IMDb-BEWERTUNG
6,5/10
1831
IHRE BEWERTUNG
Zwei entflohene Sträflinge sind auf der Flucht in der Wildnis eines nicht näher beschriebenen Landes. Wohin sie auch gehen, es folgt ihnen ein bedrohlicher schwarzer Hubschrauber.Zwei entflohene Sträflinge sind auf der Flucht in der Wildnis eines nicht näher beschriebenen Landes. Wohin sie auch gehen, es folgt ihnen ein bedrohlicher schwarzer Hubschrauber.Zwei entflohene Sträflinge sind auf der Flucht in der Wildnis eines nicht näher beschriebenen Landes. Wohin sie auch gehen, es folgt ihnen ein bedrohlicher schwarzer Hubschrauber.
- Regie
- Drehbuch
- Hauptbesetzung
- Nominiert für 1 BAFTA Award
- 1 Nominierung insgesamt
Andy Bradford
- Soldier
- (Nicht genannt)
Pamela Brown
- Widow
- (Nicht genannt)
Robert East
- Soldier
- (Nicht genannt)
Roger Lloyd Pack
- Soldier
- (Nicht genannt)
Christopher Malcolm
- Helicopter observer
- (Nicht genannt)
Warwick Sims
- Soldier
- (Nicht genannt)
Henry Woolf
- Helicopter Pilot
- (Nicht genannt)
Tariq Yunus
- Soldier
- (Nicht genannt)
Empfohlene Bewertungen
This movie takes what was a difficult novel to start with (by Barry England) and turns it into a rather odd tale of two men on the run. Robert Shaw wrote the screenplay and stars in this, and as usual is excellent as the tough and slightly unhinged Mac, with Malcolm McDowell in slightly overshadowed support as Ansell. You never really find out why they are running or who from (their pursuers are constantly referred to just as 'them'); but at times the action turns bloody and violent, at other times it is more reflective and quiet.
Joseph Losey's direction gives us the sense of two people lost in an expanse of nothing, which makes the scenes with the helicopter chasing them across country even more powerful. It is just hard to care about these two, without any back story to speak of or any sense of just what or who they are. An ok film and worth watching, but slightly frustrating.
Joseph Losey's direction gives us the sense of two people lost in an expanse of nothing, which makes the scenes with the helicopter chasing them across country even more powerful. It is just hard to care about these two, without any back story to speak of or any sense of just what or who they are. An ok film and worth watching, but slightly frustrating.
FIGURES IN A LANDSCAPE is interesting for a lot of reasons: it was directed by Joseph Losey,it stars a very young Malcolm McDowell and it boasts a script by co-star Robert Shaw.
The set-up is very existential: 2 men are pursued by a mysterious black helicopter over a rough, desert terrain. We never learn the reasons for any of this or even where it is taking place.The atmosphere of dread is kept at a high level thru-out.
Everything about the film is as stripped to the basics as the title suggests. The men are never given much more than the briefest of backgrounds. But it is precisely this quality of mystery that gives the film its main points of interest. I would certainly like to be able to see it on a larger screen. The helicopter photography is very impressive and the shots of the two figures traversing the inhospitable terrain are striking.
Robert Shaw gives a ferocious performance. Malcolm McDowell's part requires him to be more subdued but he is capable and provides the film's main sympathetic character.
The set-up is very existential: 2 men are pursued by a mysterious black helicopter over a rough, desert terrain. We never learn the reasons for any of this or even where it is taking place.The atmosphere of dread is kept at a high level thru-out.
Everything about the film is as stripped to the basics as the title suggests. The men are never given much more than the briefest of backgrounds. But it is precisely this quality of mystery that gives the film its main points of interest. I would certainly like to be able to see it on a larger screen. The helicopter photography is very impressive and the shots of the two figures traversing the inhospitable terrain are striking.
Robert Shaw gives a ferocious performance. Malcolm McDowell's part requires him to be more subdued but he is capable and provides the film's main sympathetic character.
I saw this movie for the first and last time on Dutch television in the late 70's / early 80's. I was 9 or 10 years old at that time. I remember it gave me the creeps. Especially the helicopter... that could show up at any time. This film has been in my head for a long time (not remembering the title) Since I know the title (recently) i can't wait to see the movie again but unfortunately this films isn''t available on tape or DVD. I wonder what happened to it and i would like to ask anyone involved in making this film to blow the dust from the original print and release it very soon. Then I can judge the film again and maybe come to the conclusion that it is a terrible movie after all ;-)
Rob (The Netherlands)
Rob (The Netherlands)
Inspired by the minimalist theater-driven film-making of the period, Figures in a Landscape is much more interesting than its competition (Tomorrow, Losey's own "The Servant). Why? Because of the helicopter, of course!
Robert Shaw, always inspired, is here particularly so, all but frothing at the mouth as he drags his weary carcass over the mountains, from nowhere, to nowhere, until the endless desert itself seems more and more like a stage for their mad performance.
An inversion of the often static fare of the period that still displays serious acting chops. Recommended.
Robert Shaw, always inspired, is here particularly so, all but frothing at the mouth as he drags his weary carcass over the mountains, from nowhere, to nowhere, until the endless desert itself seems more and more like a stage for their mad performance.
An inversion of the often static fare of the period that still displays serious acting chops. Recommended.
The viewer is presented with two characters. These characters are on the run, from a black helicopter that keeps chasing after them. The viewer is not told what there crime is, or if they have committed any crime. They both must fight their way through a rocky, rough, dry desert region. All the viewer gets is little stories from each of these men. We find out about children, a wife, former girlfriends, etc. The men struggle to reach a safe place, almost driving themselves crazy, believing that this is possible. This film is not available on video or disc, and the TV print runs shorter than 110 minutes. There may be a large important part of this film missing. Maybe one day it will be released on tape and disc so that a wider audience can see it. This film really is a good piece of film making.
Wusstest du schon
- WissenswertesThis project was in the works for a long time before the film finally emerged. There were various changes of cast and director, and many writers, including James Mitchell and Stanley Mann, produced drafts of the script before Robert Shaw, who was also a novelist, agreed to do a final rewrite immediately before shooting was due to begin. Although he assured Joseph Losey that he would finish it before the first day of shooting, he did not, in fact, complete it until the end of filming, with changes being seemingly made almost every day. The film was a box-office failure and was mostly shown in Britain in a heavily-cut version, although television showings have been complete.
- Alternative VersionenThe cut released in Italy (under the title "Caccia sadica," or "Sadistic Hunt") lost 14 minutes according to Joseph Losey, who looked into having his name removed from the credits.
- VerbindungenReferenced in Aqueles Dois (1985)
- SoundtracksCartagena
(uncredited)
Music by Julián Palanca
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Figures in a Landscape?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Figures in a Landscape
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 50 Min.(110 min)
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen