing films like this anymore. In some aspects the film looks like it had a huge influence on "Begotten" (1991), except "The Grandmother" is only about 34 minutes and never wears out it's welcome. The story concerns a boy, who has very mean and abusive parents. They act like animals and only talk in barks. The little boy is very pale and Gothic looking, and almost all the film's sets are painted pitch black in darkness. This causes images to pop right out. The boy plants seeds in his bed, a huge abstract stump like object grows and gives birth to an old lady. The old lady seems to give the boy peace of mind, like a grandmother would. It's really hard to tell the exact story, since the film feels like a surreal nightmare that leaves the viewer disoriented. The music and experimental sound mix sounded way ahead of 1970. This only added more impact to it's disturbing imagery. Not to mention, it had some weird animated scenes too. From all the movies I've seen, I'd have to say the best examples of surrealism in film have to be Bunuel and Dali's "Un Chien Andalou", Jodorowsky's "The Holy Mountain" (1973) and David Lynch's "The Grandmother". All three of these films have images that will probably haunt you for the rest of your life.

No matter how cynical you make think this film is, it is very realistic in what our world looks like as children. Dysfunctional families are all around us and we experience neglect very often. A child's point of view of course, is always exaggerated. I can relate to some of what is shown in "The Grandmother." Throughout my childhood my grandmother was the only person i could turn to. My parents talk, and their life during my childhood was very blurred to me. And the horrifying things that happen are more horrifying than they really are as a child. Lynch may have imaged this film out of nowhere, but it still speaks. The use of sound, and animation is powerfully effective. This is a must for Lynch fans!