Bis zum Ende der Straße

I stumbled upon this low budget Canadian movie while flipping channels, and although somewhat slow in areas, its grittiness and realism gripped my attention from beginning to end. At first it appeared to be a Canadian version of "Midnight Cowboy" which was released a year earlier, however as the movie progressed it became obvious that the story being told was different.

The heros, Pete and Joey, are high school dropouts from the economically depressed east coast (Nova Scotia), who like so many others travel to the big city (Toronto), in search of a better life. Their enthusiasm is quickly dashed, and they settle into a series of minimum wage jobs, ranging from factory work to washing cars. As the underdogs I couldn't help routing for them, in particular Pete has aspirations for better jobs and dating classier women. However Joey's interest in Toronto's nightlife, working class women and constant beer drinking holds his friend back. Even an interviewer's candid comment "You need to get more education or go back home" does not provide the wake up call Pete needs. In the end Pete and Joey can't seem to help themselves.

Although the main characters appeared to be in their 40's (both are heavy smokers), a decade or two too old for their roles, the acting, dialog, camera work, sound track and interactions with other bit characters worked very well together to distract the viewer from this fact. In particular the scenes of our heros hard at menial work and at play were extremely well done.

All in all, a realistic drama and time capsule to the working class of Toronto in 1970, particularly interesting to Canadians, and lover's of dramas and foreign films.

It took me 30+ years to find this film (on video) after being on a TOP TEN list in 1970 by a cool critic. I got a clean copy on Ebay that plays out (like FIVE EASY PIECES) as a mood piece of the times, fascinating character study, and overall good film of the BEST year of films overall (1970) with unknown actors.

Find this one. You won't regret it and you don't have to be Canadian or from the Golden 70's. Heartbreakingly realistic but humorous...at the most bleak and surreal moments and MacGrath and the others will smoke and live in real time before your eyes..it's not dated. Donald Shebib (whatever happened to this cool guy?) directed like a young M. Scorsese (with unknowns) that you'll never forget. Find it or you'll never be able to listen to THE DOORS again with a clean conscience.

I first saw this movie about 25 years ago and was absolutely struck by it's authentic feel. I'm about the same age as the 2 main actors, Doug McGrath and Paul Bradley and although I was born in Ontario, I clearly recall the tremendous influx of 18 - 25 year old men from Newfoundland and Nova Scotia during the 60s and 70s. I worked with several of them and as far as they were concerned, Ontario was the promised land. When they arrived, they were invariably stunned by the promise of it all. High wages, new cars, nice clothes, bright lights, and parties. Everything a boy from the pastoral East coast of Canada dreams of. They loved it all and were about the most friendly people you could ever hope to meet. They worked hard and loved to party.

At times, it was like there was a revolving door between Ontario and the Maritimes. Some of these young men were as steady as rocks and were destined to stay, marry, have children and live out their lives in Ontario. Others were impatient and quickly grew disillusioned. They'd simply pack up and move further West to the next new promised land, British Columbia. Still others came to Ontario with dreams of wealth and standing that they felt they could never attain in the Maritimes. When the dream failed to materialize, they returned to their East Coast homes, disappointed but happy that they gave it a try.

In retrospect, it was like I was caught in the center of a huge social experiment. The wave of young men from the maritimes came unexpectedly in the early 60s and and disappeared just as quickly in the early 70s. It was a period of global readjustment and personal introspection. People wanted to see if there was something more and went out to find it.

When I first happened upon this movie, I thought I was watching a documentary. It has the look and feel of a documentary and this effect is reinforced by the actors who deliver their lines in a manner that seems unrehearsed. The movie is a totally and completely accurate portrayal of the fate that met many young male adventurers from the maritimes.

This is a good movie. It shows up every few months in the wee hours of the morning. The next time you see the title, turn it on a prepare for an interesting trek through the social and cultural landscape of the 1960s.

After reading so many good reviews on this film and seeing an in-depth and up-to-date documentary with some of the cast members and Trailer Park Boys' writer/producer/director Mike Clattenburg I finally caught an airing of this film on the IFCC. It's more a drama than a comedy though you can't help but laugh at these poor guys. Pete and Joey are a pair of East Coast bumpkins who come to Toronto for a better life, but they now face a new series of hurdles as they try to fit in to the metropolis but only land a string of short term manufacturing jobs. Life gets tougher and eventually becomes worse as they drift through a period of structural unemployment.

Cool to see the backdrop filming locations along the downtown Yonge/Dundas street corner and an old Loblaws sign. And when did grocery packers last wear bowties? Then there's a cameo with Stompin' Tom Connors who looks almost exactly today as he did back then. Few copies of a DVD release but one must see the televised documentary (seen on Star! and the Drive-In Classics channel) to complete the whole story.

Fans of The Trailer Park Boys TV series may enjoy this film for the story, though fans of the original cult horror hit Black Christmas, another Toronto filmed project that included Doug McGrath among the cast, may find Going' Down The Road interesting just to catch a glimpse of the city of Toronto, the way it was in the seventies.

Not only is this a great Canadian movie and a touchstone of '70s culture (stubby beer bottles!), it's one of the best movies made anywhere about the working poor. The low production values and laidback acting work to good effect. It spawned plenty of awful imitations, but few were as rawly heartfelt and honest. Essential viewing for Canadians