Voodoo Child

Interesting film about a young college coed who becomes involved with a young man who has connections that extend well into the underworld and who only needs the right book to unleash them. Sandra Dee in a surprisingly sexy role as the young student and Les Baxter's very nice soundtrack just about save an effort where the actual film doesn't do justice to its title. Nonetheless the production design creates creepy atmosphere especially in the seaside alter where Dee is nearly undressed while Stockwell prepares her for the arrival of Satan himself. And there is a certain amount of imagination involved in the film that combines a nice mixture of classic horror themes with hip sensibilities.

"The Dunwich Horror" of 1970 may not be great Horror, but it is nonetheless a worthwhile little film that has many qualities. The film is based on the writings of the almighty H.P. Lovecraft, which may be one of the reasons why many fellow Horror lovers find it to be disappointing. Many films based on Lovecraft writings are downright brilliant all-time Horror-greats, above all Roger Corman's "Haunted Palace" (1963) with Vincent Price (which was marketed as a Poe-adaptation), Sam Raimi's "Evil Dead" (1981) and Stuart Gordon's "Re-Animator" (1985), just to name three absolute masterpieces inspired by this great writer's work. "The Dunwitch Horror", of course, comes nowhere near the brilliance of films like those just mentioned, it is not even comparable to films like these, and it is certainly no classic, but while the film has its flaws, it is still an entertaining film that has its qualities.

I will not go into detail regarding the plot, but, as usual for Lovecraft adapt ions, the Necronomicon, and the 'Old Ones' play an important role. The quality of the performances differs. Sandra Dee, is sexy and nice to look at in the female lead, and she even reveals some of her charms, but her performance is quite awful. Dean Stockwell (who sports one of the most fake-looking mustaches in motion picture history) arguably delivers the best performance in the film, and the cast furthermore includes Sam Jaffe and the weird-looking Ed Begley ("12 Angry Men", "Hang 'Em High") in one of his last roles. Talia Shire also has a small role. The visual style is very much a matter of personal taste. The film has a nice general atmosphere and cool settings. The occasional flashy colors, in which the whole screen turns at some points, don't really fit in and annoy at times. The films greatest aspect is the excellent score by Les Baxter, which contributes a lot to the atmosphere. The film has a brilliant animated opening credit sequence, which is another reason to give it a try. All things considered, "The Dunwich Horror" is certainly no great film, but even though it is quite cheesy and never really suspenseful it is yet a highly entertaining little film that I recommend to fans of occult fun.

Another movie featuring Gothic horror that collides with late 1960's psychedelic/Hippie clothing, fashions, design, etc. It makes for a potent combination that is somewhat silly but great fun to look at.

The rumor is that Peter Fonda was supposed to play the lead but Dean Stockwell stepped in at the last minute. It would have sure been a different movie with old Pete. Stockwell gives the role a creepy yet seductive intensity. Could Fonda have done the same? Not so sure about that. I tend to think that Peter Fonda would have been a little too "slick" for this role, that is, too much on the side of the sleazy seducer and too little on the side of the menacing necromancer. But, who knows, that's just my silly idle speculation, as Peter never did the role.

This would make a great double feature with "Simon: King of The Witches," also currently available on DVD. Filmed shortly after this film, also has a warlock, and a lot of trippy psychedelic visual effects. Also great fun to look at and quite entertaining performance in the lead role by Andrew Prine.

A kind of disappointing foray into the realm of Lovecraft. Dee looks like she's lost in a library, not in a twisted necromantic nightmare. Stockwell is fun at times and he's a good actor but Haller lets him play too broad to be convincing. the legendary "topless Sandra Dee" scene lasts all of 2 seconds, and I thought it looked like it could just as easily have been anybody's (well, almost anybody's, but possibly not even Sandra Dee's!), because the camera dollied behind Dee's head and got dark on her just before showing it, so a switch and edit could easily have been accomplished. That means, if it IS a true totless shot, the cameraman and Haller should be ashamed for making it look fake.

Surely, Roger Corman should have exercised a stronger hand over this one (or somebody should have). Still, it's fun and kind of different. Will not particularly please H.P. Lovecraft fans.

If I had watched this with a bunch of friends, we would have laughed and thought it was awful. But when watched alone at night, without a critical attitude, it is creepy and effective as only an old, cheap horror movie can be. Dean Stockwell and Sandra Dee give low key, almost distracted performances that, intentionally or not, contribute to the eerie tone, and presentation of Dean Stockwell's unearthly twin was very atmospheric and evocative - a good example of how to play on the viewers' imagination (a lost art in most of today's horror movies). The movie has a titillating sexuality (which seems very 1970 but quite un-Lovecraftian but it has been a long time since I've read his stuff) with a few quick almost subliminal nude shots.

Part of my enjoyment of the film was nostalgia - it reminded me of tv shows and movies I enjoyed as a kid in the early 70s. Dunwich Horror is very similar in style to the Night Gallery tv series (which was rarely successful, but I still enjoy watching it if I get a chance).

So - not a great movie, but good if you like this sort of thing and are in the right frame of mind. The DVD looked pretty good, especially the color.